artlover

Not necessarily a physical resemblance, but Brazilian huge huge huge singer, TV hostess and model Xuxa has been a kind of a trailblazer her own way for over 30 years of stardom. She's always spoken of Madonna as an inspiration and even interviewed her in the late '90s. Now she's in her late 50s and is suffering from a lot of ageism much like M herself. I'm a fan. 

*She's had a TV show in the US in the past, being mentioned in The Simpsons and Gilmore Girls, but she's widely more famous either in countries like mine (Brazil) or Spanish-speaking ones like Argentina or Spain. 

I heard Beyoncé went with Jay-Z and they were backstage. I can't confirm though

Madonna Has Always Been a Fighter
 
The icon's close friend and collaborator, Donatella Versace, pays tribute to her many talents.
 
11.28.2019
by Donatella Versace
 
“They are so naive; they think we are not aware of their crimes. We know, but we are just not ready to act. The storm isn’t in the air, it’s inside of us. I want to tell you about love and loneliness, But it’s getting late now. Can’t you hear outside of your Supreme hoodie, the wind that’s beginning to howl?”
Thus ends the song "Dark Ballet," the second track on Madonna’s latest album, Madame X. It's a strong, powerful message, which only Madonna is brave enough to unleash on the world. Her social justice activism is matched only by the absolute discipline she applies to her work in the studio and on the stage. And that is how it’s always been.
When I was asked to write this introduction, I became reflective. I have known Madonna for many, many years. She has been the star of three Versace advertising campaigns. But more than the celebrity, I have had the rare fortune of getting to know the woman. Of talking to her not only about work, but about life.
Because Madonna is extremely informed and culturally aware she can hold her own on any subject from music to art; on politics and our environmental crisis. In her latest album, I have found that same spirit of protest we first saw in her early work. Her only mission then seemed to be to shock the world – whereas her real goal was and has always been to expose things which, as a society, we didn’t have the courage to discuss. That is why she has always been criticized, misunderstood, minimized, and at times, vilified.
Her reaction was to crucify herself voluntarily. During the Confessions on a Dance Floor tour, there was a really powerful moment when she enters the scene on an enormous cross, wearing a crown of thorns, to sing "Live To Tell." 
Her beauty is—and excuse the word-play—divine.
Everyone saw Madonna on the cross as another one of her “provocations”—because the intelligentsia have never taken her seriously. A woman who dares to lift her head up and say what she thinks? To expose the rot we are all trying to hide? No one noticed that, in reality, the message she sought to convey was a much different one. When the count on the screens stops, the information, which leaves you breathless—like a punch in the stomach—begins to appear. It’s the number of children who would soon die from AIDS if society didn’t do something to help them, not just with medicine, but through prevention, research, education, and discussion.
In reality, we were all crucified, yet many of us hadn’t realized it yet.
Madame X really struck a chord with me. I listen to lots of music, especially music that experiments with sound. In this album, I not only found experimentation, but also powerful, relevant lyrics. I found a Madonna uninterested in currying favor. I found the Madonna of Like a Prayer and of American Life—perhaps one of her least understood albums.
Not long ago, Like a Prayer turned thirty years old. I can still remember the scent when I opened the CD sleeve. Despite the cultural stigma of AIDS, the record was accompanied by lyrics that focused on the epidemic that was claiming so many victims and on the importance of global education about a monumental health crisis that would touch all of society, and which above all required compassion and empathy for those infected.
The day after the launch of the video, religious groups all over the world protested against the use of Catholic imagery, and even the Pope went out of his way to ask “fans” to boycott the disk.
Both tracks went straight to number one on the charts and sold over 15 million copies. The album became a manifesto for the battle against those who want to keep us ignorant and oppressed, against stereotypes, against all those who want a society trapped by bigoted and ignorant preconceptions.
That is what Madonna has always been to me: A lioness. A fighter.
Besides the records sold, besides her ability to interpret society like no other artist, to create fashions that have inspired us all; besides the countless records made and awards won, Madonna to me, more than a fantastic performer and the female artist who has sold the most records in the history of music (well, yes...), is a woman. A mother, a great businesswoman, one who began marketing before the word or even the discipline had been invented, and who has always challenged us to be a more cohesive society, to fight together against injustice and to respect our neighbor.
I admire Madonna’s fearlessness. She has never been afraid to go out on a limb. In concert, always, she asks the crowd: How many people talk the talk and how many walk the walk?
She even did it physically in her controversial book Sex—another ground-breaking, record-breaking project which can only be found today second- or third-hand. She accomplished this radical artistic and cultural statement by laying her ideas bare.
The day before the American elections in 2016, on a cold late-fall evening in New York, she made a surprise performance in Washington Square Park before hundreds of people who quickly gathered around her. She appeared with just a guitar and her desire to keep on believing.
After the terrorist attacks in Paris the year before, she had done the very same thing.
With a lexicon of words that fail to adequately describe her, I return to one: brave.
While a song cannot give us back what we have lost; it can definitely help and support those in need. And there she was again, with her face and her body to say: I am here in person, and not just with words.
She even did it physically in her controversial book Sex—another ground-breaking, record-breaking project which can only be found today second- or third-hand. She accomplished this radical artistic and cultural statement by laying her ideas bare.
The day before the American elections in 2016, on a cold late-fall evening in New York, she made a surprise performance in Washington Square Park before hundreds of people who quickly gathered around her. She appeared with just a guitar and her desire to keep on believing.
After the terrorist attacks in Paris the year before, she had done the very same thing.
With a lexicon of words that fail to adequately describe her, I return to one: brave.
While a song cannot give us back what we have lost; it can definitely help and support those in need. And there she was again, with her face and her body to say: I am here in person, and not just with words.
Source: https://www.lofficielusa.com/music/madonna-donatella-versace-tribute

Madonna Has Always Been a Fighter
 
The icon's close friend and collaborator, Donatella Versace, pays tribute to her many talents.
 
11.28.2019
by Donatella Versace
 
“They are so naive; they think we are not aware of their crimes. We know, but we are just not ready to act. The storm isn’t in the air, it’s inside of us. I want to tell you about love and loneliness, But it’s getting late now. Can’t you hear outside of your Supreme hoodie, the wind that’s beginning to howl?”
Thus ends the song "Dark Ballet," the second track on Madonna’s latest album, Madame X. It's a strong, powerful message, which only Madonna is brave enough to unleash on the world. Her social justice activism is matched only by the absolute discipline she applies to her work in the studio and on the stage. And that is how it’s always been.
When I was asked to write this introduction, I became reflective. I have known Madonna for many, many years. She has been the star of three Versace advertising campaigns. But more than the celebrity, I have had the rare fortune of getting to know the woman. Of talking to her not only about work, but about life.
Because Madonna is extremely informed and culturally aware she can hold her own on any subject from music to art; on politics and our environmental crisis. In her latest album, I have found that same spirit of protest we first saw in her early work. Her only mission then seemed to be to shock the world – whereas her real goal was and has always been to expose things which, as a society, we didn’t have the courage to discuss. That is why she has always been criticized, misunderstood, minimized, and at times, vilified.
Her reaction was to crucify herself voluntarily. During the Confessions on a Dance Floor tour, there was a really powerful moment when she enters the scene on an enormous cross, wearing a crown of thorns, to sing "Live To Tell." 
Her beauty is—and excuse the word-play—divine.
Everyone saw Madonna on the cross as another one of her “provocations”—because the intelligentsia have never taken her seriously. A woman who dares to lift her head up and say what she thinks? To expose the rot we are all trying to hide? No one noticed that, in reality, the message she sought to convey was a much different one. When the count on the screens stops, the information, which leaves you breathless—like a punch in the stomach—begins to appear. It’s the number of children who would soon die from AIDS if society didn’t do something to help them, not just with medicine, but through prevention, research, education, and discussion.
In reality, we were all crucified, yet many of us hadn’t realized it yet.
Madame X really struck a chord with me. I listen to lots of music, especially music that experiments with sound. In this album, I not only found experimentation, but also powerful, relevant lyrics. I found a Madonna uninterested in currying favor. I found the Madonna of Like a Prayer and of American Life—perhaps one of her least understood albums.
Not long ago, Like a Prayer turned thirty years old. I can still remember the scent when I opened the CD sleeve. Despite the cultural stigma of AIDS, the record was accompanied by lyrics that focused on the epidemic that was claiming so many victims and on the importance of global education about a monumental health crisis that would touch all of society, and which above all required compassion and empathy for those infected.
The day after the launch of the video, religious groups all over the world protested against the use of Catholic imagery, and even the Pope went out of his way to ask “fans” to boycott the disk.
Both tracks went straight to number one on the charts and sold over 15 million copies. The album became a manifesto for the battle against those who want to keep us ignorant and oppressed, against stereotypes, against all those who want a society trapped by bigoted and ignorant preconceptions.
That is what Madonna has always been to me: A lioness. A fighter.
Besides the records sold, besides her ability to interpret society like no other artist, to create fashions that have inspired us all; besides the countless records made and awards won, Madonna to me, more than a fantastic performer and the female artist who has sold the most records in the history of music (well, yes...), is a woman. A mother, a great businesswoman, one who began marketing before the word or even the discipline had been invented, and who has always challenged us to be a more cohesive society, to fight together against injustice and to respect our neighbor.
I admire Madonna’s fearlessness. She has never been afraid to go out on a limb. In concert, always, she asks the crowd: How many people talk the talk and how many walk the walk?
She even did it physically in her controversial book Sex—another ground-breaking, record-breaking project which can only be found today second- or third-hand. She accomplished this radical artistic and cultural statement by laying her ideas bare.
The day before the American elections in 2016, on a cold late-fall evening in New York, she made a surprise performance in Washington Square Park before hundreds of people who quickly gathered around her. She appeared with just a guitar and her desire to keep on believing.
After the terrorist attacks in Paris the year before, she had done the very same thing.
With a lexicon of words that fail to adequately describe her, I return to one: brave.
While a song cannot give us back what we have lost; it can definitely help and support those in need. And there she was again, with her face and her body to say: I am here in person, and not just with words.
She even did it physically in her controversial book Sex—another ground-breaking, record-breaking project which can only be found today second- or third-hand. She accomplished this radical artistic and cultural statement by laying her ideas bare.
The day before the American elections in 2016, on a cold late-fall evening in New York, she made a surprise performance in Washington Square Park before hundreds of people who quickly gathered around her. She appeared with just a guitar and her desire to keep on believing.
After the terrorist attacks in Paris the year before, she had done the very same thing.
With a lexicon of words that fail to adequately describe her, I return to one: brave.
While a song cannot give us back what we have lost; it can definitely help and support those in need. And there she was again, with her face and her body to say: I am here in person, and not just with words.
Source: https://www.lofficielusa.com/music/madonna-donatella-versace-tribute

Madonna Has Always Been a Fighter
 
The icon's close friend and collaborator, Donatella Versace, pays tribute to her many talents.
 
11.28.2019
by Donatella Versace
 
“They are so naive; they think we are not aware of their crimes. We know, but we are just not ready to act. The storm isn’t in the air, it’s inside of us. I want to tell you about love and loneliness, But it’s getting late now. Can’t you hear outside of your Supreme hoodie, the wind that’s beginning to howl?”
Thus ends the song "Dark Ballet," the second track on Madonna’s latest album, Madame X. It's a strong, powerful message, which only Madonna is brave enough to unleash on the world. Her social justice activism is matched only by the absolute discipline she applies to her work in the studio and on the stage. And that is how it’s always been.
When I was asked to write this introduction, I became reflective. I have known Madonna for many, many years. She has been the star of three Versace advertising campaigns. But more than the celebrity, I have had the rare fortune of getting to know the woman. Of talking to her not only about work, but about life.
Because Madonna is extremely informed and culturally aware she can hold her own on any subject from music to art; on politics and our environmental crisis. In her latest album, I have found that same spirit of protest we first saw in her early work. Her only mission then seemed to be to shock the world – whereas her real goal was and has always been to expose things which, as a society, we didn’t have the courage to discuss. That is why she has always been criticized, misunderstood, minimized, and at times, vilified.
Her reaction was to crucify herself voluntarily. During the Confessions on a Dance Floor tour, there was a really powerful moment when she enters the scene on an enormous cross, wearing a crown of thorns, to sing "Live To Tell." 
Her beauty is—and excuse the word-play—divine.
Everyone saw Madonna on the cross as another one of her “provocations”—because the intelligentsia have never taken her seriously. A woman who dares to lift her head up and say what she thinks? To expose the rot we are all trying to hide? No one noticed that, in reality, the message she sought to convey was a much different one. When the count on the screens stops, the information, which leaves you breathless—like a punch in the stomach—begins to appear. It’s the number of children who would soon die from AIDS if society didn’t do something to help them, not just with medicine, but through prevention, research, education, and discussion.
In reality, we were all crucified, yet many of us hadn’t realized it yet.
Madame X really struck a chord with me. I listen to lots of music, especially music that experiments with sound. In this album, I not only found experimentation, but also powerful, relevant lyrics. I found a Madonna uninterested in currying favor. I found the Madonna of Like a Prayer and of American Life—perhaps one of her least understood albums.
Not long ago, Like a Prayer turned thirty years old. I can still remember the scent when I opened the CD sleeve. Despite the cultural stigma of AIDS, the record was accompanied by lyrics that focused on the epidemic that was claiming so many victims and on the importance of global education about a monumental health crisis that would touch all of society, and which above all required compassion and empathy for those infected.
The day after the launch of the video, religious groups all over the world protested against the use of Catholic imagery, and even the Pope went out of his way to ask “fans” to boycott the disk.
Both tracks went straight to number one on the charts and sold over 15 million copies. The album became a manifesto for the battle against those who want to keep us ignorant and oppressed, against stereotypes, against all those who want a society trapped by bigoted and ignorant preconceptions.
That is what Madonna has always been to me: A lioness. A fighter.
Besides the records sold, besides her ability to interpret society like no other artist, to create fashions that have inspired us all; besides the countless records made and awards won, Madonna to me, more than a fantastic performer and the female artist who has sold the most records in the history of music (well, yes...), is a woman. A mother, a great businesswoman, one who began marketing before the word or even the discipline had been invented, and who has always challenged us to be a more cohesive society, to fight together against injustice and to respect our neighbor.
I admire Madonna’s fearlessness. She has never been afraid to go out on a limb. In concert, always, she asks the crowd: How many people talk the talk and how many walk the walk?
She even did it physically in her controversial book Sex—another ground-breaking, record-breaking project which can only be found today second- or third-hand. She accomplished this radical artistic and cultural statement by laying her ideas bare.
The day before the American elections in 2016, on a cold late-fall evening in New York, she made a surprise performance in Washington Square Park before hundreds of people who quickly gathered around her. She appeared with just a guitar and her desire to keep on believing.
After the terrorist attacks in Paris the year before, she had done the very same thing.
With a lexicon of words that fail to adequately describe her, I return to one: brave.
While a song cannot give us back what we have lost; it can definitely help and support those in need. And there she was again, with her face and her body to say: I am here in person, and not just with words.
She even did it physically in her controversial book Sex—another ground-breaking, record-breaking project which can only be found today second- or third-hand. She accomplished this radical artistic and cultural statement by laying her ideas bare.
The day before the American elections in 2016, on a cold late-fall evening in New York, she made a surprise performance in Washington Square Park before hundreds of people who quickly gathered around her. She appeared with just a guitar and her desire to keep on believing.
After the terrorist attacks in Paris the year before, she had done the very same thing.
With a lexicon of words that fail to adequately describe her, I return to one: brave.
While a song cannot give us back what we have lost; it can definitely help and support those in need. And there she was again, with her face and her body to say: I am here in person, and not just with words.
Source: https://www.lofficielusa.com/music/madonna-donatella-versace-tribute

Madonna Has Always Been a Fighter
 
The icon's close friend and collaborator, Donatella Versace, pays tribute to her many talents.
 
11.28.2019
by Donatella Versace
 
“They are so naive; they think we are not aware of their crimes. We know, but we are just not ready to act. The storm isn’t in the air, it’s inside of us. I want to tell you about love and loneliness, But it’s getting late now. Can’t you hear outside of your Supreme hoodie, the wind that’s beginning to howl?”
Thus ends the song "Dark Ballet," the second track on Madonna’s latest album, Madame X. It's a strong, powerful message, which only Madonna is brave enough to unleash on the world. Her social justice activism is matched only by the absolute discipline she applies to her work in the studio and on the stage. And that is how it’s always been.
When I was asked to write this introduction, I became reflective. I have known Madonna for many, many years. She has been the star of three Versace advertising campaigns. But more than the celebrity, I have had the rare fortune of getting to know the woman. Of talking to her not only about work, but about life.
Because Madonna is extremely informed and culturally aware she can hold her own on any subject from music to art; on politics and our environmental crisis. In her latest album, I have found that same spirit of protest we first saw in her early work. Her only mission then seemed to be to shock the world – whereas her real goal was and has always been to expose things which, as a society, we didn’t have the courage to discuss. That is why she has always been criticized, misunderstood, minimized, and at times, vilified.
Her reaction was to crucify herself voluntarily. During the Confessions on a Dance Floor tour, there was a really powerful moment when she enters the scene on an enormous cross, wearing a crown of thorns, to sing "Live To Tell." 
Her beauty is—and excuse the word-play—divine.
Everyone saw Madonna on the cross as another one of her “provocations”—because the intelligentsia have never taken her seriously. A woman who dares to lift her head up and say what she thinks? To expose the rot we are all trying to hide? No one noticed that, in reality, the message she sought to convey was a much different one. When the count on the screens stops, the information, which leaves you breathless—like a punch in the stomach—begins to appear. It’s the number of children who would soon die from AIDS if society didn’t do something to help them, not just with medicine, but through prevention, research, education, and discussion.
In reality, we were all crucified, yet many of us hadn’t realized it yet.
Madame X really struck a chord with me. I listen to lots of music, especially music that experiments with sound. In this album, I not only found experimentation, but also powerful, relevant lyrics. I found a Madonna uninterested in currying favor. I found the Madonna of Like a Prayer and of American Life—perhaps one of her least understood albums.
Not long ago, Like a Prayer turned thirty years old. I can still remember the scent when I opened the CD sleeve. Despite the cultural stigma of AIDS, the record was accompanied by lyrics that focused on the epidemic that was claiming so many victims and on the importance of global education about a monumental health crisis that would touch all of society, and which above all required compassion and empathy for those infected.
The day after the launch of the video, religious groups all over the world protested against the use of Catholic imagery, and even the Pope went out of his way to ask “fans” to boycott the disk.
Both tracks went straight to number one on the charts and sold over 15 million copies. The album became a manifesto for the battle against those who want to keep us ignorant and oppressed, against stereotypes, against all those who want a society trapped by bigoted and ignorant preconceptions.
That is what Madonna has always been to me: A lioness. A fighter.
Besides the records sold, besides her ability to interpret society like no other artist, to create fashions that have inspired us all; besides the countless records made and awards won, Madonna to me, more than a fantastic performer and the female artist who has sold the most records in the history of music (well, yes...), is a woman. A mother, a great businesswoman, one who began marketing before the word or even the discipline had been invented, and who has always challenged us to be a more cohesive society, to fight together against injustice and to respect our neighbor.
I admire Madonna’s fearlessness. She has never been afraid to go out on a limb. In concert, always, she asks the crowd: How many people talk the talk and how many walk the walk?
She even did it physically in her controversial book Sex—another ground-breaking, record-breaking project which can only be found today second- or third-hand. She accomplished this radical artistic and cultural statement by laying her ideas bare.
The day before the American elections in 2016, on a cold late-fall evening in New York, she made a surprise performance in Washington Square Park before hundreds of people who quickly gathered around her. She appeared with just a guitar and her desire to keep on believing.
After the terrorist attacks in Paris the year before, she had done the very same thing.
With a lexicon of words that fail to adequately describe her, I return to one: brave.
While a song cannot give us back what we have lost; it can definitely help and support those in need. And there she was again, with her face and her body to say: I am here in person, and not just with words.
She even did it physically in her controversial book Sex—another ground-breaking, record-breaking project which can only be found today second- or third-hand. She accomplished this radical artistic and cultural statement by laying her ideas bare.
The day before the American elections in 2016, on a cold late-fall evening in New York, she made a surprise performance in Washington Square Park before hundreds of people who quickly gathered around her. She appeared with just a guitar and her desire to keep on believing.
After the terrorist attacks in Paris the year before, she had done the very same thing.
With a lexicon of words that fail to adequately describe her, I return to one: brave.
While a song cannot give us back what we have lost; it can definitely help and support those in need. And there she was again, with her face and her body to say: I am here in person, and not just with words.
Source: https://www.lofficielusa.com/music/madonna-donatella-versace-tribute

Madonna Has Always Been a Fighter
 
The icon's close friend and collaborator, Donatella Versace, pays tribute to her many talents.
 
11.28.2019
by Donatella Versace
 
“They are so naive; they think we are not aware of their crimes. We know, but we are just not ready to act. The storm isn’t in the air, it’s inside of us. I want to tell you about love and loneliness, But it’s getting late now. Can’t you hear outside of your Supreme hoodie, the wind that’s beginning to howl?”
Thus ends the song "Dark Ballet," the second track on Madonna’s latest album, Madame X. It's a strong, powerful message, which only Madonna is brave enough to unleash on the world. Her social justice activism is matched only by the absolute discipline she applies to her work in the studio and on the stage. And that is how it’s always been.
When I was asked to write this introduction, I became reflective. I have known Madonna for many, many years. She has been the star of three Versace advertising campaigns. But more than the celebrity, I have had the rare fortune of getting to know the woman. Of talking to her not only about work, but about life.
Because Madonna is extremely informed and culturally aware she can hold her own on any subject from music to art; on politics and our environmental crisis. In her latest album, I have found that same spirit of protest we first saw in her early work. Her only mission then seemed to be to shock the world – whereas her real goal was and has always been to expose things which, as a society, we didn’t have the courage to discuss. That is why she has always been criticized, misunderstood, minimized, and at times, vilified.
Her reaction was to crucify herself voluntarily. During the Confessions on a Dance Floor tour, there was a really powerful moment when she enters the scene on an enormous cross, wearing a crown of thorns, to sing "Live To Tell." 
Her beauty is—and excuse the word-play—divine.
Everyone saw Madonna on the cross as another one of her “provocations”—because the intelligentsia have never taken her seriously. A woman who dares to lift her head up and say what she thinks? To expose the rot we are all trying to hide? No one noticed that, in reality, the message she sought to convey was a much different one. When the count on the screens stops, the information, which leaves you breathless—like a punch in the stomach—begins to appear. It’s the number of children who would soon die from AIDS if society didn’t do something to help them, not just with medicine, but through prevention, research, education, and discussion.
In reality, we were all crucified, yet many of us hadn’t realized it yet.
Madame X really struck a chord with me. I listen to lots of music, especially music that experiments with sound. In this album, I not only found experimentation, but also powerful, relevant lyrics. I found a Madonna uninterested in currying favor. I found the Madonna of Like a Prayer and of American Life—perhaps one of her least understood albums.
Not long ago, Like a Prayer turned thirty years old. I can still remember the scent when I opened the CD sleeve. Despite the cultural stigma of AIDS, the record was accompanied by lyrics that focused on the epidemic that was claiming so many victims and on the importance of global education about a monumental health crisis that would touch all of society, and which above all required compassion and empathy for those infected.
The day after the launch of the video, religious groups all over the world protested against the use of Catholic imagery, and even the Pope went out of his way to ask “fans” to boycott the disk.
Both tracks went straight to number one on the charts and sold over 15 million copies. The album became a manifesto for the battle against those who want to keep us ignorant and oppressed, against stereotypes, against all those who want a society trapped by bigoted and ignorant preconceptions.
That is what Madonna has always been to me: A lioness. A fighter.
Besides the records sold, besides her ability to interpret society like no other artist, to create fashions that have inspired us all; besides the countless records made and awards won, Madonna to me, more than a fantastic performer and the female artist who has sold the most records in the history of music (well, yes...), is a woman. A mother, a great businesswoman, one who began marketing before the word or even the discipline had been invented, and who has always challenged us to be a more cohesive society, to fight together against injustice and to respect our neighbor.
I admire Madonna’s fearlessness. She has never been afraid to go out on a limb. In concert, always, she asks the crowd: How many people talk the talk and how many walk the walk?
She even did it physically in her controversial book Sex—another ground-breaking, record-breaking project which can only be found today second- or third-hand. She accomplished this radical artistic and cultural statement by laying her ideas bare.
The day before the American elections in 2016, on a cold late-fall evening in New York, she made a surprise performance in Washington Square Park before hundreds of people who quickly gathered around her. She appeared with just a guitar and her desire to keep on believing.
After the terrorist attacks in Paris the year before, she had done the very same thing.
With a lexicon of words that fail to adequately describe her, I return to one: brave.
While a song cannot give us back what we have lost; it can definitely help and support those in need. And there she was again, with her face and her body to say: I am here in person, and not just with words.
She even did it physically in her controversial book Sex—another ground-breaking, record-breaking project which can only be found today second- or third-hand. She accomplished this radical artistic and cultural statement by laying her ideas bare.
The day before the American elections in 2016, on a cold late-fall evening in New York, she made a surprise performance in Washington Square Park before hundreds of people who quickly gathered around her. She appeared with just a guitar and her desire to keep on believing.
After the terrorist attacks in Paris the year before, she had done the very same thing.
With a lexicon of words that fail to adequately describe her, I return to one: brave.
While a song cannot give us back what we have lost; it can definitely help and support those in need. And there she was again, with her face and her body to say: I am here in person, and not just with words.
Source: https://www.lofficielusa.com/music/madonna-donatella-versace-tribute

Seems that there are 2 groups of reviews: negatives from people that didnt even attend and positives from people that did attend.
Simple as that.

Blond Ambition for all its impact and glory outside Madonna-dom.

Sooner Or Later might fit so well the second segment imo 

In Lisbon she'll do concerts very close to a Brazilian OUTSTANDING singer called Maria Bethânia. She's the younger sister to Caetano Veloso. She does all romantic, soulful, cultural music, but also fado. I'd DIE to see them together. Lol

Sooner Or Later might fit so well the second segment imo 

She's losing a marvelous chance of polaroiding herself with a fan every night for free. I guess Material Girl is alive and in full glory!

She's losing a marvelous chance of polaroiding herself with a fan every night for free. I guess Material Girl is alive and in full glory!

I take pics and film a little too. What's the point of having that much of technology if not to use it? We can't let it REPLACE the cool things of life. 

She's losing a marvelous chance of polaroiding herself with a fan every night for free. I guess Material Girl is alive and in full glory!

The human race doesn't get tired of making me surprised. Usually in a negative way. 

Not to mention how pointless it looks like. Why bother buying an expensive ticket if you're not gonna enjoy it? 

I remember that time when Broadway legend Patti Lupone (a.k.a. the original american Evita) took the phone off of an attendant's hand and just gave it back once the curtains went down. That's edgy, but I really think it's disrespectful not to look at the artist. It's distracting. And why's that need of filming an ENTIRE concert? You watch it through the screen, so there wouldn't be no need to buy any ticket! 

I remember that time when Broadway legend Patti Lupone (a.k.a. the original american Evita) took the phone off of an attendant's hand and just gave it back once the curtains went down. That's edgy, but I really think it's disrespectful not to look at the artist. It's distracting. And why's that need of filming an ENTIRE concert? You watch it through the screen, so there wouldn't be no need to buy any ticket! 

I absolutely love everything about this tour except for the cheapy merch. The tees look awful to me. I can get most of them made here for a lot less than $20. I mean no disrespect but they're so... simple in the worst way. 
I hope people keep unyondring their phones to get us more bootlegs. I love it. Thank you. 
The setlist is out of this world. 

I absolutely love everything about this tour except for the cheapy merch. The tees look awful to me. I can get most of them made here for a lot less than $20. I mean no disrespect but they're so... simple in the worst way. 
I hope people keep unyondring their phones to get us more bootlegs. I love it. Thank you. 
The setlist is out of this world. 

Guys, this is an old video from what I believe is in between late 80s and early 90s tops. 
Here M's sis Paula, which was a struggling model and actress and singer back then, tells in an sisters-of-famous-people Oprah special that she admitted to envy her absurdly famous sister but that was proud of her at the same time. Personally I find it a very brave thing to do. We human beings don't like to embrace our flaws or sins.
I was wondering where is she now? Have she made it in an alternative market? I haven't seen any pictures from her family in years.
What did Paula lack hence she didn't accomplish any commercial success? I think she was kind of too vulnerable, she even seems a bit hurt by her flop. She also seemed to lack the bitchiness and sassiness M was full of. That thing makes people call her cold. I call it practical. Paula might not have survived the industry because of the comparisons, the bad side of the media. 

This is a reconstruction of the demo version of Into the Groove played during the end credits of Desperately Seeking Susan, created from the multitrack. I spent a lot of time making it match as closely as possible to create an HQ version of the demo. It uses the original bass and drum sounds and none of the instruments which were changed or added to the released mix or the Shep Pettibone mix.
4/8/22 UPDATE: This is a newly revised 2022 version which is closer to the sound of the demo version. This is my 3rd version and I think the final and best.  
I hope you like it. Enjoy!
4/8/22
Download New 2022 Version
This is the hidden content, please Sign In or Sign Up
 
Listen on YouTube
 

I honestly don't know how is that a question to be asked