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"This last disc is hard going,
purely because unless you really made a lot of effort to buy and try and ‘get into’ these more recent Madonna albums,
you’re going into it blind."
https://superdeluxeedition.com/reviews/madonnas-finally-enough-love-50-number-ones-reviewed/?fbclid=IwAR23hX4G8IM9Dyp1Utd50Z_6pbKb5aO0wwBJSzBjFDbX7h2dgGe_8LI7P4g- Show previous comments 5 more
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@Prayeroh ok, i wasn't aware of that. He surely writes for non-M fans though, in a super deluxe edition sense.
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But is he, really? The way he talks about most of the remixes shows he has absolutely NO idea about dance music and he's only doing it for the dragging. Is more a random collection of views and personal prejudices than a proper music review.
The Sasha Ultra Violet Mix of ‘Ray of Light’ sounds like the kind of music that hostile military forces play when they are trying to break the spirit of the captured enemy. ‘Nothing Really Matters’ starts well but turns into an exercise in ‘boom-tish’ tedium. The Calderone Radio Mix of ‘Beautiful Stranger’ was surely never played on any radio and the Richard ‘Humpty’ Vission Radio Mix of ‘American Pie’ is something that all the King’s horses and all the King’s men couldn’t save. The Deep Dish Dot Com Radio Edit of ‘Music’ has a name that had my finger hovering over the ‘skip’ button, but it’s actually rather good and offers some respite mid-CD, but Thunderpuss Video Remix of ‘Don’t Tell Me’ is truly awful. The Above And Beyond Club Radio Mix of ‘What It Feels Like For A Girl’ is supposed to be a remix classic; it probably sounded good in Ibiza. And so it continues. The ‘Die Another Die‘ remix is unlistenable and suddenly, I am no longer familiar with the original songs anymore. ‘Me Against The Music’? Nope. ’Nothing Fails’? No memory at all.
"It probably sounded good in Ibiza". Is that supposed to be shade? Of course it did, it's a club mix, b***h. What kind of review is "this song? Nope, I don't know it. Was this released here?", I mean.
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