SGK

SEX OUTTAKES
 

Madonna & The Sky
 
Managed by "Mark", a man whose surname is lost to history, this is the trio formed in 1980 by Madonna & fellow ex-Breakfast Club member (and, briefly, lover) Mike Monahan and Gary Burke. The group played publicly only one time, at an NYC club called Eighties, before Monahan quit. When Madonna's ex, Stephen Bray, arrived in NYC and joined the band, it would come to be known as Emmy.
 
Source: Encyclopedia Madonnica 2.0

Restoring to perfection from the original negatives! #Madonna #emmyandthebreakfastclub #photorestoration #blowups #processing #documentary #filmmaking

 
Back in the day,many moons ago (not too many lol) as you all may know Madonna was a member of Breakfast Club,Emmy,The Millionaires etc.
Either featuring Dan Gilroy & Ed Gilroy and Angie Smit.Stephen Bray and Gary Burke with Bryan Symmes and Mike Monahan.
 

 

 

 

 

 

 

Other known titles (year Unknown)

To date, these songs have not been released:

 

·         Afterglo

·         Rock Your Body

·         Girl with Stars in Her Eyes

·         Swing with Me

·         Cherish [different from the song of the same title from the Like A Prayer album released in 1989] http://www.julienslive.com/images/lot/6542/65428_0.jpg

·         A Taste of Your Love

 

In early 2011 several other previously unknown songs came to light penned by Madonna via handwritten lyric sheets on an auction site. 

 

The Was (Not Was) Collaboration (1982)
 
Shake Your Head (Let's Go To Bed)
https://www.youtube.com/watch?v=0TCy9icPURg
https://www.youtube.com/watch?v=cpyhXrKP6LA
https://www.youtube.com/watch?v=HouUHpZCk9o
 
In 1983 Madonna teamed up with producers Don and David Was for what would later become one of her least known recording sessions. Stephen Bray explained to Goldmine how it all happened after he joined Dan Gilroy to reform Breakfast Club; "After Emmy devolved, Breakfast Club hired me to play drums (in 1982). That (lineup) featured Dan and Ed on guitar and Gary on bass. This was the line up that was signed to ZE records (without Madonna) in 1983, and then MCA Records in 1986. (When) we got signed to ZE Records the label's A&R guy paired Madonna up with Was (not Was). They recorded "Shake Your Head (Let's Go To Bed)" for the Was (not Was) album "Born To Laugh At Tornadoes". They later replaced her lead vocal with Ozzy Osbourne for the release of the album (in 1983)". This portion of the lyrics could be considered very Madonna-esque, but the arrangement resembles new wave;
   
“You can't sue Buddha for liable, You can't re-write the bible,
Shake your head You can't hit homers like Babe Ruth,
Can't put your finger on the truth Shake your head, shake your head,
Shake your head, Let's go to bed†
 
A few years after the Madonna & Was (not Was) session Don Was explained to an UK newspaper; "We brought her up and she sang really well, but I've always imagined the vocalists as extensions of ourselves, and I couldn't relate to female vocals being our voice". Madonna was thanked in the album credits along with her club DJ boyfriend of the time, Jellybean Benitez. Don and David Was eventually planned the release of a Was (not Was) Greatest Hits collection with resurrected Madonna’s vocals, but she reportedly requested that her vocal not be released. The song was then re-released with a new mix by Tommy Musto and new vocals by Kim Bassinger in Europe in 1992.
 

The Spinal Root Gang Collaboration (1982)
'We Live In A House'
Another rare demo tape that has recently surfaced from Madonna's pre-fame days is an old TDK SA90 cassette, featuring a song entitled 'We Live In A House'. The tape was another Bruce Baron find, which he traced during his extensive research for his 'Goldmine' magazine article. It was recorded with the group Spinal Root Gang after Madonna's roommate Janice Galloway introduced her to them. Janice Galloway later became the wife of Michael Rosenblatt from Warner Bros. The track is credited to Madonna, Joshua J Braun and Janice Galloway (Mis-spelt on the cassette as "Janis"). Vocals are credited to both Madonna and Braun, however; only Madonna's vocals appear to be audible. 
 
"We Live in a House", written by Joshua Braun, Janis Galloway and Madonna in 1982. US copyright registration # PAu-1-843-482.
 
http://cocatalog.loc.gov/cgi-bin/Pwebrecon.cgi?Search_Arg=PAu001843482&Search_Code=REGS&PID=YqeHcHsCQ0dPYKP1ony8492tEd0nU&SEQ=20101106172504&CNT=25&HIST=1
The demo is on file at the Library of Congress, Washington and is dated 1982 although curiously it wasn't filed until 1994. The lyrics apparently make a stab at making a statement, but don't quite work, "We live in a house and people just don't care, we live in a house they don't go anywhere". 
A highlight is Madonna screaming, "You can't come into my house", is it really that bad? Stephen Bray revealed to Bruce Baron that has no recollection of Madonna's co-writers. Bray's unfamiliarity with Galloway is odd considering the fact that while Madonna was recording demos with Bray in 1982, she was sharing an apartment with Galloway, her college friend from Ann Arbor. Galloway would also eventually marry Sire Records A&R agent Michael Rosenblatt.

The Otto Von Wernherr Collaboration (1981)
 
The Otto Von Wernherr Tracks (1981)
https://www.youtube.com/watch?v=-FqA_555Egs&t=58s
https://www.youtube.com/watch?v=-FqA_555Egs
 
 
1981
The second portion of "A Certain Sacrifice" was filmed later in November 1981, and in between filming Madonna recorded some bizarre backing vocals for Otto von Wernherr. These songs were released in 1986 on independent labels after Madonna became a household name, and can be best described as sounding like "The Rocky Horror Picture Show", but not as good.
   
On "Cosmic Climb", Madonna sings the chorus "Man have you got the time, to make this cosmic climb". "We Are The Gods" features her childlike backing vocals such as: "Oh my god! Mommy, mommy it's the gods!" and "Hail hail the gods are here". "Wild Dancing" sounds a little like the early B-52's with Madonna on the main hook "I'm looking for some wild dancing out on the street, looking for a chance to dance to the beat". Frequent Madonna collaborator Stephen Bray didn't know much about these tunes as he explained; "She never discussed these songs with me, and I have never heard them. They were probably just another job in her mind."
   
Otto von Wernherr released these recordings in 1986 to cash-in on Madonna's international fame. Madonna had originally supplied backing vocals for von Wernherr's three original songs, 'Cosmic Climb', 'We Are The Gods' and 'Wild Dancing'. The three original Otto and Madonna recordings would have remained an interesting curiosity, had they been left alone. Greed however, encouraged the additional release of several re-sequenced songs that were never meant to exist. 
 
Madonna's vocals are reminiscent of Betty Boo and her squeaks and yelps are bizarrely juxtaposed with von Wernherr's ghoulish-sounding attempt at rap. As if this wasn't bad enough von Wernherr really scraped the barrel by remixing the tracks and turning them into new compositions, 'Oh My', 'On The Street', 'Time To Dance', 'Give It To Me' and 'Shake'. The resulting effect is dreadful and should be approached with caution. It is hard to really compare these tracks to anything ever recorded by anyone as they really are that bad. This turned many fans off to the original oddities, and to many other early era releases for the fear that they might be more bizarre tunes like "Give It To Me", "Shake", "Time To Dance", "On The Street", and "Oh My".

 
+Die-hard Madonna fans should check out the three original so-called songs merely for curiosity value and to hear Madonna's original vocals intact. Stephen Bray doesn't recall Madonna mentioning her recording backing vocals with Von Wernherr, "She never discussed these songs with me, and I have never heard them. They were probably just another job in her mind." 
In 1986, when the tracks were released, Otto appeared in a bizarre parody of Madonna's 'Papa Don't Preach' video entitled 'Madonna Don't Preach' with the intent of promoting his bizarre recordings. 

The Gotham Demo Tape (1981)
Eventually Emmy disbanded and Madonna moved forward with her first manager Camille Barbone of Gotham Management. She tried to cultivate Madonna into a solo artist in the style of Pat Benetar
 
Madonna's Gotham management booked session musicians like Jeff Gottlieb, John Kaye, Jack Soni and David Frank to jam with Madonna. The musicians impressed Madonna, especially David Frank, who had played with Rufus and Chaka Khan. Frank penned a song called 'Its Passion', on which Madonna was supposed to supply vocals. Unfortunately Madonna passed on Frank's composition, but would become his groupis (The System) debut release. Frank's partner from The System, Mic (Mike) Murphy, would later contribute to an early 1990s Madonna track entitled 'Dear Father'.
Despite the calibre of the musicians, Madonna still wasn't entirely happy with the line up. She wanted Stephen Bray in the group. Barbone had a strict rule that the band weren't to get romantically involved with Madonna or they were out. Rumour has it that Madonna began dating drummer Bob Riley who was consequently sacked and conveniently replaced by Stephen Bray. Whether she did this purposely to get Bray, the only member of Emmy who she really valued, into the group isn't known for sure. 
 
Stephen Bray joined the studio band that provided the music to this August 1981 recording session. Madonna 's first solo demo included "Take Me (I Want You)", "Love On The Run", "Get Up", and "High Society (Society's Boy)". Bray made a special point to clear up an inaccuracy in reported Madonna history; " The Gotham tape was recorded at Media Sound, which was NOT Camille's (Gotham Sound) studio. Media Sound was a converted church where Camille got "spec" time with engineer Alec Head and Jon Gordon (he went on to produce Suzanne Vega). Gordon produced and played guitar. (Camille's) Gotham studio was a writing studio only. Bruce doesn't believe anything but "room sound" tapes were made there". This revelation by Bray explains why there are very different studio and rehearsal versions of these songs, which have started to surface in the collectors market.
 
According to her July 22, 1981 Gotham contract, Madonna was supposed to get $250 for every unreleased master, and $500 for every released master plus a 3% royalty on the retail price of
every record sold. This demo would eventually be circulated and turned down by the likes of Geffen and Atlantic Records. The ownership of the songs recorded during these sessions remained in a legal battle for years when Madonna later signed to Warner Brothers Records.
 
A Pat Benatar style pop-rock Madonna demo produced under the direction of Madonna's first manager Camille Barbone of August Artists Ltd and Gotham Sound Studios in New York City with guitarist Jon Gordon in 1981. All four of these tracks have leaked on the internet in high quality.
 
Official 4-demo tape includes:
·         (Take Me) I Want You https://www.youtube.com/watch?v=VkFJ5v_lQLA http://thebeatswithin.blogspot.com/2011/05/during-telephone-call-with-steve-bray.html
·         Love on the Run https://www.youtube.com/watch?v=xB74FH3J62U  
·         Get Up 
·         High Society https://www.youtube.com/watch?v=H3zxznHMCvU  
 
 
Two more songs were recorded at Media Sound Studios but not used on the 1981 demo circulating at the time:
·         Remembering Your Touch https://www.youtube.com/watch?v=IA9ET4FJqqc
·         Are You Ready For It https://www.youtube.com/watch?v=z0wEWceaawE  
 
AUDIO RECORDINGS BY MADONNA HERSELF
Demos recorded by Madonna herself and given to Jon Gordon to write the charts and do a band arrangement. Some of these recording were leaked using wrong tags, such as "rehearsals" from Emmy or "outtakes" from Gotham sessions.
Are You Ready For It           Take Me (I Want You)            Love On The Run                     Remembering Your Touch       

The Shamrock reel-to-reel Tape (1979) [early recordings]
 

 
Madonna's work with The Breakfast Club, Emmy and Stephen Bray are commonly thought to be her earliest recordings. This was until the recent discovery of a 1/4inch reel-to-reel demo tape that came to light at a Sotheby's auction in May 2000. The tape, which eventually sold for approximately $7,700 (US) was given to Karen Bihari by Madonna in the late 1970s early 1980s. Madonna-expert Michael Musto from Village Voice magazine interviewed Karen Bihari for 'After Dark' magazine back in 1978, revealing that Karen was a performer in the New York area around the time Madonna was performing with Emmy. 
The tape comes housed in a box bearing a shamrock logo and the inscription "Shamrock Records". The reel in the battered box is historically significant as it could very well be Madonna's first recorded music. 

The track listing includes the tracks, 'I Got Trouble (Roll Over It)', 'I'm A Hothouse Flower', 'Oh, Oh, The Sky Is Blue', 'Once I Thought It Was Good (Nobody Wants To Be Alone)', 'Simon Says', 'Tell The Truth To Me' and 'Well Well'. The tracks 'Simon Says' and 'I'm A Hothouse Flower' share their titles with tracks recorded by Emmy, though this tape seems to pre-date the Emmy-era. The song's titles also have the abundant use of (brackets) which was a trademark of Madonna's early song writing. The reel is a master tape, which has yet to be duplicated and features Madonna talking over rehearsals and some false starts to some of the songs. Until the lucky owner of the demo decides to share the recordings with the world I guess we will never know the content of this tape.
 
These early recordings were recorded onto a Shamrock reel-to-reel tape with the help of Dan Gilroy of the band The Breakfast Club. The reel to reel tape is in its original Shamrock recording tape box with 47 mins running time and is accompanied by a digital copy cd of the tape. 'Tell the Truth' was the very first song Madonna ever recorded (with the help of Dan Gilroy of the band The Breakfast Club).
 
In 2005 Madonna sang the chorus of 'Tell the Truth', during an interview with Parkinson on UK TV. https://www.youtube.com/watch?v=ili-1RAcFOs  [1:44]
 
Tracks:
·         Tell the Truth
·         Hothouse Flower
·         Simon Says
·         I Got Trouble (Roll Over It)
·         Oh Oh (The Sky Is Blue)
·         Nobody Wants to Be Alone (Once I Thought I Was Good)
·         Well Well
 
She also discussed writing the song in Rolling Stone magazine (October 2009).
Source: 
http://www.rollingstone.com/music/news/madonna-looks-back-the-rolling-stone-interview-20091029
“By 1979, you were living in Queens with Dan and Ed Gilroy, who had a band called the Breakfast Club, which you ended up joining. Around that time, you wrote your first song.
It was called "Tell the Truth." It was maybe four chords, but there were verses and a bridge and a chorus, and it was a religious experience. I had decided that if I was going to be a singer, I had to earn it. I had to learn how to play an instrument…â€

The Gilroys' Lost Madonna Tapes [Dan and Ed Gilroy's Private Tapes] (1979)
https://www.youtube.com/watch?v=vrJzo2aA75s
https://www.youtube.com/watch?v=SrVD_SnUq-k
 
Audio excerpts were made available by Andrew Morton on The Daily Beast news http://www.thedailybeast.com/articles/2008/10/20/the-lost-madonna-tapes
 
The lost tape begins with Madonna and Dan in bed, encouraging him to go running. It then cuts to her speech where Madonna says how she was fortunate to have people like Dan Gilroy who believed in her. Then flashback back 27 years…“I’m going to strangle him,†she joked before breaking out into one of the songs, “Born to be a Dancer.â€
Madonna’s prowess on the drums is on display before moving on to another song, “Over and Over.†While the vocals were crude, there is a raw energy about her early work, culminating in her first song “Tell the Truth†—a “magical moment†for her.
Ed remembers it differently. He believes that the first song she wrote was “Trouble,†which she played during their early gigs as Max’s Kansas City and the now sadly defunct CBGBs on the Lower East Side.
 
Born to Be a Dancer I Got Trouble (Roll Over It) an alternate version of "Over & Over" Tell the Truth https://www.youtube.com/watch?v=plyWBnoCkFg Trouble 

·         The Pre- Madonna Era http://www.madonna-infinity.net/forums/index.php?/topic/11688-the-pre-madonna-era/?p=542015
·         The First Album Era http://www.madonna-infinity.net/forums/index.php?/topic/11796-the-madonna-first-album-era/?p=547412
·         The Like a Virgin Era http://www.madonna-infinity.net/forums/index.php?/topic/12035-the-like-a-virgin-era/?p=557045
·         The True Blue Era http://www.madonna-infinity.net/forums/index.php?/topic/12055-the-true-blue-era/?p=557777
·         The Who’s That Girl/You Can Dance Era http://www.madonna-infinity.net/forums/index.php?/topic/12085-the-whos-that-girlyou-can-dance-era/?p=558619
·         The Like a Prayer Era http://www.madonna-infinity.net/forums/index.php?/topic/12134-the-like-a-prayer-era/?p=560321
·         The Immaculate Breathless Blond Ambition Era http://www.madonna-infinity.net/forums/index.php?/topic/12230-the-immaculate-breathless-blond-ambition-era/?p=562946
·         The Erotic Body of Girlie Sex Show Era http://www.madonna-infinity.net/forums/index.php?/topic/12452-the-erotic-body-of-girlie-sex-show-era/?p=570519
  Sources:
http://www.rollingstone.com/music/artists/madonna/biography https://www.theguardian.com/news/2001/jul/04/netnotes.imogentilden MADONNA - FROM GENESIS TO REVELATIONS [ Bruce Baron ] http://www.buysellmadonna.com/bruce.htm http://clubs.dir.bg/showflat.php?Board=madonna&Number=1939056040&page=&view=&sb=&vc=1 https://en.wikipedia.org/wiki/Pre-Madonna http://www.biography.com/people/madonna-9394994 http://www.charlotteobserver.com/entertainment/music-news-reviews/article23418204.html Taraborrelli, Randy J. (2002), Madonna: An Intimate Biography, Simon & Schuster, ISBN 978-1-4165-8346-2 Cross, Mary (2007), Madonna: A Biography, Greenwood Publishing Group, ISBN 0-313-33811-6
In 1997, after discovering how extensive Madonna's unreleased back catalogue was, Bruce Baron began researching and writing an article that he would later submit to US 'Goldmine' magazine. Baron got special permission to listen to many of Madonna's rare demo recordings on file at the Library of Congress in Washington. The library contains copies of material registered for copyright, including many Madonna songs that have never been commercially released. However, the library grants few members of the public access to the rare recordings. Security is understandably tight, in fact Baron commented on how was closely watched to ensure that the material wasn't leaked. Baron was also lucky enough to clinch an exclusive interview with early Madonna collaborator, Stephen Bray. Baron's article, "Madonna Unreleased", published in 'Goldmine' magazine was perhaps the first thorough investigation into Madonna's amazing musical heritage.

After the publication of "Madonna Unreleased" in 'Goldmine', Baron emailed Bob Merlis, a Vice-president of publicity at Warner Bros. Merlis was not even aware that Madonna had so many unreleased recordings. Baron's email inspired Merlis to send Madonna a memo requesting the release of a rarities collection, to which she replied "No", via spokesperson Liz Rosenberg. It is understandable that Madonna may not want to release such a collection at this stage of her career. Madonna obviously has a lot more to say musically and I, as a longtime fan, look forward to new Madonna material for many years to come. I still believe that it should be of grave concern to Madonna's record company to try to attempt to preserve her material.

1976
Stephen Bray and Madonna had met at the University of Michigan where he was working as a waiter in a club at Ann Arbor. Bray used to take Madonna on the tours of his band.

1976

After graduating from high school in 1976, Madonna won a dance scholarship to the University of Michigan in Ann Arbor. Note: She began studying dance at 14.

1977
During her undergraduate studies at Michigan, Madonna was awarded a six-week scholarship to study with the Alvin Ailey American Dance Theater in New York City.

1978
She moved to New York in 1978. She worked with modern dance troupes, taking classes at the Alvin Ailey American Dance Theater. She eventually performed with Pear Lang Dance Theater.

1979-1981
Madonna began dating Dan Gilroy, one of the founding members of a ska influenced pop-punk band called Breakfast Club. She continually auditioned for parts in Broadway shows and movies.

However, it would take a trip to France to give Madonna the confidence to believe that she could be a vocal performer. One of her auditions in early 1979 was for producer Jan Vanloo, who was looking for backing vocalists to tour with "Born To Be Alive" one-hit-wonder, Patrick Hernandez. It was decided to take Madonna back to France, all expenses paid, to make her into a disco star.

After six months, about all that was accomplished was filling Madonna's head with ideas of pop stardom. Collectors have been surprised that no Madonna recordings of any kind have ever surfaced from this period, and there is no evidence to suggest that anything was ever recorded. Madonna eventually became ill, and claimed that she would return-if she could go back home to NY for a few weeks. She left everything in Paris, returned to Gilroy, and never went back to the Hernandez posse.

Back to New York in October 1979, Madonna was cast as the lead character of "Bruna" in the 8mm-cult film, "A Certain Sacrifice".

An outtake of this film recorded Madonna singing the Fifth Dimension hit "Let The Sunshine In" with other cast members and a short audio clip of this has been circulating on CD in the collector's bootleg market. The film itself contains the ensemble chant, 'Raymond Hall Must Die" and both of these are considered to be some of her earliest recorded performance vocals.

The second portion of "A Certain Sacrifice" was filmed later in November 1981, and in between filming Madonna recorded some bizarre backing vocals for Otto von Wernherr.

Her first crack at pop music came when Dan Gilroy let her play drums in his band, the Breakfast Club. She later became its lead singer. While in the band, she landed a brief job as backup singer and dancer with disco star Patrick ("Born to Be Alive") Hernandez.

Madonna formed several different bands of her own over the next few years, including Madonna & The Sky, The Millionaires and Emmy.

Madonna decided to go solo and hired manager Camille Barbone of Gotham Records to help her get her singing career on track. Camille showed Madonna how to navigate the male-dominated world of the music business, and helped put together a studio band that accentuated the budding star's hip style.

1981
In 1981 she quit the Breakfast Club and, with her former boyfriend Stephen Bra as drummer, formed the band Emmy. The two began writing songs together, and Madonna later decided to market herself as a solo act. The two gained attention in the trendy New York club Danceteria, where the DJ, Mark Kamins, played her tapes.

1982
It was Kamins who took Madonna's demo to Sire Records and produced her first club hit, 1982's "Everybody."


Recordings
The Gilroys' Lost Madonna Tapes [Dan and Ed Gilroy's Private Tapes] (1979) http://www.madonna-infinity.net/forums/index.php?/topic/11688-the-pre-madonna-era/?p=542017 The Shamrock reel-to-reel Tape (1979) [early recordings] http://www.madonna-infinity.net/forums/index.php?/topic/11688-the-pre-madonna-era/?p=542019 Acoustic Demo Tapes (1979) http://www.madonna-infinity.net/forums/index.php?/topic/11688-the-pre-madonna-era/?p=542020 Emmy and the Emmys (1980) http://www.madonna-infinity.net/forums/index.php?/topic/11688-the-pre-madonna-era/?p=542021 The Gotham Demo Tape (1981) http://www.madonna-infinity.net/forums/index.php?/topic/11688-the-pre-madonna-era/?p=542022 The Otto Von Wernherr Collaboration (1981) http://www.madonna-infinity.net/forums/index.php?/topic/11688-the-pre-madonna-era/?p=542023 The Mia Mind Music's Recordings (1981) http://www.madonna-infinity.net/forums/index.php?/topic/11688-the-pre-madonna-era/?p=542024 Pre-Madonna... [steven Bray] (1981) http://www.madonna-infinity.net/forums/index.php?/topic/11688-the-pre-madonna-era/?p=542025 The Spinal Root Gang Collaboration (1982) http://www.madonna-infinity.net/forums/index.php?/topic/11688-the-pre-madonna-era/?p=542026 The Was (Not Was) Collaboration (1982) http://www.madonna-infinity.net/forums/index.php?/topic/11688-the-pre-madonna-era/?p=542027 The Jellybean Collaboration (1983) http://www.madonna-infinity.net/forums/index.php?/topic/11688-the-pre-madonna-era/?p=542028 Other known titles (Year unknown) http://www.madonna-infinity.net/forums/index.php?/topic/11688-the-pre-madonna-era/?p=542029
86 early recordings


Download Links:

· http://www.madonna-infinity.net/forums/index.php?/topic/1478-threads-index/
· http://www.madonna-infinity.net/forums/index.php?/topic/7047-dl-pre-madonna-era/?p=335889
· http://www.madonna-infinity.net/forums/index.php?/topic/8502-dl-madonna-gotham-tape-4-wavs/?p=401179
· http://www.madonna-infinity.net/forums/index.php?/topic/1608-rq-emmy-and-the-emmysfirst-time-out-off-manhattan/?p=385891
· http://www.madonna-infinity.net/forums/index.php?/topic/1134-dl-madonna-anthology/?p=34664

Removed from the iTunes Store. 

what's going on! 
My demo version have better quality than the "official" version. WTF â€‹â€‹â€‹â€‹â€‹â€‹
​
How could it happen? The song, writers, and label are so wrong. Heads will roll 

Compilation of YT videos + Backdrop videos by Madonna RandD

Not sure how rare this is. Freddy DeMann mentioned in a Los Angeles Times article Madonna was thrown a bash on the last night of her sold out shows in Los Angeles so this is April 28 1985. This picture goes with the one below, which I could never place
 

 
And the one below as well
 

Sorry, not sure if this one had been seen. Madonna with her stunt woman Lisa Dalton on Saturday Night Live, I assume this was for the sketch 'Limits of the Imagination' November 1985
 

 
 

https://scontent-lht6-1.cdninstagram.com/t51.2885-15/e35/17126687_1814759285408566_6037341601347403776_n.jpg
 
From Luigi's Instagram.

Some 1999 outtakes I never saw before...