Mr. Peanutbutter Horseman

As real as the The Virgin Tour BluRay.

As real as the The Virgin Tour BluRay.

I watched this film the other day and forgot how great it is ?

thanks for sharing. loved that jacket in the movie. interesting article.

At the end of the day we don't know. We like to assume things but we cannot be 100% if she's behind every production decision 

https://tomandlorenzo.com/2020/06/one-iconic-look-madonnas-jacket-in-desperately-seeking-susan-1985/
A very detailed and informed article about the jacket.

P.S. THE jacket was sold at an auction in 2016 for $87,500
https://www.julienslive.com/view-auctions/catalog/id/177/lot/75685

https://tomandlorenzo.com/2020/06/one-iconic-look-madonnas-jacket-in-desperately-seeking-susan-1985/
A very detailed and informed article about the jacket.

P.S. THE jacket was sold at an auction in 2016 for $87,500
https://www.julienslive.com/view-auctions/catalog/id/177/lot/75685

Yes there is a Freddie/Jacksons version of State Of Shock in demo form.
Only song that has never been released from their sessions is the title track of the Jacksons Victory album.
 
Side note this should not be in Madonna news and discussion because it's not Madonna related at all.

jeez... chill.

It's called Amor De Mãe, and it didn't leak. It was posted on its director's VIMEO account. So not a leak, just to make things clear.

oh, everyone should "eat out" at least once in their life.

Not related to M... but Britney is like the brother of Ricky Martin lol! 
 

I found pics of Madonna's nephew...
 

I'm losing my mind... Am I blind? The male Madonna is like a gay Sean Penn.

Not crazy about most of the official remixes, but these are amazing
Matt Moss Le Baroque Mix
Matt Moss Le Baroque Radio Mix
Matt Moss L'Homo Erectus Mix

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Maybe you’re right... for me her first few albums are the weakest compared to her recent albums... I don’t see anything special in LAV or TB or even LAP... “”except”” few major hits!

Her 80’s work won’t be a good start! That’s my opinion tho... don’t @ me! ? except few major hits like (La Isla Bonita / Live To Tell / Like A Prayer) ??

What four albums of Madonna's would you tell a new Madonna fan to listen to first? I think The Guardian nails it with the first three ("Like A Prayer","Ray Of Light", and "Music"), but, I'd replace "Madame X" with "Confessions".
Madonna: where to start in her back catalogue
The album to start with
Like a Prayer (1989)
Madonna’s 1980s hits such as Holiday, Into the Groove and Like a Virgin are brilliantly captured on The Immaculate Collection (1990). If you want a deeper exploration of her musical psyche and kinetic songwriting though, I’d advise listening to the post-True Blue albums. In the late 80s, having conquered the charts with 19 hit singles, she was ready to challenge herself with more personal lyrics and a richly collaborative approach with her producers and musicians. Dubbed her “divorce album”, 1989’s Like a Prayer was recorded at the worst point in Madonna’s marriage to Sean Penn, as the giddy pace and crashing glass of Till Death Do Us Part testifies.
As well as capturing the emotional chaos of her marriage, Madonna delved into her Catholic girlhood and family dynamics with some Freudian pop songwriting. Producer Pat Leonard was the yang to Madonna’s yin, his deeply melodic music providing the ballast for her vivid lyrics. The standout song here is easily the iconic title track, with its fiery gospel choir, Guy Pratt’s runaway bass line and the lyrical celebration of the sacred and profane. Also lovely is the tender piano ballad Promise to Try (in memory of her mother), and Express Yourself – a funky, feminist call to arms that she wrote with Stephen Bray, stepping out, as he put it “like Daenerys in Game of Thrones, emerging from the fire”.
The three to check out next
Ray of Light (1998)
Recorded in her late 30s, after the birth of her daughter Lourdes, 1998’s Ray of Light marks out Madonna’s maturity as an artist. Study of Kabbalah and yogic philosophy had taken her down an experimental path, and William Orbit’s trippy, electronic production created the space for questing lyrics about the death of the ego and personal transformation. Singing a set of robust, theatrical songs for the Evita movie soundtrack two years earlier had made Madonna’s voice stronger and more expressive – especially for the techno-driven title track, in which Orbit made her sing a semitone above her comfort zone.
This record is a triumph, more of a concept album than a collection of songs. It’s not just Orbit’s icy production that makes it so rewarding, but Pat Leonard’s dramatic arrangements for tracks like Frozen and Nothing Really Matters (the latter featuring glorious backing vocals by Donna De Lory and Niki Haris). There is a sense of personal revelation in the chilling final track Mer Girl, where Madonna creates a poetic, nightmarish vision of her dead mother buried beneath the earth.
The album won her four Grammys, and conclusively proved her worth as a musician and executive producer, willing to take artistic risks. On the track Nothing Really Matters, for instance, Orbit wanted to get rid of co-producer Marius De Vries’ strange, strangled intro. “Sounds like a broken DAT,” he protested. Madonna, who had the casting vote, kept the noise in, adding another layer to the album’s futuristic, otherworldly sound.
Music (2000)
Driven by producer Mirwais Ahmadzaï’s fractured disco and acid bass, the opening track is classic party Madonna. “Music makes the people come together / Music makes the bourgeoisie and the rebel.” What a fantastic line – and, sung in that choppy, insouciant way, one of most memorable in 2000s pop. On this album, Madonna explores what love and music mean to her, moving easily from the sinuous country grooves of Don’t Tell Me to the space age ambience of What It Feels Like For a Girl (complete with Charlotte Gainsbourg’s soft spoken-word intro). What’s most striking now is the track Paradise (Not for Me). Somewhat overlooked at the time of the album’s release, with its pitch-shifting chanson, trip-hop bedroom pop and melting strings, it’s very of this pop moment.
Madame X (2019)
Madonna went a little off the boil after 2005’s Confessions on a Dance Floor with a few albums (Hard Candy, MDNA, Rebel Heart) where she seemed less engaged, less excited. With last year’s Madame X, she rediscovered her mojo. Reflecting on her new life in Lisbon, this album is about exile and liberation, incorporating everything from reggaeton, mournful Portuguese fado and devotional Moroccan Ganawa to trap-inspired hip-hop. Dark Ballet (produced by Mirwais) has a rococo brilliance, while I Don’t Search I Find is an almost mystical return to the dancefloor. And Batuka, performed with the mighty Orquestra Batukadeiras, has a dark, percussive female power. When you think about where Madonna began, with the heady New York beat box sound of 1982’s Everybody, hers has been an amazing journey. 

She’s too busy flooding us with her BLM stuff ?

It's great to see you've got your priorities straight... 

If it were the pro shot tapes of the entire tour, maybe it’s worth thinking...

Unfortunately