BoyToyMark

It's such a great song! And the remixes are excellent
Yeah with Borderline, if they'd used the 7" version from the get go, there would be no confusion and we'd have it widely available.

We can't be friends.

So now this means that I can do my Who's That Girl Super Mix playlist! That's what I wanted! Thanks Emily and Rhino for this!

It's a MESS.
And how they f**ed up the digital single made it even messier.

Back to the new release "Causing A Commotion", would be cool to have an official Madonna YouTube upload of this performance:
Which was the one used for videography specials and so since there wasn't a proper official video for the song, right?
PURE ENERGY.
Creative director, go give us something and update the HD Video playlist, left without any updates since "Don't Tell Me" in November last year, do that challenge.

I was going to say this. The leaked versions of "Revenge" and "Gone Gone Gone" were demos and should be treated as such. They could have evolved a lot if considered for the final album.
The early versions of the final songs we got on "Ray Of Light" are most of them also very far from the greatness we got in the end. Demos are demos.

https://x.com/iknowtfhappened/status/1825321401290485901?s=46&t=PFq0cJYHcPbRrXtXHB9OaA
"Madonna was rather taken with Robert (Miles)'s sound and she was keen on collaborating with him. However he declined her offer - he did so in a rather rude and graceless manner, mind you. A most uncharming fellow. In response, we spent a couple of nights in my studio, crafting a few tracks inspired by his style, just for the sake of it. As it happened, it was my daughter’s birthday, Madonna absolutely adores her, and we were surrounded by an abundance of cakes. So there we were : Madonna, myself, and a delicious sense of vengeance against Robert Miles. One of the tracks was fittingly titled "Revenge". We indulged in cake, recorded three rather splendid dance tracks, and that was that." 
 

YES.
https://music.apple.com/nz/album/causing-a-commotion-single/1763701702

It's not REMASTERED/BOOSTED/F**ED UP. Thank God.
Sounds gloriously QUIET.

The live version had been available for many years on the Homogenic (Live) album, I was referring to the studio version (originally from Chansons des Mers Froides) which has only been available (at least in Australia) on the Possibly Maybe single for a few months. 
 
when I say I was devastated LDYG was left off Secret 😭 

I think the remix edit of Open Your Heart will come.

I remember when i was a kid, a friend of my elder sister brought me the cassette single of CAC as a gift (because i made a mixtape of french pop songs for her american friend) from the US (before my family moved there) and i was so surprised by the single version which i wasn't expecting to be different and i adored it right away contrary to the album version. Yes i still have it. 😁 

Excited! One of my favourites :D

I can’t imagine we’re getting a Japan-only single on streaming anytime soon.
Also, wasn’t “Where’s The Party” the b-side for “Spotlight”?

I didn’t click the link, so I don’t know what it fully says, but this is the tracklisting with tracklengths:
Silver Screen Single Mix 4:00 Silver Screen Mix 6:33 Dub 7:04 Movie House Mix 9:40

I'm probably in the minority but I would much rather listen to the Silver Screen edit than the Movie House edit even if it's more common.  I hope it's included :(

Oh honey, Spotify was literally built on piracy (they started by putting music online that they didn't even have the rights to use, grew on that enough to have power to force labels to join them) and bots. And playlist payola. FOR YEARS they've done nothing about it cause 1) it benefited their model and 2) it made labels and their big artists look good, meaning they were happy, meaning they stayed on the platform.
Cut to Spotify suddenly getting serious about it this year and going after playlist payola and fake accounts like it was the most important thing in the world for them when they've done NOTHING about it in 15 years.
They now have a penalty model where they charge labels $10 per track per month when they detect a song has had more than 90% of their total streams as artificial streams that month.
90%!!!!! So 89% is cool.
In the meantime the smaller artists and the songwriters starve and are paid cents for their music - oh well, not even that, the minimum now to get paid is 1.000 streams in 12 months, anything below that Spotify keeps the money. Which you may think, "well, they're only cents", yes but multiply those cents for thousands of independent small artists! Spotify says they now share that money between the rest of the artists with more than 1.000 streams per track. But I don't want fucking Ed Sheehan getting my Dannii Minogue cents! Dannii should get her "0.50" royalty pay for "Everlasting Night 1999"! xd
Honestly Spotify can go to hell. The streaming model needs to be reconsidered entirely. ALL the artists in the world don't make a living with our $11 monthly subscription and we all know that.

This week! You just gave me a hard-on!

I said before, I became a fan at that time so it´s special for me yes and she looked amazing. To me she had two peak, the 80s and 1998-2006.

But she looked absolutely stunning in the 00s! And I believe she was on a really good path for her. I really loved her writing in the 00s.

But she looked absolutely stunning in the 00s! And I believe she was on a really good path for her. I really loved her writing in the 00s.

here's the official upscale!!!


 

Alrighty...
August 23rd
Causing a Commotion
Silver Screen Single Mix Silver Screen Mix Dub Movie House Mix

But she looked absolutely stunning in the 00s! And I believe she was on a really good path for her. I really loved her writing in the 00s.

I kind of follow what you're saying, but I think an even better idea would be if they digitally reissued and remastered 'Celebration' with all the correct single versions and made sure they were all merged so they counted towards streams.
So rather than remove it, use it and provide a higher quality product.
I also love It's So Cool! 

I believe Hamish was the director of the Super Bowl so I bet they are at least in speaking terms. I remember her saying in the 2005 Attitude interview that she couldn’t  release the full show before the documentary but that is was coming. With the infamous Tour Boxset they were working on and nothing happened.