hangover

Has Promised here are all the clips the auction house would send me 

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Outtake with Intro and OMG Outro 4:21 Min

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It wasn't easy to do this Demo AI Reconstruction. Nick Kamen's version was slightly different in some places but I wanted to stay faithful to the Madonna demo. Hope you like it. 
 

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I recreated with AI Warning Signs. Obviously the original version is not like that but we know that the melody and the words are like that, so we can make an edea.
I decided to put an audio watermack in the track that says "Skin Bruno AI Reconstruction" because the clip I had put on the net as a preview was being passed off as the original and since I don't want anyone to take advantage of it I put the watermack audio and watermark visible on the spectum of the audio.
I hope you enjoy this version.
Originally Reconstructed and shared by @santamadonnapodcast
Original Vocals: @Hiddentrakk
Original Musical Production: Agustín Aguirre @soyagustinaguirre
Thanks to @Webo_1958


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I have never seen anything like it HD
 

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I removed all the parts that sounded too much like Falco's Rock Me Amadeus and tried to recreate the single version without the longer extension in the middle, i used the leaked test remixes. In Wav.

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all sung by "Madonna" :
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
added June 10 :
𝘛𝘩𝘰𝘮 𝘠𝘰𝘳𝘬𝘦'𝘴 𝘚𝘜𝘚𝘗𝘐𝘙𝘐𝘜𝘔 (𝘥𝘶𝘦𝘵)
𝘒𝘰𝘳𝘯'𝘴 𝘏𝘠𝘗𝘖𝘊𝘙𝘐𝘛𝘌𝘚
added June 6 :
𝘚𝘰𝘶𝘯𝘥𝘨𝘢𝘳𝘥𝘦𝘯'𝘴 𝘉𝘓𝘈𝘊𝘒 𝘏𝘖𝘓𝘌 𝘚𝘜𝘕 (𝘭𝘪𝘷𝘦)
𝘉𝘭𝘰𝘯𝘥𝘪𝘦'𝘴 𝘈𝘛𝘖𝘔𝘐𝘊
added June 4 :
𝘗𝘦𝘵 𝘚𝘩𝘰𝘱 𝘉𝘰𝘺𝘴' 𝘏𝘌𝘈𝘙𝘛
added June 2 :
𝘛𝘩𝘦 𝘞𝘦𝘦𝘬𝘯𝘥'𝘴 𝘉𝘓𝘐𝘕𝘋𝘐𝘕𝘎 𝘓𝘐𝘎𝘏𝘛𝘚
𝘛𝘩𝘦 𝘞𝘦𝘦𝘬𝘯𝘥'𝘴 𝘚𝘛𝘈𝘙𝘉𝘖𝘠
added June 1 :
𝘒𝘰𝘳𝘯'𝘴 𝘓𝘌𝘛'𝘚 𝘎𝘖
𝘒𝘰𝘳𝘯'𝘴 𝘉𝘜𝘙𝘕 𝘛𝘏𝘌 𝘖𝘉𝘌𝘋𝘐𝘌𝘕𝘛
𝘒𝘰𝘳𝘯'𝘴 𝘍𝘜𝘌𝘓𝘚 𝘛𝘏𝘌 𝘊𝘖𝘔𝘌𝘋𝘠
𝘒𝘰𝘳𝘯'𝘴 𝘎𝘌𝘛 𝘜𝘗
𝘒𝘰𝘳𝘯'𝘴 𝘕𝘈𝘙𝘊𝘐𝘚𝘚𝘐𝘚𝘛𝘐𝘊 𝘊𝘈𝘕𝘕𝘐𝘉𝘈𝘓 
𝘋𝘰𝘯 𝘔𝘤𝘓𝘦𝘢𝘯'𝘴 𝘈𝘔𝘌𝘙𝘐𝘊𝘈𝘕 𝘗𝘐𝘌
𝘛𝘩𝘦 𝘉𝘦𝘢𝘵𝘭𝘦𝘴' 𝘔𝘐𝘊𝘏𝘌𝘓𝘓𝘌
𝘛𝘩𝘦 𝘉𝘦𝘢𝘵𝘭𝘦𝘴' 𝘈𝘕𝘋 𝘐 𝘓𝘖𝘝𝘌 𝘏𝘌𝘙
𝘔𝘪𝘳𝘸𝘢𝘪𝘴 & 𝘠.𝘈.𝘚.' 𝘍𝘈𝘟
𝘔𝘪𝘳𝘸𝘢𝘪𝘴 & 𝘠.𝘈.𝘚.' 𝘈𝘡𝘡𝘈
𝘔𝘪𝘳𝘸𝘢𝘪𝘴 & 𝘠.𝘈.𝘚.' 𝘋𝘈
𝘊𝘳𝘰𝘸𝘥𝘦𝘥 𝘏𝘰𝘶𝘴𝘦'𝘴 𝘋𝘖𝘕'𝘛 𝘋𝘙𝘌𝘈𝘔 𝘐𝘛'𝘚 𝘖𝘝𝘌𝘙 (𝘏𝘌𝘠 𝘕𝘖𝘞)
𝘌𝘭𝘷𝘪𝘴 𝘊𝘰𝘴𝘵𝘦𝘭𝘭𝘰'𝘴 𝘈𝘓𝘔𝘖𝘚𝘛 𝘉𝘓𝘜𝘌
added May 31 :
𝘍𝘳𝘢𝘯𝘬 & 𝘕𝘢𝘯𝘤𝘺 𝘚𝘪𝘯𝘢𝘵𝘳𝘢'𝘴 𝘚𝘖𝘔𝘌𝘛𝘏𝘐𝘕𝘎 𝘚𝘛𝘜𝘗𝘐𝘋
𝘔𝘪𝘳𝘸𝘢𝘪𝘴 & 𝘠.𝘈.𝘚.' 𝘎𝘈𝘔𝘐𝘓
𝘌𝘭𝘵𝘰𝘯 𝘑𝘰𝘩𝘯'𝘴 𝘚𝘖𝘙𝘙𝘠 𝘚𝘌𝘌𝘔𝘚 𝘛𝘖 𝘉𝘌 𝘛𝘏𝘌 𝘏𝘈𝘙𝘋𝘌𝘚𝘛 𝘞𝘖𝘙𝘋
added May 28 :
𝘊𝘶𝘳𝘵𝘪𝘴𝘴 & 𝘔𝘢𝘭𝘥𝘰𝘰𝘯'𝘴 𝘚𝘌𝘗𝘏𝘌𝘙𝘠𝘕 / 𝘙𝘈𝘠 𝘖𝘍 𝘓𝘐𝘎𝘏𝘛
added May 20 :
𝘓𝘦𝘥 𝘡𝘦𝘱𝘱𝘦𝘭𝘪𝘯'𝘴 𝘚𝘛𝘈𝘐𝘙𝘞𝘈𝘠 𝘛𝘖 𝘏𝘌𝘈𝘝𝘌𝘕
𝘙𝘦𝘥 𝘏𝘰𝘵 𝘊𝘩𝘪𝘭𝘪 𝘗𝘦𝘱𝘱𝘦𝘳𝘴' 𝘚𝘊𝘈𝘙 𝘛𝘐𝘚𝘚𝘜𝘌
added May 19 :
𝘚𝘵𝘳𝘰𝘮𝘢𝘦'𝘴 𝘈𝘓𝘖𝘙𝘚 𝘖𝘕 𝘋𝘈𝘕𝘚𝘌 (𝘥𝘶𝘦𝘵)
𝘉𝘭𝘰𝘯𝘥𝘪𝘦'𝘴 𝘊𝘈𝘓𝘓 𝘔𝘌
added May 18 :
𝘋𝘢𝘧𝘵 𝘗𝘶𝘯𝘬'𝘴 𝘎𝘌𝘛 𝘓𝘜𝘊𝘒𝘠
𝘗𝘩𝘢𝘳𝘳𝘦𝘭𝘭 𝘞𝘪𝘭𝘭𝘪𝘢𝘮'𝘴 𝘏𝘈𝘗𝘗𝘠
𝘍𝘳𝘰𝘮 𝘵𝘩𝘦 𝘮𝘶𝘴𝘪𝘤𝘢𝘭 "𝘊𝘩𝘪𝘤𝘢𝘨𝘰" 𝘔𝘙 𝘊𝘌𝘓𝘓𝘖𝘗𝘏𝘈𝘕𝘌
added May 17 :
𝘓𝘢𝘯𝘢 𝘋𝘦𝘭 𝘙𝘦𝘺'𝘴 𝘞𝘐𝘛𝘏𝘖𝘜𝘛 𝘠𝘖𝘜
𝘓𝘢𝘯𝘢 𝘋𝘦𝘭 𝘙𝘦𝘺'𝘴 𝘚𝘜𝘔𝘔𝘌𝘙𝘛𝘐𝘔𝘌 𝘚𝘈𝘋𝘕𝘌𝘚𝘚
𝘉𝘳𝘪𝘵𝘯𝘦𝘺'𝘴 𝘛𝘖𝘟𝘐𝘊
𝘔𝘰𝘥𝘦𝘳𝘯 𝘛𝘢𝘭𝘬𝘪𝘯𝘨'𝘴 𝘊𝘏𝘌𝘙𝘐 𝘊𝘏𝘌𝘙𝘐 𝘓𝘈𝘋𝘠
added May 16 :
𝘚𝘰𝘧𝘵 𝘊𝘦𝘭𝘭'𝘴 𝘛𝘈𝘐𝘕𝘛𝘌𝘋 𝘓𝘖𝘝𝘌
𝘐𝘯𝘥𝘰𝘤𝘩𝘪𝘯𝘦'𝘴 𝘓𝘈 𝘝𝘐𝘌 𝘌𝘚𝘛 𝘉𝘌𝘓𝘓𝘌
𝘈𝘭𝘭 𝘚𝘢𝘪𝘯𝘵𝘴 & 𝘞𝘪𝘭𝘭𝘪𝘢𝘮 Ø𝘳𝘣𝘪𝘵'𝘴 𝘗𝘜𝘙𝘌 𝘚𝘏𝘖𝘙𝘌𝘚
𝘙𝘦𝘥 𝘏𝘰𝘵 𝘊𝘩𝘪𝘭𝘪 𝘗𝘦𝘱𝘱𝘦𝘳𝘴' 𝘉𝘠 𝘛𝘏𝘌 𝘞𝘈𝘠
𝘕𝘪𝘯𝘢 𝘚𝘪𝘮𝘰𝘯𝘦'𝘴 𝘔𝘠 𝘉𝘈𝘉𝘠 𝘑𝘜𝘚𝘛 𝘊𝘈𝘙𝘌𝘚 𝘍𝘖𝘙 𝘔𝘌
added May 15 :
𝘑𝘶𝘴𝘵𝘪𝘯 𝘛𝘪𝘮𝘣𝘦𝘳𝘭𝘢𝘬𝘦'𝘴 𝘊𝘙𝘠 𝘔𝘌 𝘈 𝘙𝘐𝘝𝘌𝘙
𝘋𝘦𝘱𝘦𝘤𝘩𝘦 𝘔𝘰𝘥𝘦'𝘴 𝘌𝘕𝘑𝘖𝘠 𝘛𝘏𝘌 𝘚𝘐𝘓𝘌𝘕𝘊𝘌 (𝘸/ 𝘷𝘪𝘥𝘦𝘰)
added May 14 :
𝘓𝘢𝘯𝘢 𝘋𝘦𝘭 𝘙𝘦𝘺'𝘴 𝘝𝘐𝘋𝘌𝘖𝘎𝘈𝘔𝘌𝘚
added May 13 :
𝘍𝘳𝘰𝘮 𝘵𝘩𝘦 𝘮𝘶𝘴𝘪𝘤𝘢𝘭 "𝘍𝘶𝘯𝘯𝘺 𝘎𝘪𝘳𝘭" 𝘐'𝘋 𝘙𝘈𝘛𝘏𝘌𝘙 𝘉𝘌 𝘉𝘓𝘜𝘌
𝘍𝘳𝘰𝘮 𝘵𝘩𝘦 𝘮𝘶𝘴𝘪𝘤𝘢𝘭 "𝘊𝘩𝘪𝘤𝘢𝘨𝘰" 𝘞𝘏𝘌𝘕 𝘠𝘖𝘜'𝘙𝘌 𝘎𝘖𝘖𝘋 𝘛𝘖 𝘔𝘈𝘔𝘈
𝘍𝘳𝘰𝘮 𝘵𝘩𝘦 𝘮𝘶𝘴𝘪𝘤𝘢𝘭 "𝘊𝘩𝘪𝘤𝘢𝘨𝘰" 𝘈𝘓𝘓 𝘛𝘏𝘈𝘛 𝘑𝘈𝘡𝘡
𝘍𝘳𝘰𝘮 𝘵𝘩𝘦 𝘮𝘶𝘴𝘪𝘤𝘢𝘭 "𝘊𝘩𝘪𝘤𝘢𝘨𝘰" 𝘙𝘖𝘟𝘐𝘌
added May 10 :
𝘋𝘶𝘢 𝘓𝘪𝘱𝘢'𝘴 𝘓𝘌𝘝𝘐𝘛𝘈𝘛𝘐𝘕𝘎 (𝘢𝘭𝘣𝘶𝘮 𝘷𝘦𝘳𝘴𝘪𝘰𝘯)
added May 9 :
𝘖𝘢𝘴𝘪𝘴' 𝘞𝘖𝘕𝘋𝘌𝘙𝘞𝘈𝘓𝘓
𝘉𝘭𝘰𝘯𝘥𝘪𝘦'𝘴 𝘙𝘈𝘗𝘛𝘜𝘙𝘌
𝘉𝘭𝘰𝘯𝘥𝘪𝘦'𝘴 𝘖𝘕𝘌 𝘞𝘈𝘠 𝘖𝘙 𝘈𝘕𝘖𝘛𝘏𝘌𝘙
added May 8 :
𝘙.𝘌.𝘔.'𝘴 𝘓𝘖𝘚𝘐𝘕𝘎 𝘔𝘠 𝘙𝘌𝘓𝘐𝘎𝘐𝘖𝘕
𝘓𝘢 𝘙𝘰𝘶𝘹' 𝘉𝘜𝘓𝘓𝘌𝘛𝘗𝘙𝘖𝘖𝘍
𝘉𝘳𝘪𝘵𝘯𝘦𝘺'𝘴 𝘉𝘈𝘉𝘠 𝘖𝘕𝘌 𝘔𝘖𝘙𝘌 𝘛𝘐𝘔𝘌
𝘓𝘪𝘭𝘺 𝘈𝘭𝘭𝘦𝘯'𝘴 𝘍𝘜𝘊𝘒 𝘠𝘖𝘜
𝘋𝘦𝘱𝘦𝘤𝘩𝘦 𝘔𝘰𝘥𝘦'𝘴 𝘗𝘌𝘙𝘚𝘖𝘕𝘈𝘓 𝘑𝘌𝘚𝘜𝘚
𝘔𝘢𝘴𝘴𝘪𝘷𝘦 𝘈𝘵𝘵𝘢𝘤𝘬'𝘴 𝘛𝘌𝘈𝘙𝘋𝘙𝘖𝘗 (𝘰𝘳𝘪𝘨𝘪𝘯𝘢𝘭𝘭𝘺 𝘥𝘦𝘴𝘵𝘪𝘯𝘦𝘥 𝘵𝘰 𝘔𝘢𝘥𝘰𝘯𝘯𝘢)
𝘒𝘺𝘭𝘪𝘦'𝘴 𝘈𝘓𝘖𝘕𝘌 𝘈𝘎𝘈𝘐𝘕 (𝘱𝘦𝘯𝘯𝘦𝘥 𝘣𝘺 𝘔𝘢𝘥𝘰𝘯𝘯𝘢)
I created these as simple tests, the results are more or less convincing depending on the track. And YES, A.I. is pure evil, of course it doesn't actually sound like Madonna, nor does this replace new original music or actual covers, etc... It's only meant for fun, enjoy it as such. 
YouTube streams : (deleted from YT)

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Okay I tried some of the requests in here and most of them sounded shit...
I think only Dreams sounds kinda decent 
 
Fleetwood Mac - Dreams

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I'm going to train it more this weeekend and we'll see how much she improves 
 
 
 

Hi y'all!
So this week I started training my own Madonna Diff-SVC model based on her vocals.... I used most of the leaked stems we have... 
I've been training it for over 40hours and It's still far from done but I thought I would share some results.... I think her voice is starting to get pretty recognizable right?
 

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Let me know what u think... 
Btw if you have any request for a song I will do it as I am curious how she sounds on other songs and singers
I will need from you to send me the Acapella and Instrumental of the track you would like to hear her on  
 

So thanks to @Shofuli got the idea of making some extra tracks available tagged in this mega link

This is the hidden content, please Sign In or Sign Up Download them,and it may appear untagged on the mega link but as soon as loaded on a music player will be tagged,put this between your playlists if wished

thanks!

as requested by many of you
 
I'll keep link up for a week only as I'm running out of space on all my mega accounts
 

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This is the "Studio" and full version of my interlude MLVC Live & Remixed Tour One More Chance (Forever) without crowd and live effects obviously.


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Full live project here
https://soundcloud.com/mlvcliveremixedtour/sets/mlvc-album



my next project is out on july 18th exclusively for Madonna Remixed United podcast and it will be a MegaMashupMix  

Hi,
So we know in 1992 Madonna refused permission to Was (Not Was) to release her unused 1982 vocals on the remix track "Shake Your Head (Lets Go To Bed)", so the remixes by Steve Silk Hurley had to be remade with Kim Basinger vocals. The full 12" remix with Madonna vocals was issued by error on "Now Dance 93" on vinyl and cassette only (these have quite poor sound), and the Madonna Dub was put on the CD "Somewhere in America there's a street named after my dad". The Kim Basinger version was then put out as the 12" remix and also had two official edits; the 3.45 "Single Remix" on the CD of "Now Dance 93", and just to really confuse everyone a different longer 4.00 edit on "Now 23"!!
In the folder there's all the official Madonna and Kim Basinger Versions, plus I removed Kim Basinger off the Now 23 edit and Single Remix to create Madonna and Ozzy versions, plus a solo Madonna Single Version. I also remade the 12" Remix with a CD rip removing Kim's vocals and overdubbing Madonna's vocals from my cassette rip. I'm really pleased with that one, at last it has a more pristine sound instead of crappy analogue rip quality. 
So to avoid confusion they're all well labelled!
We have;
1. Single Remix - Madonna only vocals - fanmade
2. Single Remix - Madonna & Ozzy - fanmade
3. Single Remix - Kim & Ozzy - Official CD Rip
4. Dub - Madonna & Ozzy - Official CD Rip
5. 12" Remix - Madonna & Ozzy - Official Cassette Rip
6. 12" Remix - Madonna & Ozzy - Digital remake with CD backing track
7. 12" Remix - Kim & Ozzy - Official CD Rip
8. Now 23 Edit - Madonna & Ozzy - fanmade
9. Now 23 Edit - Kim & Ozzy - Official CD Rip
 

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Great interview this morning on one of the top cultural radio shows, on public service France Inter. Here are the best bits.
About Taxi Girl: "Back then, we were the best band in the world (...) We weren't friends, that's what was interesting"
More insights about his work with M !
He reminded that Music, the single, was one of the first major leaks in history.
"I see her as a friend but we don't hang out together, we'd tear up each other's face."
"The way she speaks of our relationship in interviews always makes me laugh. In Mojo, she was talking about me and it felt like we're two lunatics in the studio pitting against each other, for two lines, for a chorus..."
"She has a lot of input"
-
What is a good song according to you?
It's close to you, close to what you are.
When do you both know that a song is good enough?
When she stops arguing, when I stop arguing. I can be worse than her.
(blabla about songs taking too long to produce)
So how come a good song is shelved? Does it happen really?
It happens, yes, it does, for a lot of reasons. It's a matter of timing, often it's not the right moment, you have to feel it, and sometimes there is no real vista. Why does she ditch a song? Because in the production process, she can be wrong, maybe because someone didn't confront her enough, or because she made mistakes or the producer himself. You miss things, it happens.
(Then, Augustin Trapenard, the host, plays "It's So Cool", the unofficial acoustic demo.)
It was supposed to be on American Life, what happened?
Most people don't now that, but there was this movie project, maybe with Luc Besson, covering different historical periods, from the 30s through the 80s. So we had to work on a few tracks from the 70s, and I wrote that song. For the record, her big hit Hung Up came from the same session with Stuart [Price]. But it felt more 80s!
The track leaked online ten years ago and it's still there. Why?
It's because of Warner. From when she left them. They don't care about her back catalogue a lot but they'll end up paying attention to it. There are real nuggets, real good stuff. There are songs like this one, extraordinary.
(Blabla, then he trashes Spotify.)
(Then, Augustin Trapenard plays the Celebration version. Mirwais laughs out loud.)
I think it's a failure (cackles).
What does it take it to fail?
When you don't have that vista... Not seeing the potential, not seeing the core of what it is.
But when you hear that version from the Best Of, what does it sound like? Do you feel dispossessed?
No, I've approved it. But I didn't think it would end up being such a mess.
It makes you laugh in the end... (they both laugh)
Yes, you know what, you have to let go...
(Blabla, then he basically trashes Spotify again, because of some other artist called Mirwais who does "shitty trance music", with that stupid "Mashed Potato" song and people think it's him)
In the beginning, what did you want on that song?
Something very folk. The Kinks! Madonna has the perfect 70s voice, you know.
Was she aware of what you figured for that song?
Of course! We made it together! Wait a minute, do you sincerely believe that she wouldn't know? That woman is a living sensor! She's like me, she's more into the future than the past. But she started digging into it. Because like I said about The Retrofuture [his new album], I have a theory that for the first time in the history of art, the past looks better than the future. Honestly, what is the next thing in music? Auto-Tune all the way? It's bullshit.
You're one of the pioneers though. That's what got Madonna into you.
Besides Cher, and that's a long time ago. But I bet you won't find a track entirely sung on Auto-Tune before Naive Song. It was the first. And that's what caught her attention so we did Nobody's Perfect, the first track by a major star entirely sung on Auto-Tune, in 2000. Then we did James Bond [Die Another Day] on Auto-Tune... Then some other folk goes "I invented Auto-Tune in 2006" [poking at Kanye West]". Wrong! Man, James Bond was in 2002!
(blabla)
You have to be sincere in life.
 
Listen to the full show featuring Mirwais new track 2016 - My Generation here : https://www.franceinter.fr/emissions/boomerang/boomerang-23-octobre-2020
 

In the meantime Diablo got her first Tony nomination for writing the book of the musical "Jagged little pill" (which left me a little disappointed when I saw it, the story felt too intricate, but only a few shows were eligible this year).
In the last M story they are commenting her punk song "Shit on the ground", but the instrumental snippet you hear is from another unknown song I think!!
 

She's singing the song Letter to Daddy (Baby won't you please come home), from the film Madonna and the Breakfast Club (one of the Dan Gilroy's secrets).

She's singing the song Letter to Daddy (Baby won't you please come home), from the film Madonna and the Breakfast Club (one of the Dan Gilroy's secrets).

She's singing the song Letter to Daddy (Baby won't you please come home), from the film Madonna and the Breakfast Club (one of the Dan Gilroy's secrets).

I did a quick restoration before putting these file away on my storage disk
Maybe some of you would want them too. The quality is stll what it is but I basically erased the annoying surface noise and added a stereo effect.
I will keep these online for just a few days

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