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VogueMusic

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  1. The indoor arenas use the actual arena infrastructure to suspend rigging for whatever show is being presented, as in the picture above. Yes, all arenas are different, but they're made for rigging up whatever a production may need. For stadium or outdoor shows, since there is no roofing (and said infrastructure) to house/hang a production, they have to actually build it (that's what I meant by "custom engineer" it). Like the Sticky & Sweet stage below - What I meant was they'll have to build something like this if they're going to present the full, original production as she's touring it now - as major parts of the production require rigging (hanging) far out into audience, over the multiple catwalks. I don't think it's impossible...I think some of us are just unsure considering all shows so far have been indoors. (Sorry, I'm trying to explain it as best I can (based on what I've learned about touring productions). I apologize if I'm not clear... )
  2. Actually, it is setup to be attached to the venue though. All the rigging for the entire show, particularly the extended lighting, flying portal, etc. are suspended using the infrastructure of the arena. That's typical setup for arena shows. Considering the design of this show, it essentially was made with arenas in mind - The only time they design and erect custom housing for the rigging system (depending on the design of the show) is when artists do outdoor stadium gigs (hence no roof). They can design a housing that will support it though, but it has to be custom engineered for it (like the extended rigging housing the circular screens that came down over the circular stage b for Sticky & Sweet). So technically it's not impossible. But I think it depends on the specific design of the individual show. Perhaps she worked it out as part of the deal? It would seem a bit out of character for her to compromise nearly the entire presentation of her show, esp. if said show is going to be filmed. Anyways, who knows...
  3. Hmmm... I don't see what a tour book has to do with the official tour film? They are two completely different things. Madonna is one of the very few artists to have a track record of some sort of official video documentation of all her tours - full show or documentary. I doubt she'd leave out this seminal concert tour, considering it's success and what it represents. I highly doubt there would not be a film/broadcast of some kind.
  4. Personally, that's not what concerns me. I rarely have that much of an issue with the editing either way. The only thing I'm a bit worried about it is if this is going to be the 'official tour film'...will it be the full original production design, or will it be missing key elements, considering they will be in an outdoor venue...? Seems unlike her to have the official tour film be a version of the show missing key production elements.
  5. I believe every show is filmed by the in-house video team, every night. We've seen a bit of that footage from Sasha on his insta - https://www.instagram.com/reel/C2aKpQ_sm_j/ Most concert films from all artists are now compiled from that in-house feed, with the addition of some extra crane shots brought in on certain dates (if needed). It's not like the old days where you had to bring in a specific team, cameras, extra lighting, etc. That's just what I've picked up from reading articles about how they do concert films now. Don't take it as gospel though. As for Rio, who knows, but it wouldn't surprise me (as said above) that she wouldn't agree to this unless the direction/editing can be done by her team, with the director selected by her. Perhaps it will be Jonas, as he was observing cameras and talking with the team in LA. Though directing live, in real-time, is a different skill set that one really has to be well versed in to pull off correctly. So who knows...
  6. As exciting as it is, I'm a bit worried if this becomes the final "official tour film" for this tour. The arena production is a creative, technical and theatrical marvel that deserves to be captured in its full, original glory.
  7. The reason for lack of tourbook may just be cost to produce. As someone who attends pro national tours for theater regularly, as well as other live shows, for the past decade tour books, or "souvenir programs", have been all but slowly phased out. Majority of shows I go to now no longer have tour books. I've inquired why with industry professionals, and they have all stated that the cost to produce them is high, and is no longer considered worth it compared to how many they sell. So, essentially, they're just not seen as profitable anymore. Yes, some shows do make them still, luckily...but it's becoming much more of a rare thing. It's not unique to Madonna whatsoever.
  8. Can someone possibly link to this post? What interview...?
  9. After having seen the show live, the ending was perfect. Not that I wouldn't have loved a medley of a few more big songs there, but while I thought it would be a bit anti-climatic, it actually flowed perfectly in the context of the whole show...and got a massive response out the audience. (And it was loud as FUCK. I LOVED it.)
  10. I looked at those comments...another old gay man completely blind to his own misogyny and ageism. Typical.
  11. MOTHER OF GOD. It FINALLY happened. We can have Gay peace now. Right? Truly...what a memorable night!!! This tour is phenomenal. I don't want it to end.
  12. In terms of iconcography, sales, music history, and the absolutely perfect introduction to who Madonna is, and why she is the one and only TRUE "Queen of Pop" - The Immaculate Collection. Obvlously. It's perfection. Even the new mixes and Q-sound give it a unique quality that I adore. There's a reason why it's one of the biggest selling greatest hits collections of all time. For the general public, casual listener, and those who want a more career comprehensive collection - Celebration (2-Disc). It may have some flaws, but overall it's a fantastic collection. Personally, I have very little issue with it, and it's actually the hits collection I listen to the most...especially when listening with other non-Madonna fans. It covers all the bases. (And I love the artwork too). It's also a perfect gift item for someone wanting to add M to their overall music collection. For the more passionate music lover, and the growing younger fan - Finally Enough Love (Deluxe Edition). Covers her entire career until the present, and solidifies why she's the queen of the dance floor and the dance charts...as well as her half a century deep connection to dance culture/music/and the power of the remix. Honorable mention - for the ballad, chill lover - Something to Remember. Obviously. Especially for showing M's strength in songwriting, versatility, emotive singing, and that she is a legit musical artist. And for exemplifying the magic of the 80's dance floor - You Can Dance.
  13. I ask myself this all the time! Cher and Dolly always get a pass... and their work done is far more obvious and extreme. And started far earlier. Then again, they are "national treasures" now. They don't provoke in the way M does, and never did. I'd say they're about equal (considering their individual styles) with what they did/are doing at their age on stage. Tina worked her ass off on that last tour in 08-09 (like M now), but she said it was a real struggle, and took it's toll on her. Wish folks could really be more appreciative of how unbelievably hard these women work, still, at that age...and they don't have to.
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