BringUrLUV

Uhh am I the only one who finds it funny? Also, stupid questions get stupid answers! Rhino isnt a political page or anything serious so them not being uptight and giving silly answers is a good thing. What did the people asking expect? Oh yes! Thank you for asking, we forgot to mention that will be selling it again!

We know of the rumoured RSD release with rare mixes etc.
but what about this tweet from 2023? is this going to be getting a wide reissue?

yeah yeah yeah
 

it's the same remix that purple disco machine plays on his set, i suppose it's a purple disco machine remix rather than a mousse t remix
https://music.apple.com/us/song/like-a-prayer-remix-mixed/1762076884

I haven't been following this topic closely but will add my 2 cents. I have always felt that Madonna has done a very poor job of preserving and promoting her gigantic musical legacy. Her music has rarely been included in compilations over the years, it's not played much on radio or music services, she hasn't released her hugely famous early concerts on DVD or blu-ray and she hasn't released super deluxe version of her albums.  We all know there is a massive  amount of audio and video material in the vault but she has missed every significant anniversary and opportunity to release some of it. She also hasn't allowed anyone to make a Netflix style documentary about her like we have seen for so many other artists from her era. I'm guessing this is all related to her famous disregard for the past and her being a massive control freak but it really is a shame because it might almost be too late for some of this now.  I really hope she does because the clock is ticking and she really deserves to be reappraised and seriously appreciated by the mainstream while she is still alive. 

I still have hope for Like A Virgin 40th Anniversary this year.. 
I understand that plans may have changed with the Selftitled album last year (M getting sick) but there are really not any excuses if they'll miss LAV..
If they do they truly made fool of us.... 
 

That’s not strictly true. M was involved in all aspects of putting that project together. She spent some time in the studio with Mike Dean and Honey Dijon selecting her favourite remixes, which is what ended up on the album. FEL was her first curated project meaning she produced the album and curated the track list. American Life Mix Show was the second curated project from M herself. Some of the tracks on the EP are brand new edits too! 

The rule change allowed for songs that were not released as singles to be able to appear on the chart, as far as I can remember reading.
Either way, I think Nothing Really Matters could have done really well if the entire release schedule wasn’t so odd. In general, throughout the entire ROL campaign, Warner tried to push the album sales more than the singles because they didn’t believe that Madonna would still be able to get big hit singles.

Because she was already seen as veteran and she was competing with new teen stars, she was 40, and experimental and hard album like ROL already had 3 big hits so it just got lost...

This looks like her original idea for her tour as she is still recording her album. Many artists including Madonna think about how to tour while recording an album.

My favorite is the Video Version & Mike Dean did a beautiful job remastering everything on FEL.

Sure 
From what I heard (on Twitter, reliable insiders), there are a lot of things coming in 3 days:
- double visual album (16 songs/MVs) 
- Finally Enough Love (9 discs Rio black rainbow edition) 
- the first Reissue boxset (including 3 albums Hard Candy, MDNA and Evita OST) 
- new single (prod. Max Martin) featuring Awkwafina (with Warning Signs as B-side) 
- Celebration Tour part 2 (leg 2025-2028) + Icedonna Tour in Antarctica for 2029 tickets pre-sale
- I'm Breathless golden shower colored vinyl
- hidden project (??) #soon
We will be properly fed! 
 

In the meantime Mimi is unboxing the music box 30th anniversary expanded 4 LP vinyl on social media🤪

I think OYH sounds great on FEL i'm pleased we have it in digital format 

Ah feelings  

FEL was an expanded collection of hits - some released for the first time digitally and some previous promo only mixes.
It was re released a year later as part of Pride hence the rainbow vinyl’s.

which one of you is this random twitter account lol

So I did this EP today using @MPowered's tracklist and all tracks are newly remastered by me!

This is the hidden content, please Sign In or Sign Up   Enjoy!

Let's just hope the conversation comes up about Madonna since they've both had recent work with her, and one thing leads to the next....

They could start uploading her albums in Dolby Atmos as well. It would boost her streamings.

I got the information of the desire to film in Columbia via some fans in attendance to various shows and their talks with Guy. The Paris shoot, as I'm sure you know, it fairly well known except for the reason why it was axed, so that I included was just a popular rumor. I don't quite remember the name of the director M really wanted to work with, but he said somewhere the reasoning behind moving to Miami. And the rest, as they say, is history  I have actually been working on this post for about a week and a half. I studied up a lot of information about the film and the process of making it. I wanted to present as many facts that were reliable as possible. If I discover something in there isn't accurate, then I will amend it. The things we do for M haha

It is now a wide shared opinion that the official MDNA Tour film is nothing more than wasted potential. Horribly edited, color saturation turned up the max, over edited vocals, added crowd reactions taking away from the performance. All things that are accurate. However, many fans only complain about the shortcomings of the film. In reality, we should feel lucky it turned out the way that it did. Join me on the long journey it took to get the MDNA Tour on film. 
 
 
Background
The MDNA Tour was the ninth concert tour undertaken by Madonna in support of her twelfth studio album, MDNA. The tour was one of Madonna's largest and most intricate performances to date. Played in predominately stadiums in Europe and South America, and mostly in arenas in North America, the tour was a critical and commercial success. The show did find some controversy for the usage of firearms in the performance, Madonna flashing her breasts, and accusations of lip syncing. Madonna did not let this deter her and she gave 110% each and every night.
 
 
The Initial Film Plan
It was decided early on that the team wanted to film at least part of the show during the July 14 stop of the tour in Paris at the Stade de France. Indeed, crane cameras and hand held cameras found their way inside the stadium. However, deciding to film the show here created a scenario rarely used in modern concert film production; it was one night only show. Usually, the selection of the venue to film a concert goes to venues that will be getting the show for multiple nights in order to make sure the show is completely captured and there is footage to fall back on should something in one show go wrong. So the filming here as you can see was strange. The show in Paris went off mostly without hitch (and even included the nipple flash from M) and the crowd was mostly into it. However, the footage that was captured didn't suit Madonna completely. Some rumors say that she felt the footage was shot from too far away and that not enough of the performance and energy on stage was captured in the footage. So, the choice was made to cut this footage and start from scratch. 
 
 
South America? Yes! No!
Madonna found incredible success with the filming of her Sticky & Sweet Tour in Argentina. It is a very well known fact that crowds in South America are some of the most energetic in the world. Madonna planned to film the first two shows of the South American leg and her first ever shows in Columbia. It was all perfect. Amazing crowd. Beautiful stadium. Incredible show. Except...the director that M so desperately wanted to film the show was unavailable to shoot in Columbia. So, instead of not using the team she wanted, she decided to axe the filming in Columbia and looked for another place to film. However, cranes were placed in the stadium in Buenos Aires for extra crowd shots. 
 
 
Miami Life Saver
Madonna decided to film the last two shows in the US at the American Airlines Arena in Miami on November 19th and 20th. The venue is a mid-size arena (not a small arena, but far the biggest arena she brought the show to) and the arena always looks great on film. So, all the equipment was loaded in. The shows were sold out and the crowds in Miami usually promised to be energetic. However, on the 19th, Madonna was much later arriving on stage than usual and by the time the show began, there were very noticeable empty patches in the venue. The same happened the following night. While the show footage that was captured was exactly what M wanted, the empty spaces and lack of energy by the third act of the show rendered much of the Miami footage unusable.
 
 
A Brilliant Solution
Faced with the issue of having two less than satisfactory shoots, less than a month left in the tour and no time to organize another shoot. It was time for M and her team to make a choice. Which footage was going to be used in the final film? After some deliberation...obviously it was decided that they would blend the footage of the two shoots and throw in some of the club show for good measure. That is what we ended up with.
 
 
So, my point? Maybe we should all spend less time picking out the faults of the DVD and just be grateful that we even got one.  

No, but it might be an indication that the Bedtime Stories re-issue will come in a blue velvet digipak.
That'd be nice.