Debord

I mean...it does? Not a linear one but there's obviously a lot more going on than 'here's a song, here's another song'. Seems pretty uncontroversial to say that.

I mean...it does? Not a linear one but there's obviously a lot more going on than 'here's a song, here's another song'. Seems pretty uncontroversial to say that.

I think because her support for the queer community is part of the theme of that section and it's basically her gayest song (with Vogue, which she also does in that section) and brings it bang up to date with Tokischa.

I'll have a go since I've not seen it anywhere else.
Intro/Nothing Really Matters - an overview of her career, a thank you to the fans and an acknowledgement that she's now at a place of peace and maturity.
Everybody through to Holiday - her early years in New York, both as an artist and as a person with her friends. This ends with AIDS hitting at the end of Holiday which takes us to...
Live To Tell/Like A Prayer/Unholy/Act of Contrition - AIDS wreaking havoc in New York and the world, taking many of her friends and many others. Gay men are trapped inside this nightmare and face a society which thinks they deserve it. Madonna tries to help, not just her friends but by challenging moralism and speaking up for sexual liberation and tolerance. She is a warrior ally, which takes us to...
Erotica through to Vogue - Madonna being transgressive, pushing boundaries, celebrating the underground and the queer community and then...
Human Nature/Crazy for You - the backlash hits, both in Madonna's career and in society which sees a resurgent moralism. Though it's painful and turbulent at the time, Madonna embraces herself from that period, accepting everything she did and that she experienced with love.
Die Another Day through to Don't Cry For Me Argentina - Coming out the other end of the backlash, Madonna keeps going. She is a survivor and keeps going no matter what. A huge part of what enables her to do this is her family, which lays to rest the demons she has always battled regarding her mother's death.
Bedtime Story/Ray of Light/Rain - her embrace of electronic music sees her still pushing forward and breaking boundaries but ultimately takes her back to her roots. She feels the love of her fans again, which brings her peace.
Bitch I'm Madonna/Celebration - ending again with an overview of her career, a celebration of her iconic career, legacy and everyone who's been part of it on the way. But it ends abruptly, because she's not done yet. The future is still unwritten.

I'll have a go since I've not seen it anywhere else.
Intro/Nothing Really Matters - an overview of her career, a thank you to the fans and an acknowledgement that she's now at a place of peace and maturity.
Everybody through to Holiday - her early years in New York, both as an artist and as a person with her friends. This ends with AIDS hitting at the end of Holiday which takes us to...
Live To Tell/Like A Prayer/Unholy/Act of Contrition - AIDS wreaking havoc in New York and the world, taking many of her friends and many others. Gay men are trapped inside this nightmare and face a society which thinks they deserve it. Madonna tries to help, not just her friends but by challenging moralism and speaking up for sexual liberation and tolerance. She is a warrior ally, which takes us to...
Erotica through to Vogue - Madonna being transgressive, pushing boundaries, celebrating the underground and the queer community and then...
Human Nature/Crazy for You - the backlash hits, both in Madonna's career and in society which sees a resurgent moralism. Though it's painful and turbulent at the time, Madonna embraces herself from that period, accepting everything she did and that she experienced with love.
Die Another Day through to Don't Cry For Me Argentina - Coming out the other end of the backlash, Madonna keeps going. She is a survivor and keeps going no matter what. A huge part of what enables her to do this is her family, which lays to rest the demons she has always battled regarding her mother's death.
Bedtime Story/Ray of Light/Rain - her embrace of electronic music sees her still pushing forward and breaking boundaries but ultimately takes her back to her roots. She feels the love of her fans again, which brings her peace.
Bitch I'm Madonna/Celebration - ending again with an overview of her career, a celebration of her iconic career, legacy and everyone who's been part of it on the way. But it ends abruptly, because she's not done yet. The future is still unwritten.

I'll have a go since I've not seen it anywhere else.
Intro/Nothing Really Matters - an overview of her career, a thank you to the fans and an acknowledgement that she's now at a place of peace and maturity.
Everybody through to Holiday - her early years in New York, both as an artist and as a person with her friends. This ends with AIDS hitting at the end of Holiday which takes us to...
Live To Tell/Like A Prayer/Unholy/Act of Contrition - AIDS wreaking havoc in New York and the world, taking many of her friends and many others. Gay men are trapped inside this nightmare and face a society which thinks they deserve it. Madonna tries to help, not just her friends but by challenging moralism and speaking up for sexual liberation and tolerance. She is a warrior ally, which takes us to...
Erotica through to Vogue - Madonna being transgressive, pushing boundaries, celebrating the underground and the queer community and then...
Human Nature/Crazy for You - the backlash hits, both in Madonna's career and in society which sees a resurgent moralism. Though it's painful and turbulent at the time, Madonna embraces herself from that period, accepting everything she did and that she experienced with love.
Die Another Day through to Don't Cry For Me Argentina - Coming out the other end of the backlash, Madonna keeps going. She is a survivor and keeps going no matter what. A huge part of what enables her to do this is her family, which lays to rest the demons she has always battled regarding her mother's death.
Bedtime Story/Ray of Light/Rain - her embrace of electronic music sees her still pushing forward and breaking boundaries but ultimately takes her back to her roots. She feels the love of her fans again, which brings her peace.
Bitch I'm Madonna/Celebration - ending again with an overview of her career, a celebration of her iconic career, legacy and everyone who's been part of it on the way. But it ends abruptly, because she's not done yet. The future is still unwritten.

I'll have a go since I've not seen it anywhere else.
Intro/Nothing Really Matters - an overview of her career, a thank you to the fans and an acknowledgement that she's now at a place of peace and maturity.
Everybody through to Holiday - her early years in New York, both as an artist and as a person with her friends. This ends with AIDS hitting at the end of Holiday which takes us to...
Live To Tell/Like A Prayer/Unholy/Act of Contrition - AIDS wreaking havoc in New York and the world, taking many of her friends and many others. Gay men are trapped inside this nightmare and face a society which thinks they deserve it. Madonna tries to help, not just her friends but by challenging moralism and speaking up for sexual liberation and tolerance. She is a warrior ally, which takes us to...
Erotica through to Vogue - Madonna being transgressive, pushing boundaries, celebrating the underground and the queer community and then...
Human Nature/Crazy for You - the backlash hits, both in Madonna's career and in society which sees a resurgent moralism. Though it's painful and turbulent at the time, Madonna embraces herself from that period, accepting everything she did and that she experienced with love.
Die Another Day through to Don't Cry For Me Argentina - Coming out the other end of the backlash, Madonna keeps going. She is a survivor and keeps going no matter what. A huge part of what enables her to do this is her family, which lays to rest the demons she has always battled regarding her mother's death.
Bedtime Story/Ray of Light/Rain - her embrace of electronic music sees her still pushing forward and breaking boundaries but ultimately takes her back to her roots. She feels the love of her fans again, which brings her peace.
Bitch I'm Madonna/Celebration - ending again with an overview of her career, a celebration of her iconic career, legacy and everyone who's been part of it on the way. But it ends abruptly, because she's not done yet. The future is still unwritten.

I'll have a go since I've not seen it anywhere else.
Intro/Nothing Really Matters - an overview of her career, a thank you to the fans and an acknowledgement that she's now at a place of peace and maturity.
Everybody through to Holiday - her early years in New York, both as an artist and as a person with her friends. This ends with AIDS hitting at the end of Holiday which takes us to...
Live To Tell/Like A Prayer/Unholy/Act of Contrition - AIDS wreaking havoc in New York and the world, taking many of her friends and many others. Gay men are trapped inside this nightmare and face a society which thinks they deserve it. Madonna tries to help, not just her friends but by challenging moralism and speaking up for sexual liberation and tolerance. She is a warrior ally, which takes us to...
Erotica through to Vogue - Madonna being transgressive, pushing boundaries, celebrating the underground and the queer community and then...
Human Nature/Crazy for You - the backlash hits, both in Madonna's career and in society which sees a resurgent moralism. Though it's painful and turbulent at the time, Madonna embraces herself from that period, accepting everything she did and that she experienced with love.
Die Another Day through to Don't Cry For Me Argentina - Coming out the other end of the backlash, Madonna keeps going. She is a survivor and keeps going no matter what. A huge part of what enables her to do this is her family, which lays to rest the demons she has always battled regarding her mother's death.
Bedtime Story/Ray of Light/Rain - her embrace of electronic music sees her still pushing forward and breaking boundaries but ultimately takes her back to her roots. She feels the love of her fans again, which brings her peace.
Bitch I'm Madonna/Celebration - ending again with an overview of her career, a celebration of her iconic career, legacy and everyone who's been part of it on the way. But it ends abruptly, because she's not done yet. The future is still unwritten.

I'll have a go since I've not seen it anywhere else.
Intro/Nothing Really Matters - an overview of her career, a thank you to the fans and an acknowledgement that she's now at a place of peace and maturity.
Everybody through to Holiday - her early years in New York, both as an artist and as a person with her friends. This ends with AIDS hitting at the end of Holiday which takes us to...
Live To Tell/Like A Prayer/Unholy/Act of Contrition - AIDS wreaking havoc in New York and the world, taking many of her friends and many others. Gay men are trapped inside this nightmare and face a society which thinks they deserve it. Madonna tries to help, not just her friends but by challenging moralism and speaking up for sexual liberation and tolerance. She is a warrior ally, which takes us to...
Erotica through to Vogue - Madonna being transgressive, pushing boundaries, celebrating the underground and the queer community and then...
Human Nature/Crazy for You - the backlash hits, both in Madonna's career and in society which sees a resurgent moralism. Though it's painful and turbulent at the time, Madonna embraces herself from that period, accepting everything she did and that she experienced with love.
Die Another Day through to Don't Cry For Me Argentina - Coming out the other end of the backlash, Madonna keeps going. She is a survivor and keeps going no matter what. A huge part of what enables her to do this is her family, which lays to rest the demons she has always battled regarding her mother's death.
Bedtime Story/Ray of Light/Rain - her embrace of electronic music sees her still pushing forward and breaking boundaries but ultimately takes her back to her roots. She feels the love of her fans again, which brings her peace.
Bitch I'm Madonna/Celebration - ending again with an overview of her career, a celebration of her iconic career, legacy and everyone who's been part of it on the way. But it ends abruptly, because she's not done yet. The future is still unwritten.

I believe Hung Up is in that section cos it starts with the Tokischa remix and also it's one of her 'gayest' songs, so it fits right in with a section which is about her as a transgressive artist and an artist who's always stood with the queer community. Bad Girl is kinda a meta-commentary and then you get the backlash with Human Nature and finally acceptance with Crazy For You. She then starts the next section with Die Another Day and Don't Tell Me - ie, I wasn't going anywhere after the backlash (which then goes onto how becoming a mother changed her and gave her strength).
I think it all makes sense conceptually, it's just the the first couple of sections are pretty straightforward in terms of telling the story.

But it's saying she's covering a song by an artist she's collaborated with, not that she's doing a song she did with them.

This is what first came to me but absolutely no-one would describe Lament as a '70s classic'.

We knew ages ago that Hold Tight was rehearsed so presumably that's the Rebel Heart song. I Will Survive makes sense as the 70s song you'd think refers to the health scare...so just a 70s song that she performed 'many moons ago' (that wording itself makes me think it's a clue?!)

Nothing Really Matters, This Used to be My Playground and Rescue Me.

Nothing Really Matters, This Used to be My Playground and Rescue Me.

Nothing Really Matters, This Used to be My Playground and Rescue Me.

Nothing Really Matters, This Used to be My Playground and Rescue Me.