lennyleonard

Also I never knew Junior Vasquez was actually one of the Causing A Commotion remixers. This is brand new information people.

Emily on that day in 1987

Kylie has had sooooo many greatest hits over her career.
I think five properly big official ones
 
Greatest Hits (PWL) Hits + (Decon) Ultimate Kylie (Parlo) The Best Of Kylie Minogue (EMI) Step Back In Time (BMG) I suppose you could also count The Abbey Road Session too as they're a collection of Greatest Hit Singles albeit reimagined.
A few crappy basic ones too
Confide In Me - (Decon) Greatest Hits + remixes (PWL) which is just the first Greatest hits really with a couple of emissions and a b side  Greatest Hits 87-89  (PWL + Decon) The first two greatest hits combined and a few bonus tracks Artists Collection - (Decon) Odd mix of her two Decon album tracks and singles Confide In Me (Decon) Another odd mic of album tracks , b-sides, singles and remixes Hits (EMI) - A weird hodge podge of songs from her first five Parlo albums a live track and a remix as well as four PWL Greatest Remix albums and load of other remix albums
Kylie did really well to come back form her KYLIE25 era which basically sorta wrote her off as a legacy act. The girl done well.
......If her new single With Tove Lo and Bebe Rexha tomorrow is the first of her next album were probably due another Compilation collection from her timeline wise in the next couple of years. 
She's had 15 singles official since Step Back In Time a few being duets and a couple being Promo.
 
I'm so glad we haven't had to suffer the absolute state of this with Madonnas catalogue. I know we moan a bit about the lack of a third proper greatest hits and omissions on four collections but we've really been spared the mess.
 
 

Her oldest album and it's not still finished yet lol

Her oldest album and it's not still finished yet lol

Her oldest album and it's not still finished yet lol

Was it foreshadowing or summoning? 😭

Here it is enjoy 

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Remember when she foreshadowed the rise of Gaga by releasing She's Not Me a whole year before she arrived?

In LAP video, M had hinted ROL is coming...

Being angry at or mocking fans for wanting all the old singles on streaming would be the equivalent of being angry in the mid 90s when the original 80s singles were reissued on CD (the Yellow singles). "But I already got them on vinyl!". AND?
What's the point in complaining about that? The more accessible her material is, for old and new generations, the better, right? And streaming is the most accessible format now.
No one is asking for all the old vinyls, cassettes and CDs to BURN in hell, let's also keep them, thank you very much.

"Easter eggs" by definition are hidden.
An "easter egg" is not a tease. It's also not an overt, clear reference to previous work.
Example: Madonna singing "you've got to just, let your body move to the music" in Deeper & Deeper is not an easter egg. She's clearly referencing Vogue. There's nothing hidden about it.
An "easter egg" makes the viewer work to discover it. Early special edition DVDs had easter eggs galore hidden in their menus. Often times you would navigate to a section of the menu that didn't seem to be an obvious point and you could view hidden deleted scenes or other extras. A perfect example of a real "easter egg" is the "Memento" DVD. It's a movie famously told backwards. A hidden feature (not listed as a bonus feature on the back cover) allowed you to watch the entire film chronologically rather than backwards.
More info on that here:
 

I mean if we get two more tours out of her I think we'll be lucky guys. Honestly.  I can't see her doing many in the next ten years at all. 
Plus the touring industry is on its knees right now. Celebration did well because it was the queen doing a Greatest hits tour but the general public are starting to vastly rebel against these ticket prices. There's plenty of recent videos about it on You Tube. Plus I think a LIveNation reckoning is coming sooner rather than later. I think any tour she does moving forward will have to be marketed as a hits tour. It's been a decade since Rebel Heart her last arena tour supporting an album. We just can't compare the Madame X experience.
Even Dua Lipa has not gone all out with tour dates. They're being extra cautious with just one Wembley stadium gig. All this after the Glastonbury headline slot this week. Usually a string of dates would be announced but there's panic in the industry right now.
Jlo tour pulled, Black Keys arena tour pulled, Janets dates in the UK not doing the business again. The fiasco over Taylor Swift tickets with Livenation. 
Dynamic Pricing feels like a rip off. Two pints at the Pet Shop Boys gig were £18.40 and three hot dogs at Girls Aloud were £45. I couldn't get my breath. Plus parking and any merch you want. People just haven't got the money.
 
So yeah. The likelihood of a huge hit album that will sell a tour at the prices she has been asking in recent years will be a reach. I didn't go to the Celebration tour because I was holding out for a Cheaper Stadium ticket or Glasto. Sadly that didn't come and the first time Ive missed her concert since Girlie Show. Im a fairly well paid gay man with no kids near 50 ys old. I couldn't justify it . Two tickets, transport and a hotel plus drinks and dining was two months mortgage. It's OUT OF CONTROL and I wont feed the greed anymore.
So yeah point being is Madonna is going to have to be letting potential concert ticket buyers know that she most certainly will be doing Vogue, Like A Prayer, La Isla Bonita, Papa Don't Peach, Express Yourself and Like A Virgin ladies. 
Luckily she has a lot of hits in her bag but you best to believe that unless there are huge economical changes in the west were going to see a rebalancing of wealth and the music sector will not be excluded. The signs are already there. Video streaming is already showing signs and even streaming sites are changing the landscape for payments has caused uproar recently. Even vinyl variant fatigue is setting in with people like Billie Eilish calling it out. Fans are being scalped like never before. 
So yeah. Keep the big hits mom.
and personally I would never Scrap Burning Up. It's her ambition calling card.

Correct.
Also Disney (hidden Mickeys) and Pixar are famous for having a bunch of Easter eggs in their movies.
You find them in lots of software/hardware and games (where the term started)
In music used to be the 'ghost' track that played after few minutes for the last one. Or pressing back on the first track of the CD to find the hidden track (Kylie did that with 'Password" in "Light Years")
Referencing is not an easter egg, but it might be a newly tiktok appropriation of a term that is hard to find in a streaming era with not much physical media.
Mind you is the same place people 'flavour water ' and keep calling it water.

Highlighting the best Madonna remixes and megamixes I made over the years, this collection includes: "RCB’s Remix Revolution Megamix” — the "Finally Enough Love" megamix, updated versions of “Live To Tell (RCB Dance Mix)” and “Bitch I’m Madonna (RCB Radio Mix)” plus the iconic “RCB’s Immaculate Megamix” — the definitive Madonna 80’s megamix (previously released as “The Royal Megamix”).

The standard 15-track edition of this compilation (shared a year ago) can be downloaded here.

This 30-track Deluxe Edition brings new and unpromoted material, highliting three never published before megamixes:
"RCB's Ray Of Light Megamix",  "RCB's Confessions On A Dancefloor Club Megamix" and "RCB's Madame X Club Megamix". 





Due to several reasons, there is no lossless version of this material, but everything is in High Quality 320kbps MP3.


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https://www.instagram.com/dry99o

Actually, the commercial release of Dress You Up in Canada did include the remix/edit - untitled. I own a copy and can confirm.

They’d better release ‘Die Another Day’ this time around. I really don’t want to wait till October for them to ‘forget’ it for another year.
This singles roll out has been handled terribly. #SackEmily

Ah well there's 
 
 
 

If we get someone good at calligraphy 🤣🤣🤣
 
 
 

There were some issues with "GHV2" but I remember the biggest complaint was the lack of new material. It could have easily sold 14-15M with a couple of new songs, but she was on self-destruction mode sadly, thinking she was having a revenge on Warner to close that year, when in fact she was only pissing off fans and sabotaging herself.
I also remember some comments about having the censored version of "Human Nature", but of course an album especially designed to be a hot Christmas seller that year was never going to have a Parental Advisory sticker on the cover.

You're seeing it from the wrong angle. It's about appreciating different versions of a song you love. Sometimes (just sometimes), if something good is brief, it's twice as good. For me, certain songs are better with specific edits because otherwise, they feel too long to listen to. Additionally, the edits of her singles are also work done or approved by Madonna. They are part of her artistry.
Oh, and another key point is that many of us first discovered and fell in love with Madonna's songs through radio edits.

MDNA, like most people said!
It's too bad, because I really like that tour, and have a special place for it in my heart as it was the first one that I followed online, and will probably always regret for not having attended it when it came to Brazil...
It's a nice concert, but you can't barely make out what's going on on stage, like @stefo said. And the "photography" (can we call it that? lol), i.e. the filters, not only make the film super dated to that period (early 2010's, the onset of Instagram), and the attempt of looking edgy, but also makes the whole thing so cold and distant.
And I'm not even going to mention the audio lol.

I have a question about the 1st act footage we have from Paris, though: that is not the footage that was professionally shot for the official video (and later mostly replaced by the one from Miami), but the feed that was sent to the venue screens, right?

MDNA, like most people said!
It's too bad, because I really like that tour, and have a special place for it in my heart as it was the first one that I followed online, and will probably always regret for not having attended it when it came to Brazil...
It's a nice concert, but you can't barely make out what's going on on stage, like @stefo said. And the "photography" (can we call it that? lol), i.e. the filters, not only make the film super dated to that period (early 2010's, the onset of Instagram), and the attempt of looking edgy, but also makes the whole thing so cold and distant.
And I'm not even going to mention the audio lol.

I have a question about the 1st act footage we have from Paris, though: that is not the footage that was professionally shot for the official video (and later mostly replaced by the one from Miami), but the feed that was sent to the venue screens, right?

Her pic against the wall is very cryptic. I predict a performance of “White Heat” 💀