androiduser

yeah, but.... what's in it for him? you're assuming he's interested in it

but why would he? he has never shown interest in music biopics

Valerie got an Emmy So Madonna will make a TV series

he just attended her party, and she's a fan of his movie, it doesn't mean anything more than that.

I remember thinking that Veronica Electronica was the coolest name for an album, and I was sooo upset she didn't use it for the actual ROL album

in the recent years, she had the best material with Luigi & Iango, in my opinion

is Madonna already in London now? I'd expect her to stay in LA for a day or two?

that's the best she's looked in years!! The face, the hairstyle... and the outfit is fantastic!!

it's the yearly party Madonna hosts for the Oscars, and it's always attended by all the major celebrities and winners. A limited number of photos is released to the media, but celebs often mention the party in interviews. Madonna doesn't perform there or anything like that, but it's one of the main celebrity parties of the year.

maybe it would make sense to tie in the new single and the Bedtime Stories re-issue, for increased visibility in the media. News last only a few days now, so it would be a good idea to come out with a big push all at once.

my least favorite is Carlton and his regal attitude. Jose and Luis are amazing, so honest and entertaining.

The documentary is a great watch too!

I doubt it, she wasn't touring so often even i her busiest touring days

But we need to take into account that a large portion of the album sales accumulated years after the albums were released, it was not all just initial sales when the album was out.

why were they called dubs, I totally forgot? Was it just an early name for remixes? EDIT, just asked chatgpt: In the 1980s, "dub" remixes were a specific style of remix that removed most or all of the lead vocals, emphasizing the instrumental track, basslines, and rhythmic elements. The term comes from dub music, a Jamaican genre that emerged in the late 1960s and 1970s. In dub music, producers like King Tubby and Lee "Scratch" Perry would strip down reggae tracks, add heavy echo, reverb, and effects, and manipulate the mix to create a more spacious, hypnotic sound. When remixing became popular in dance and club music during the late '70s and early '80s, producers adopted the term "dub" for remixes that followed a similar approach—removing or reducing vocals, extending instrumental breaks, and adding effects to make tracks more DJ-friendly. In the 1980s, dub mixes became a staple of 12-inch vinyl singles, particularly in disco, post-disco, new wave, and early house music. A good example is Madonna's early hits—producers like Shep Pettibone and Jellybean Benitez often created dub versions alongside vocal remixes to cater to club DJs. The dub mix of Into the Groove (1985) is a classic example of this style.