Joan of Marc

What started as trying to get my favourite demo's put through eMaster so the volume levels would match and to add a bit more clarity, I ended up compiling a 28 track album featuring the songs I think are the best versions in terms of production and clarity, so enjoy! @SteffmadI hope you don't mind, I've included your versions of Rebel Heart, Inside Out and Messiah 6 as you did such a good job.
Tracklist:
01 Rebel Heart (Demo 2014.05.19)
02 Addicted (Demo 2014.05.09)
03 Devil Pray (Demo 2014.09)
04 Borrowed Time (Demo 2014.09)
05 Wash All Over Me (Demo 2014.07.03)
06 Beautiful Scars (Demo)
07 Hold Tight (Demo 2014.10.07)
08 Never Let You Go (Demo 2014.06)
09 Inside Out (Demo)
10 Joan of Arc (Acoustic Version)
11 Living For Love (Demo 2014.08)
12 Iconic (Demo 2014.10.13)
13 Bitch I'm Madonna (I Just Want A Beat Demo 2014.05)
14 Trust No Bitch (Demo 2014.06)
15 Illuminati (Demo 2014.06)
16 Tragic Girl (Demo 2014.06)
17 Freedom
18 Take a Day
19 Back That Up (Demo 2014.06.11)
20 Body Shop (Rough 4.1)
21 Holy Water (Demo)
22 Nothing Lasts Forever (Demo 2014.06)
23 Two Steps Behind (Demo 2014.03)
24 HeartBreakCity (Demo 2014.05)
25 Alone With You (Demo 2014.03)
26 Heaven (Demo 2014.06)
27 HeartBreakCity (Demo 2014.05)
28 Messiah 6

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My vote would be a Re-Invention Tour box set that includes X-Static Process visuals. 

I don't like streaming. I always use my files ripped directly from the CD's that I bought. But it doesn't mean that I have to like the fact that all her discography is fucked up on that platform. I realised about this, on this days of quarantine, when I didn't have my files or records, so thanks for your 'nice' words. 
If her company don't know how to rip a CD and tag it well and upload to a platform, no wonder why they can't manage a theatre tour in 5 cities. 

Lets set some things straight. I have read multiple texts from folks, blaming Madonna for money loss, lost flight tickets, her injuries, her behavior, even for the corona virus. Folks who swear they are hardcore madonna fans but demand her to retire.
Ok SO,
if you are a real fan - friend - lover - follower
►You never demand or even want someone to let go of what they love the most.
►If you like to follow an artist who is super sweet and maybe -fakesweet- go follow someone else.
►When you book tickets for any single happening, concert, holidays, travel, you should always expect unpredictable cancellations and date changes.
►The more you ask her to retire, the more she will not. That is what you don't get and that is why Madonna will never be compared to any other artist. Because she is a fucking lion who does not give a single F for bitches who reflect their real life scenarios into the actual worship they show to their favorite artist.
►I have produced for MADAME X album 7 remixes for her which followed the process of becoming official but did not.
I didn't even think for a single moment that she is a bitch for not releasing my remixes. I continued to respect her even more and set my bars higher for the next time.
PEACE.

I've tried "truth or dare" again using your steps and works. But the AI only colorized 15 minutes. No more

My top 5 is
1. Lucky Star
2. Burning Up
3. Everybody
4. Holiday
5. Boderline

I Want You: 

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Ok, ok. Girl Gone Wild and Oh Father for you. But I still think that this AI needs to learn more. Oh Father is almost the same video with and orange filter. Girl Gone Wild have his moments. 

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Cherish, Vogue and Justify my love colorized:
 
This is the hidden content, please Sign In or Sign Up But as I've said, the full videos colorized are awful. The source are the original youtube videos.

Better results with Cherish, but still far from be right. 

The result with Vogue is even worse. This A.I. needs to learn too much. But like "Justify My Love" some frames looks good.
 

What do you think? I did a test with Justify My Love and the result is horrible, but some frames looks ok.
 
Do you want to see with colors "Oh, Father", "Vogue", "Justify My Love", etc, in the future when this A.I. will be better?

Indeed, someone quickly password protect iMovie on her computer.


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I was there on sunday, it was for me an amazing experience because the fans were allowed to come closer to the stage. It was like a very small golden circle. I think there were 3 or 4 rows of people in front of the stage. Also the show glitch was kind of a one of a kind moment and we got the Elvis song for it and almost "La Vie En Rose", but then she said "saved by the bell" because the show could go further (she got this from her earpiece).
Even though she came out late (11:05) I was expecting this so I came in at around 20:30 and everything went very smoothly The people of the Grand Rex are also very helpful, we were escorted to our seats individually so that was very good service because some people always end up sitting wrong. I know it's not OK that she's late, but I have waited hours and hours in rain and cold before for big concerts and even not knowing where I might end up so I felt like I had a VIP treatment this time.
I was on the Orchestra (floor) 5th row (G44 and G46); this is on the side of the stage all the way next to the wall. It wasn't the best place because the curtains were limiting our view. So when she was in the back of the stage on our side, we couldn't see her. However this didn't happen a lot. The people in front of us (first 4 rows) certainly didn't have a good view and these were Golden Seats. I had the first row with category 1 seats I think. So paying golden seats for that view was not really OK if you ask me. Any of us here were at these places?? There was a girl with the "Dancing Queen" cape outfit from Confessions on that first row of seats. I think she certainly had restricted view.
I think this might also be the reason she asked all of us to come closer. I would think that people had complained about the front row side views. It could match with the explanation that the stage was too big for the theatre. If the sides were wider, then the view would have been better. Also in between sections, the curtains didn't always go open completely so that limited the view even further. Sometimes this was solved again during the show.
It will remain to be seen if she's going to ask fans to come closer every night. It was amazing for me but I guess there was also some drama because a girl next to me was crying because security handled her rough during the Beer Bitch section. She asked us to sit again but of course not everybody could return to their seats so quickly. So we were held up by security because M had to pass. I couldn't do anything else than sit on my knees together with all the others who were there. After this we all could remain in front of the stage.
Even though I dislike the fact we got the short version and she's always late; I ended up having a good feeling after I left the show. One I will always remember...

What happens next is we pay off our credit cards ?

I just wrote this in the London thread, but, I hope she does a complete visual album in the next few years. Maybe just five or six songs. Then perform three of them or more in a Greatest Reinvented Hits 40Th Anniversary Tour (like @scionmentions in the News Discussion forum). 

We wait 3 years until she releases it on DVD

Thank you all! This is the full project:
FRONT

BACK

I’m trying to not spend while I’m there! ?

My thoughts on the show last night! It's what everyone (read: no one) has been waiting for, the new kid on the forums with 3.5 posts under his belt is here to share his story! 
Pre-show 
We arrived at The London Palladium around 18.30 and there was already a long queue formed outside the theater. After only a minute or two they came to check our tickets while still in line and gave us our paper tickets. A minute after that a lady comes up to us and asks us if we were carrying any bags, we told her we weren't and she sent us right to the first security check, cutting a line of what felt like a 50-80 people. It felt correct. 
Me skipping the line: 
Everyone with a bag: 
The whole Yondr experience went surprisingly smooth. HUGE kudos to the people working at the Palladium and the Yondr ladies, they all worked very hard to make entering and leaving the theater as smooth as possible. As soon as we entered the Palladium we went straight to the bar which was practically empty, grabbed a glass of Champagne rosé (ding!) and watched as the place filled up for the next hour, it was a wonderfully relaxing and fun start to the evening.
When showtime was nearing we headed to our seats and on our way we crossed paths with Tony and Aaron. It was nice seeing Tony up close, as he's a huge part of Madonna touring history. 
Taking a seat 
We were sat at the Royal balcony and we had a fantastic view of the stage, i couldn't believe how close it felt. When Madonnas pre-recorded message came on it all suddenly became so real: the show i've been waiting on for so many months was finally happening. This is my fifth time at a Madonna concert and before the show started one thing hit me: this is the first time i'm attending her show without having seen the whole thing on bootleg recordings beforehand. What a treat! It felt like a privilege to get to devour the experience without having to see it through the sea of a thousand phone screens. We were about to experience a place in time with Madonna that was exclusive to us as an audience. It felt intimate, it felt cozy, it felt special, it felt...like no other show i know of in 2020. 
Showtime
Shortly after her message, Ahlamalik took position and as i suspected: we were getting the whole show.
The typewriter intro is an amazing art piece in itself, it sets the tone and atmosphere for the rest of the show. The message of the James Baldwin quote is loud, clear and in need of being said out loud and repeated.
When Madonna comes on stage i completely fucking lose my entire collection of marbles as the endorphins rush through my brain. As does the lovely woman sat next to me who screamed out Madonna's name as if she were a teenage girl at a Beatles concert. What a treat it was to be seated next to another superfan like her. I wonder if she's on here (blond British woman on row F in Royal, if you read this - holler!)
The minimalist and scaled down staging made me feel closer to Madonna than i ever have before. It felt like i was attending a show in her living room. One reviewer described the show as "madonna bringing her huge arena show to the theater stage" and i honestly couldn't disagree more. Given how this is the closest she's ever been to her audience she could have easily chickened out and decided to hide behind a huge production. The fact that she did not made me realize how incredibly bold and brave of a move this show is for her. To top it all of she looks like she feels incredibly comfortable doing it.
In one way the show is very unlike anything Madonna has ever done, but in another it's more of Madonna than we've ever seen before.
The repeated message of artists being here to disturb the peace, to shake things up, to be radical and sometimes even make people uncomfortable makes me think of how unique of a performer Madonna really is. I can't think of any other current mainstream pop star who is as outspoken and uncensored as she has been throughout her entire career.
It was in the moments of her loosely choreographed almost drunken steps of  "Killers Who Are Partying" ,  the wild dancing and hugging her co-performers during "Batuka" and anthem like ending of "Come Alive" that i could see the passion she has for her record, her show, her art. 
As tattooed on her back during the MDNA tour the woman has NO FEAR. Sometimes it is easier to show your ass than your feeling. During yesterday's show her ass wasn't on display but her feelings sure were. 
Today I'm walking around town a proud life long fan with my new MX t-shirt on. 

Feb. 4, 5, 6, 8, 9!
I bought a fifth one last week in fear of cancellations...
I'm broke but I'm happy, I'm poor but I'm kind
I'm lost but I'm hopeful baby (Alanis)

I was there! The show was great (except the butt). ?

Two steps behind me 
Nothing lasts Forever
Heaven
Never let you go 
Across the Sky 
....all demos