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Showing most liked content since 06/19/2019 in all areas

  1. 221 likes
    I don't wanna make a big statement, but I want to thank all the users that have contributed to this forum in the least 5 years. The first 3 were a wonderful experience and I know that having this forum was a joy for me. Unfortunately things began to change at one point and the least year has been very toxic, but what our good users have done here is incredible and something that I could've never expected when this forum started, your help, contributions and friendship were something that I'll always appreciate, even our past users who no longer visit or post as often. I wanna thank the moderators and our other admin meeshell because they have done SO MUCH WORK that you guys don't even imagine, they have put so much effort to continue with this site and I'm sorry that I couldn't do it any longer. This ending would've happened way sooner without them. Thank you so much for everything. Now matter if it sucks to have to move on, I will miss the good times we had. Love Fighter xxxx
  2. 20 likes
    24 screenshots I grabbed: [hide]https://drive.google.com/open?id=1RYGrNEvWTXBQh2NvVJAxVytHiyIxuzGl[/hide] Enjoy!
  3. 16 likes
    I managed to save this, but the quality is not perfect. If anyone was able to capture the stream in full HD, please share! For now, here is what I have: [hide]https://mega.nz/#!whFznSqQ!RGkpPrmUeLga98PyRSeyvsjpTTOKyquqV9-uaiKkGxA[/hide]
  4. 12 likes
    I know i'llprobably be attacked by tons of fans for saying this but it was a nice little show but from now on you can clearly see that the Madonna who litterally owns the stage is a thing from the past. Maybe it's age or the butt implant or the lack of sports/cardio but i found she was lacking energy and the few little times she was doing a few dancing steps it felt like she had a hard time dancing. Her legendary stage presence and her charisma seems to be kinda gone... i thought at Eurovision is was meant to be "low energy" on purpose and that worked really well but now i see something is definitely gone. Now crucify me i'm ready lol 😂😂😂
  5. 11 likes
    Hi everyone! It is now time for the Madame X Megarate to start!  New album means a new megarate. For those who don't know what a megarate is: every participants has to rate each songs from Madonna's Madame X from 1 to 10 (rules are detailed below). With every score, average scores for each songs will be calculated and we'll have a definitive ranking of all of the songs from Madame X! The bonus tracks and "Soltera" will be part of the competition as well. There is no deadline for now, it will depend on the number of people that vote (though the rates will likely be accepted over the course of a week or two).  Rules: Make sure to know each song included in the competition. Rate each song from 1 to 10. You are allowed to give the same rate to multiple songs. Decimals are allowed only up to the hundredth (HIGHLY RECOMMENDED WHEN YOU CAN IN ORDER TO AVOID TIES). You are allowed to give 0 and 11 to one song per era (OPTIONAL). Send your rates to me by personal messenger, NOT in the thread. This should be interesting! Hope a lot of you will join!  PM Friendly Tracklist:
  6. 10 likes
    Really? Because I hear a woman revitalized, inspired, and invested creatively in ways that she hasn't been in a long, long time. The last time I've felt this level of investment from her was American Life.
  7. 8 likes
    I think we're gonna get it guys, they filmed it
  8. 8 likes
    the whole thing, not pro at all, but for whoever couldn't get the live stream and the FULL SINGLE PERFORMANCES IN THE BEST QUALITY (at least for the moment) Vogue: American Life: Speech + God Control:
  9. 7 likes
    She looks like she is in great shape. I thought her legs looked amazing. Why is it that people expect Madonna to always do back flips and contort? When she isnt sweating her arse off some of y'all are not satisfied. What she presents in a performance is more than plenty for any of us to be happy with. Grow up.
  10. 7 likes
    Madame X – Mojo Review Madonna’s 14th studio album fuses political intent with world pop disco. Madonna has always worked well one-to-one, and after her hip trap-inspired singles with Quavo and Swae Lee, and the reggaeton dalliance with Maluma, she has saved the best for last. The real treat on this album is Madonna’s vivid, dramatic work with Mirwais. They send the disco ball spinning on French house tracks like God Control and the very fine I Don’t Search I Find, while Dark Ballet is rococo brilliance, sounding like a deranged Nutcracker Suite. Where 2015’s Rebel Heart seemed like a record made by committee, this album reflects Madonna’s life in Lisbon – laid-back, curious, and intensely creative – absorbing influences ranging from percussive Moroccan gnawa to melancholy Portuguese morna. The pace plods on some mid-tempo tracks, but overall this is a personal, politically-charged mix of dark thoughts and good vibes. Lucy O’Brien 4 out of 5 stars
  11. 7 likes
  12. 6 likes
    Going to really miss this forum. Hope to see many of you elsewhere. big hugs to all .. and especially to Fighter
  13. 6 likes
    I've been to the pop-up store in NYC this morning. It was basically a brick and mortar version of her webstore - Madame X and LAP 30th anniversary merchandise. There was also a signed rainbow flag, which they're raffling.
  14. 6 likes
    If I have to hear the lisbon soccer mom story one more time....
  15. 6 likes
    Album Review: Madonna’s ‘Madame X’ Pushes The Boundaries Of Pop ADVERTISEMENT Mike Wass @mikewassmusic | June 17, 2019 1:39 pm Madame X is a radical body of work, but perhaps not in the way Madonnaintended. She rails against injustice and oppression with the fervor of a preacher, imbuing the album with a righteousness that is palpable. As brave and commendable as that is, the Queen of Pop’s musical missives lack nuance. Rather, it’s her complete defiance of genre that makes Madame X genuinely groundbreaking. From the promo video that announced the era, we know that Madame X is, among other things, a nun and an equestrian. She can also add sane scientist to her resume. The pop icon concocts a collection of songs that blend reggaeton, dancehall, pop, hip-hop, afrobeat and fado — all without losing sight of her mission. As the living legend knows better than most, music makes the people come together. And she’s determined to forge unity and resistance, one pop-hybrid at a time. In some ways, Madame X can be divided into two parts. In one column, there are the wildly experimental, often politically-charged anthems produced by Mirwais. In the other, we’re treated to more accessible pop offerings largely crafted by Mike Dean and Billboard. They are both equally compelling, but the former has proven to be more polarizing. Which, I suspect, would please Madonna no end. After all, her track record with Mirwais is as eclectic as it is immaculate. Together, they have created everything from radio hits to electro-pop oddities like “Impressive Instant” and “X-Static Process.” The collaborators obviously share a passion for stretching the boundaries of pop, and that trend continues on Madame X. Take the album’s lead single. “Medellín,”a dreamy duet with Maluma, was met with mild confusion upon release. (Few expected Madonna to return with a five-minute, bilingual bop about a Colombian city). Amusingly, it turns out to be one of the record’s most accessible cuts. The track’s quirks are offset by a plethora of hooks and an unabashed romanticism that is disarming. A more daring, equally successful experiment is “God Control.” An instant fan favorite, this might be the only song in existence that addresses gun control and youth unemployment over disco beats. It’s sprawling and perhaps unnecessarily baroque, but it burns with ambitious and anger. And still manages to be pop. A quality that “Dark Ballet” is lacking. Instead, the oddball anthem offers a little Tchaikovsky, heavily-distorted vocals and a scathing sermon on the state of humanity. It’s a little heavy-handed, but nonetheless mesmerizing. Less successful are cuts like “I Don’t Search I Find” and “Extreme Occident,” which don’t propel Madonna’s moral agenda forward, or work as straightforward pop songs. They do, however, offer a degree of self-reflection, and tell you more about the enduring hitmaker’s relationship with Father Time than that bogus New York Times profile. The same can not be said for “Killers Who Are Partying,” which finds our heroine exclaiming platitudes over an admittedly lovely, fado-inspired arrangement. The intention is as admirable as the execution is ham-fisted. Mirwais and Madonna truly excel, however, when they are showcasing another aspect of Madame X. Namely, that she is a student and world traveller. “Batuka” is a plea for change that (successfully) combines a choir, African instruments and a Portuguese drum collective. It’s dynamic and utterly compelling. That description also applies to bonus tracks “Ciao Bella” and “Funana.” The former finds Madonna at her most playful and fun, while the latter is a rush of pure energy. There are a couple of frivolous, world music-inspired bops on Madame X. Unfortunately, they are hidden on Disc 2 of the deluxe edition. The rest of the album is less experimental, which isn’t necessarily a bad thing. “Crave” stood out as the best buzz track from Madame X and it still ranks as the only cut that really caters for radio. The production, courtesy of Mike Dean and Billboard, is on-trend and Swae Lee adds a hip-hop sensibility that makes it accessible to an even wider audience. The producers work similar magic on “Faz Gostoso” featuring Anitta. It’s actually a cover of a 2017 hit by BLAYA, but there’s nothing dated about this explosion of dance beats and sexy lyrics. Another highlight is “Come Alive.” Co-written by Starrah (one of seven songs she contributed to the album), the hip-hop-tinged bop boasts one the most instant choruses on Madame X. The involvement of Jeff Bhasker (Beyonce’s4) is strongly felt on the lush, horns-filled production. He also had a hand in the excellent “Looking For Mercy.” It’s not a coincidence that Madonna introduced Rebel Heart with a song called “Living For Love.” This is a bookend of sorts. Instead of the outward search for companionship, the hitmaker is now focussed on her relationship with God. Wisdom is in short supply in pop music, but this is brimming with it. While there’s an urban sheen to many of the songs not produced by Mirwais, world music is still very much front and center. Take the Latin-pop fusion that is “Crazy.” In another artist’s hands this would be surefire radio fodder, but Madame X makes it a culture-bridging banger. And then, there’s the hilarious “Bitch I’m Loca,” which is best described as a (low-brow) sequel to “Medellín.” I also recommend hunting down “Back That Up To The Beat.” It’s yet another gem tucked away on Disc 2 that mashes everything from euro-dance to ’90s R&B. Pharrell really stepped outside his comfort zone on this one. Again, this half of Madame X falters ever so slightly when it becomes political. Album-closer “I Rise” is well-intentioned, but it didn’t need a children’s choir to bludgeon the point home. “Future,” a dancehall-lite collaboration with Quavo, is no less subtle in its messaging or execution. The latter also highlight’s Madonna’s heavy use of autotune, which begins to feel a little overdone as the record enters the home stretch. It should be noted that while the Queen of Pop addresses the bigger picture like never before on Madame X, she also looks inward. In many ways, Madame X is Madonna’s most personal album to date. She’s speaking her truth, while revealing more of herself than ever. It might not be the collection of bangers you want, but it’s what we, as a society, need. The fact that she can stoke the flames of rebellion in a way that is original, vulnerable and inclusive (in the truest sense of the word) is a pop miracle. But, then again, Madonna has been rewriting the rule book since 1982. And she isn’t going to stop any time soon. Score: 4.5/5
  16. 5 likes
    It's a total shame some of the comments and members here...
  17. 5 likes
    I'll send real italian pizza to whoever shares the rip and trust me.. you can't compete with that
  18. 5 likes
    I hope so!! Full thing, so we don't have to glue together 1.000 snippets later 😂😂😂😂😂 And not vertical videos, for God's sake 😂😂😂😂😂
  19. 5 likes
    Crave has moved up one spot to #14 on the Adult Contemporary Chart
  20. 5 likes
    Isn't the only 'rumour' about a new greatest hits started by this thread?
  21. 5 likes
    https://time.com/5608577/madonna-i-rise-video/
  22. 5 likes
  23. 5 likes
    Here: Madonna - American Pie (Special Victor Calderone Vocal Club Mix).wav [hide]https://madonna-infinity.net/forums/index.php?/topic/18267-dl-madonna-american-pie-special-victor-calderone-vocal-club-mix-wav/[/hide] Enjoy!
  24. 4 likes
  25. 4 likes
    I love that the original AL video is back in the game!!
  26. 4 likes
  27. 4 likes
    Peter Rafelson recounts how his demo made it into the True Blue album, starts around minute 30 http://aca.st/b6bac2
  28. 4 likes
    Hot dom videos of me and my boyfriend, with an extreme 45 people orgy as a bonus here!!! Send a good rip thanx
  29. 4 likes
    I will send nudes if you don't send me a rip!
  30. 4 likes
  31. 4 likes
    From PopJustice: A Brazilian TV host said Madonna will shoot a video for "Faz Gostoso" in Rio de Janeiro. More specifically in Honório Gurgel, the neighborhood Anitta grew up in. The budget is over 1 million Brazilian reais (roughly $300,000). Hope it's true!
  32. 4 likes
    https://headlineplanet.com/home/2019/06/19/madonnas-madame-x-now-pacing-for-1-with-90-100k-us-sales-95-105k-total-us-units/
  33. 4 likes
  34. 4 likes
    God she's just so cheap sometimes. You're close to or are a billionaire....just finance it yourself woman, it's all a tax write off anyways. I'd love a video for Faz Gostozo.
  35. 4 likes
    interview meh more ass kissing from jimmy fellon while he pretends not to be a robot
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