PlayPause

HQ artwork from Apple Music

I wAnted instruMental, spEd up and slOOwed down versiOns why noooot? 
Jking

Justify My Love (X-rated version)
Hollywood Express (OG)

Justify My Love (X-rated version)
Hollywood Express (OG)

This one has +1M views, offcially making it THE unoffcial M remix 
But this one is my fave, i always get so emotional 
You waste your time with porn and dildo 
Love is a thong she needs to change 

It's not mono it's only 1 stereo channel.

 

Re-uploaded as a zip file!

YES !
Last time she performed with a full band throughout a whole show. So good.

No they weren’t. It is all live. Of course it’s going to sound better than some news footage or soundboard leaks. It’s been mixed and mastered for release. But the vocal performance is the same.

The Virgin Tour was shot on either 35mm or 16 mm. Why can't they scan the negatives and a little clean up?
They are probably i the bin

I honestly don't like any of the live albums. They're either to overproduced and lacking any live feel (Confessions could've been brilliants but the fake, selective audience cheering messes the whole thing up for me) or even worse, you hear the backing tracks and there was no effort put in to make it sound in any way decent like RHT and MDNA.
 
My favorite LIVE sound experience is still The Girlie Show - Live Down Under VHS Stereo rip. You can feel the energy. her's, the band's the audience. Drowned World I think is well done as well, only slightly cleaned up and feels live and raw.

Oof, sorry guys. I'll re-upload soon when I get a chance 
Feel free to tag me in a few days in case I forget 

read full article here:
https://deadline.com/2024/06/jean-paul-gaultier-nwave-unveil-images-fashion-world-animation-moth-1235972492/
Madonna is also set to make an appearance in a fashion show scene which seven Madonnas walk down the catwalk in different iconic outfits made by Gaultier for the performer across her career.
Zeller said the look of animation is largely inspired by rough sketches by Gaultier as well as works from his past collections and memorabilia from his personal archive.
“We’ve been working closely with Jean-Paul for close to a year. We’ve had a lot of meetings, back and forths about the screenplay, the storyline, the styles, you’re going to see many different styles with different outlines,” he said.

Love Eartha Kitt
Watch this 
 

Love Eartha Kitt
Watch this 
 

If the question is shady:
Your ignorance doesn't take away her relevance and history. It just make you ignorant.
If the question is genuine:
https://en.wikipedia.org/wiki/Eartha_Kitt
Also this interview is great :
 
 

Well the song was originally performed by her and Henri René and His Orchestra in 1953. Madonna did a cover of it.
The comment is obviously a joke. Nothing too far from Madonna's general tone and sense of humour:
:
Eartha Kitt was a great woman, activist, supporter of AIDS causes, supporter of LGBTQ+ rights, vocal in political stakes (that screw so much of her career) particularly her take anti Vietnam  war.
And a great and fun performer. Also this:
 

Anyways 
Julie Newmar is the best TV cat woman. 

It's just some banter. Madonna does that too. 
It would be news if any star older than her was saying something complimentary, they all looked down on her.

Eartha Kitt is an icon, a forever star. 

If you want attention, just mention Madonna's name

Go out and buy "The Music of James Bond" by John Burlingame.
 
Work began on the song early in 2002, according to French Michel Colombier, who wrote and conducted the string arrangement, Colombier (a veteran composer whose credits included the pop symphony Wings and film scores for White Nights and Against All Odds) had recently worked with Madonna and her Paris-based producer Mirwais Ahmadzaï on their album Music, supplying the string arrangement for the song "Don't Tell Me.
Madonna and Mirwais (as he was known professionally) were working on her next studio album when the call came from "the Bond people, Colombier said. One of the songs they were working on "could maybe work for it," Mirwais told Colombier; they sent a demo to the studio that was "this techno thing," an electronica piece rewritten to accommodate the film and the title. According to Colombier, the studio responded: "We love the song, but can you bridge it to the tradition of Bond in some way?" That's when Madonna and Mirwais called Colombier to help.
MGM sent Colombier (who was in Los Angeles) a rough edit of the opening of the film. "I knew that I had to do something film-score-esque; he said. Mirwais sent Colombier a long version of the Madonna-Mirwais track, Colombier wrote "a bunch of things to it" and then flew to London to conduct an ensemble of 60 string players at AIR Studios. From there, Mirwais took the track back to Paris and then did "a complete production job," Colombier said. "What you hear is not what I wrote. The way that it came out is completely Mirwais. He is a master manipulator. Sixty real strings, played live, became audio files in his computer. They can be chopped like pieces of fabric. He's amazingly brilliant with that."
Colombier also designed an instrumental version of the theme for possible use over the end titles. Madonna attended the recording session in London, he noted. "In the instrumental version, there is a moment when I went into almost a tango feeling. At the rehearsal, they did it extremely well, instinctively. When we started doing the take, it just lost the 'fire.' Madonna, in the booth, grabbed the talkback mic and told them, It's not sexy enough, think about sex!' She really participates."
Colombier's rich string arrangement provided the drama, especially in the opening measures before Madonna's vocal enters. Her cryptic lyrics were a curiosity ("I'm gonna keep this secret / I'm gonna close my body now . . .") but Mirwais's electronica sounds, which dominate the track, made "Die Another Day" the most sonically edgy Bond theme ever. (Soon afterward, Madonna asked Colombier to score her film Swept Away, which would be released later in 2002, a month before the Bond film.)
The track apparently went through various incarnations. "We went through several interpolations of it." producer Michael G. Wilson later said, "but I think when she saw the rough material we were going to use, she sort of adapted the song and changed the title to 'Die Another Day." Added director Lee Tamahori: "When I first heard it, I was a little concerned because it seemed to have stops and starts and didn't seem to be that evocative. But she rewrote--the chorus was written for the movie, and I think it's made quite a profound difference."
As Madonna herself said before the film's release: "I hemmed and hawed about it for a while. Everybody wants to do the theme song of a James Bond movie, and I never like to do what everybody else likes to do. It's just some perverse thing in me. But then I thought about it and I said, you know what? James Bond needs to get techno.
Years later, she praised Colombier's contribution: "Mirwais brought Michel to me. That song is so cinematic; I'm so excited when I get to work with a live orchestra. Those strings in Die Another Day' are chilling and, because of that, it's one of my favorite songs."

My guess, these could very well be songs that leaked already.  It would be interesting to know if there is anything that we haven't heard yet that hasn't leaked! He also may not be aware what all has leaked.

Wow ... I'm so curious about the unreleased tracks (we know there is one called React and now Can't you see my mind and the electro version of Xtatic Process).
Said that, I'm not a huge fan specifically of their writing together when it comes to acoustic stuff, they're good in making noicey and dancey stuff: I agree about Die another day being among the best M productions, but I think their electrofolk songs are melodically too basic and, even when good like Love Profusion or I deserve it, it has a strong influence on the result.
I think their best collab in terms of creativity is the Music album (Music, Impressive instant, Nobody's perfect - when vocoder seems saying something nd not just put there without a reason, Paradise, Don't tell me), their work on Madame X had points of exellence (BATUKA - such a gem and, yes, it's all about how the sounds reinforce the soul and the spirit of the whole message, Extreme Occident, Killers, I don't search I find, Ciao Bella)  and very low and messy failures in terms of experimentation (God control and, the most guilty one , Dark ballet, wich would have been such a good track herself). 

So Mirwais did a Q&A on his Instagram Stories and he of course talked about Madonna. The most interesting things:
-His fav Madonna collaboration is American Life (song).
-He would love to do an updated American Life (album). 
-Can’t You See My Mind is different from Die Another Day and it’s NOT a ballad. 
-His fav Madonna production is Die Another Day. 
-It’s true that the first version of X-Static Process was electro. 
-There are some unreleased songs.
-He learned patience from Madonna and she learned patience from him.
-There’s a version of Paradise with Letitia Casta (recorded before Madonna entered the picture) but Madonna changed it and her version is the best version of the song. 
-He would love to work with her again.
 

FASCINATING READ!
https://www.vulture.com/article/what-its-like-to-work-with-madonna-on-a-movie-set.html
 
highlights:
 
 
Madonna and Trump
Foley was planning to shoot a scene in front of Trump Tower on Fifth Avenue, and Donald Trump apparently stipulated that he wanted a paparazzo shot with her in hopes of making the New York Post. Madonna initially refused, launching years of scorn directed at the real-estate cheat. (“He’s a wimp,” she told Interview in 1990 when asked about his budding presidential prospects.) But Foley insisted, knowing that Warner Bros. had already negotiated access to the building. “It was one of those moments where I had to say, ‘You gotta do this,’” he says. “I don’t think she made eye contact with him.”
 
Madonna considered for Ruthless People
“At that dinner, we were all mesmerized by her,” Jerry says. It would have been an opportunity for Madonna to go over-the-top, to kick and scream and scheme. But something didn’t click. The audience needed to believe her husband hated her, and Madonna showed too much charm to drive a man away. Plus, at 27, she still seemed a bit young to play a housewife. Eventually, everyone agreed it wasn’t the right fit.
 
Madonna and Spike Lee
After the back-to-back bombs Body of Evidence and Dangerous Game, casting Madonna wasn’t exactly in vogue. “I didn’t give a fuck,” Lee says. “She’s who I had in mind, and she wanted to do it, so that was it. She’s a pro.” Ever since, they’ve had a symbiotic back-and-forth. Madonna’s team gave Lee a discount on a couple of Ray of Light tracks he wanted to use in his Netflix adaptation of She’s Gotta Have It, and he gave her feedback on the script for the since-canned biopicthat she was going to direct about herself. Lee says she also gave him a friendly talking-to when his son, Jackson, was apparently pursuing Madonna’s daughter, Lourdes. “She said, ‘Spike, your son is bothering my daughter,’” Lee laughs
 
Chicago
Weinstein also floated the idea of casting Janet Jackson, Poster says, but it never went anywhere. Imagine Chicago starring Janet and Madonna!
 
Image change for Evita
“We had this really candid conversation with Liz Rosenberg,” says a former Disney marketing executive, referring to Madonna’s former longtime publicist, “and said, ‘She’s going to have to transform over the next year.’ If you go back and look at what she wore to public events, she was sort of buttoned-up. Liz saw the wisdom in an image shift.”
According to Peter Adee, another Disney marketing veteran, Madonna was one step ahead of Rosenberg. She understood that softening the reputation that Sexand the R-rated album Erotica had given her a few years earlier was essential to winning over highbrow Hollywood types, especially because gossip hounds were calling her first pregnancy a PR stunt. (“Some people have suggested that I have done this for shock value,” she said. “These are comments only a man would make. It’s much too difficult to be pregnant and bring a child into this world to do it for whimsical or provocative reasons.”) Disney sold Evita as an elegant love story above all else, and Madonna partnered with fashion brands like Bloomingdale’s, Dior, Ferragamo, and Estée Lauder for in-store displays and cosmetic lines that gave the campaign an upscale sheen. She weighed in on every detail. Forever indebted to the Old Hollywood luminaries she idolized, Madonna remade herself the way Elizabeth Taylor would have. “There are times in advertising where you wink, wink, nod, nod — you make fun of it,” Addee says, referring to Madonna’s spotty acting résumé. “We never did. We sold it as Evita starring Madonna, basically saying, ‘This is something new.’”