DoneGone

I love it, too!
Ruby is hilarious with M.

🤣🤣🤣 love the Paty Putone 🤣🤣🤣

I e gotta say though, I love that Ruby Wax/Madonna interview. It’s so rewatchable haha

Oh, Patti Putone again.
One of those, like Ruby Wax, that only make the headlines when they talk s**t about Madonna, when their link with her has been MINIMAL.
Sad souls.
This is what people see when they think of Evita in fiction:

Get over it, Putone. It's been almost 30 years already.

Oh, Patti Putone again.
One of those, like Ruby Wax, that only make the headlines when they talk s**t about Madonna, when their link with her has been MINIMAL.
Sad souls.
This is what people see when they think of Evita in fiction:

Get over it, Putone. It's been almost 30 years already.

Oh, Patti Putone again.
One of those, like Ruby Wax, that only make the headlines when they talk s**t about Madonna, when their link with her has been MINIMAL.
Sad souls.
This is what people see when they think of Evita in fiction:

Get over it, Putone. It's been almost 30 years already.

Oh, Patti Putone again.
One of those, like Ruby Wax, that only make the headlines when they talk s**t about Madonna, when their link with her has been MINIMAL.
Sad souls.
This is what people see when they think of Evita in fiction:

Get over it, Putone. It's been almost 30 years already.

Just posted on YouTube (official uploads):
Better late than never, I guess...
Now upgrade the official video, M team do that challenge.

Oh, Patti Putone again.
One of those, like Ruby Wax, that only make the headlines when they talk s**t about Madonna, when their link with her has been MINIMAL.
Sad souls.
This is what people see when they think of Evita in fiction:

Get over it, Putone. It's been almost 30 years already.

#28 in the UK this week (down from #27 last week).

Just posted on YouTube (official uploads):
Better late than never, I guess...
Now upgrade the official video, M team do that challenge.

Just posted on YouTube (official uploads):
Better late than never, I guess...
Now upgrade the official video, M team do that challenge.

Oh, Patti Putone again.
One of those, like Ruby Wax, that only make the headlines when they talk s**t about Madonna, when their link with her has been MINIMAL.
Sad souls.
This is what people see when they think of Evita in fiction:

Get over it, Putone. It's been almost 30 years already.

I opened the links 20 times each, i'll do more tomorrow as well

 

They're alternate Q-Sound versions, so they're indeed very similar the ones on "The Immaculate Collection" original CD, vinyl and cassette - but they're not the same.
"Borderline" has the "mind, mind, mind" echoes in the chorus more noticeable and that's a mixing decision, that doesn't come from the remastering.
Mixing on "Lucky Star" sounds different, too.

These are the links on those stories:
2003:
https://www.mtv.com/vma/promos/ybcvo6/vmim-5
1984:
https://www.mtv.com/vma/promos/slfolf/vmim-6
Just enter again and again.

We'd still be on time until next week for a November release but... not gonna happen. There's literally no sign or rumor about it.
That MTV upload is part of their legacy to promote this year's VMAs.
Give up on the reissues. They're not coming, at least for now. Next is "The Celebration Tour" release and the biopic.

A personal social account from an artist/performer and a professional account from a record label are two different things, though.
When Madonna is attacking a Karen, she's representing just herself. When a Rhino intern tries to play funny, they're representing the parent group Warner and all the artists they manage through Rhino.
It's basic PR, guys, social media or not. It applies to every medium.
For not taking it seriously we've been crying over a press release promising expanded reissues for three years now! That's meant to be serious, right? Well, the social media account of the label should be just an extension of the rest of PR; yes, they can be more playful, but they need to be always on point. It's not a personal account. It's the label talking.

.
 

Bass and volume booster and you're set.

.
 

A personal social account from an artist/performer and a professional account from a record label are two different things, though.
When Madonna is attacking a Karen, she's representing just herself. When a Rhino intern tries to play funny, they're representing the parent group Warner and all the artists they manage through Rhino.
It's basic PR, guys, social media or not. It applies to every medium.
For not taking it seriously we've been crying over a press release promising expanded reissues for three years now! That's meant to be serious, right? Well, the social media account of the label should be just an extension of the rest of PR; yes, they can be more playful, but they need to be always on point. It's not a personal account. It's the label talking.

.
 

A personal social account from an artist/performer and a professional account from a record label are two different things, though.
When Madonna is attacking a Karen, she's representing just herself. When a Rhino intern tries to play funny, they're representing the parent group Warner and all the artists they manage through Rhino.
It's basic PR, guys, social media or not. It applies to every medium.
For not taking it seriously we've been crying over a press release promising expanded reissues for three years now! That's meant to be serious, right? Well, the social media account of the label should be just an extension of the rest of PR; yes, they can be more playful, but they need to be always on point. It's not a personal account. It's the label talking.

I don't think they were intentional in the first place?
Keep in mind we're talking about mid 00s (2005 exactly) when the iTunes store was rising and Warner quickly had to put together a whole digital catalogue for the store (and later Amazon Music and the rest), when Madonna and Apple reached an agreement to add her music to the platform before the "Confessions" release (the infamous video chat announcement with Steve Jobs).
The easiest thing to do would have been ripping all the original CDs as they were, right?
Well, Warner don't work like that (other labels do). They always used (use?) original digitalized master files for the digital stores and now streaming, never CD rips. For some internal reason NO CD rips.
So the team in charge for Madonna's iTunes/digital catalogue just put together the albums tracklists with whatever they had available. The shorter Q-Sound Mix of "Holiday" wasn't created for the "Madonna" digital album, it existed already from a random 2001 Warner compilation. The original Q-Sound mixes masters of "Lucky Star" and "Borderline" must be lost or damaged, cause they have never been used on digital and they even found alternate ones for "Celebration". So the "New" mix and the album version were used for digital "TIC".
Also remember for years the extended remix of "Dress You Up" was part of the "Like A Virgin" album on Spotify, the extended of "Papa" on "True Blue", a remix of "Express Yourself" instead of the album version on Amazon...
It wasn't intentional. It was messy.