Gonzus

And a hottie and their humor is, as you mention, always welcome. 
Honey Little is a M-Infinity national treasure 

For sure i'd take "Like a virgin" over all the crap we have today.

True, but it was her choice to be on the scene. I hardly see Madonna as a victim

Beatles' albums are terribly dated but doesn't mean they're bad. An album doesn't need to be current to be good. Besides, music today is garbage, so to be dated is a compliment

Not me. It's quite the opposite

Not me. It's quite the opposite

It's very simple: She/he has a sense of humour, which is welcome

What about Drake sitting on a chair and talking, er... rapping?

Hopefully with lots of violence and gore.

Me too

Not my cup of tea

I think everybody on this planet should experience this tour in whatever form it may be in. I can only imagine if this happened in the future how incredible it could be. 

Me too

Ban 

yeah dramatically ... 
Agree, 100%, it's one of the main points I'm not excited about this, I add. Surely Garner doesn't and NEVER will have it. Pough was a much better choice in terms of grit and expressiveness, still not close in terms of sweetness and sexyness though. She's so rare that it really had to be a bet to find the right girl. Because she also had to be trained apparently as the candidates had to face long dancing and singing casting rehearsals, so she hardly could have been a girl from the street.
 

Omg. I’d pay to see this in real life.

Who's Katy Perry?i

Tacky is the word that would best define this stuff

Same here. It’s pure TRASH. 🚮 

Not my cup of tea

I totally agree. I was not exactly equating WE to Visconti, but I think she was LOL. Count Visconti di Modrone was an aesthete and very concerned with the set design and the idea that everything in his films had to be real, not fake. Of course you know this better than I. Being an aristocrat with an innate good taste and sense of style, he KNEW everything and had nothing to prove, while Madonna had to learn it all  and therefore demostrate to us what she has learned. It's so blatant. Upper class themes were no stranger to Viscont but are to Madonna and, of all stories, she chose "W.E", which she approached with the emotions and sensibility of the middle classes. I'm pretty sure Tom Ford's first movie triggered her interest in directing. He, too, is very concerned with aesthetics. Both he and Madonna have inadvertently bourgeois taste when they want to affect aristocracy in their films. It's all this phoniness that conspires again many Madonna projects (her "lady of the manor" and "posh" british accent or her American Life rap are two examples amongst many). I know she is a big, big fan of Visconti, she named The Damned as one of her faves film ever; and named her son Rocco after a Visconti film, so all this emulation might have to do with that.

Rescue me. Definitely. One of her best lyrics, a poem in its own right. What I don't understand is what makes you compare both songs, since they're so different sonically and one was a single and the other wasn't. The thing with Rescue me is that it has many bridges, I don't know if other people have noticed that. And somehow there's too much stuff in it: thunders, heartbeats, etc. But I love her raw vocals and it's a clear tribute to Aretha Franklin: "R E S C U E me" = "R E S P E C T". Spotlight should have been more up-tempo and the intro is too long IMO, but is good anyway. LOve those funky guitars and bells, which were Madonna's trademark sound for a long time.

What is M15?
Madonna has no talent as a director. Let's face it, she's no Streisand (and I don't like that woman). Should she let a real director do the job the film would probably be a hit.
Hey Nonna, give as a new album and bring joy to us. We already know the facts of your life.

I totally agree. I was not exactly equating WE to Visconti, but I think she was LOL. Count Visconti di Modrone was an aesthete and very concerned with the set design and the idea that everything in his films had to be real, not fake. Of course you know this better than I. Being an aristocrat with an innate good taste and sense of style, he KNEW everything and had nothing to prove, while Madonna had to learn it all  and therefore demostrate to us what she has learned. It's so blatant. Upper class themes were no stranger to Viscont but are to Madonna and, of all stories, she chose "W.E", which she approached with the emotions and sensibility of the middle classes. I'm pretty sure Tom Ford's first movie triggered her interest in directing. He, too, is very concerned with aesthetics. Both he and Madonna have inadvertently bourgeois taste when they want to affect aristocracy in their films. It's all this phoniness that conspires again many Madonna projects (her "lady of the manor" and "posh" british accent or her American Life rap are two examples amongst many). I know she is a big, big fan of Visconti, she named The Damned as one of her faves film ever; and named her son Rocco after a Visconti film, so all this emulation might have to do with that.

What is M15?
Madonna has no talent as a director. Let's face it, she's no Streisand (and I don't like that woman). Should she let a real director do the job the film would probably be a hit.
Hey Nonna, give as a new album and bring joy to us. We already know the facts of your life.