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R U EXCITED, BITCHES?

So many amazing songs wasted from Music
 
Like a Prayer and Erotica era should be visual, all songs with music videos

Fan review - 2nd show
by ULIZOS [MN]
 
First of all, as people have already said, the crowd was SPECTACULAR. It felt absolutely AMAZING being surrounded by people who LOVE Madonna, and not just gays (my boyfriend said he thought it was just going to be a bunch of us queens screaming). It was moms, older women, older couples, some random group of Russian women, young little twinks, these butch bull dykes who had the TIME OF THEIR LIVES, EVERYONE was screaming the words to every single song, including the new ones and even La Vie en Rose (the guy next to me hummed the shit out of the song) and they were all up and dancing from the first song all the way through Holiday. A lot of people even stood up and clapped and screamed during the interludes  It was like 2 hours of pure ecstasy. 
 
The dialogues were to die for. Here are some of the highlights (I'm totally paraphrasing here): 
 
Are you guys having a good time? Yes? Mucho? Mucho Mucho? MUCHO MUCHO MUCHO? MUCHO MUCHO MUCHO MUCHO?
 
(In her silly, cute, girly voice) Do you guys have a present for me? What's that? A cigarette? I don't smoke. How do you say ass in Spanish? Culo? Put that in your cuuuuuuulo. Yes. In your cuuuuuuuuuuuuuuuuuuuuuulo  
 
During the Spanish / Frida Kahlo inspired section of the concert, she put on a hat, then took it off and asked the audience if it looked better on or off? and she kept asking on or off? And then she said random Spanish words because it didn't seem like the people in front of her understood what she was saying but when she put the hat on the last time she poked her eye with it and she said "oh I poked my eye, I can't see. that's okay, I'll sing things song with my eyes closed". She went on to sing Who's That Girl (which was spectacular and a highlight for me) and after she finished she kind of struggled for a few moments and went silent and the entire stadium started singing Cielito Lindo (very typical Mexican song) in unison and she looked confused and said "That's lovely but I don't know the words to this song, I do know the words to this one though." Then after all of that she said "oh my, I'm crying, but not out of sorrow like last night, I just poked my eye with my hat."  It was too cute. 
 
During Music in the little break in the middle of the song where the pianist and her do their playful little act and she touches herself, he played the Mexican hat dance as she touched her tits and pussy and we were all DYING. It was so cute and hilarious. 
 
When she said she was looking for a new husband or wife she talked about how there're a lot of perks that go along with marrying her. She went up to some one guy and asked him why she should marry him and he just kept screaming BECAUSE I LOVE YOU and she kept saying um, everyone loves me here, you have to do better than that  Then some guy, who's name was Marco, caught the bouquet and she started asking him questions but he CLEARLY didn't speak English. She asked him "Do you have a job? Why do you keep looking at the guy next to you? Is he your boyfriend? Do you not like girls? So you don't have a job? You don't have a job Marco? You're not doing very well here, Marco. No, seriously, why do you keep looking at the guy next to you? Oh Marco, when you get a little more creative please talk to my security and then we can talk about this. You're going to have to do better then that." I was dyyyyyyyyyyyyyyyyyying 
 
Then... the unapologetic bitch. I have NO idea who chose him, but he got one stage, took his shirt off to show off his steroid body, had NO rhythm and a huge smirk on his face and kept shaking his ass like a old white man from Alabama. They danced on to the main part of the stage and he was throwing his hands up in the air like those guys from the Jersey shore, flexing his muscles, then he would go up to Madonna, put his arms around her and start grinding up on her and her dancers at first giggled and pulled him back, but he kept going and going and the dancers started to look really annoyed and everyone around me went from WOOOO to um... Then I don't remember exactly what she said (something about Mexico and loving Mexico) and he runs up to her mic and starts screaming WOOOOO YESSSSSSSSSSSSS BRAZIIIIILLLLLLLL and Madonna was like, oh, wait, you're not Mexican? Um, please tell me you're Mexican. So he runs up back to the mic and starts screaming YESSSSSS I AM. BRAZIIIIIIIIIIIIIIIIIIIL  eveyone was clearly annoyed and uncomfortable, including Madonna, and I don't know what the people in the front row were screaming, but she said, oh my, I have a feeling these people don't like you. They're yelling things at you. I think they have a personal vendetta against you... Then she said something like, you're hot, but you didn't drop it like it's hot. No, no, I mean, DROP your pants like it's hot. No? Oh, I knew you had nothing to show off. Oh well. Everyone who comes up here gets a present. Does he deserve a present? No? Well, everyone gets one. So here's your present, a banana! Then she put the banana in his crotch and said, look, now things will go a lot better for you in life  Then she said no no, tonight is about love, it takes a lot of courage to come up here on stage with me, let's give it up for Oscar.

1st show

Here are my videos   
 

 

 

Here are my videos   
 

 

 

Here are my videos   
 

 

 

The beautiful speech from a closer side:
 

So true The Best audience of Rebel heart tour so far!!!!!
 
Thank you    Mexico Madonna fans!!!
 
I love you guys!

Madonna delivered a moving speech last night in Mexico
(thanks Daniel Garnier)

Bedtime Stories Tour 1995
 
Act 1: Secret Garden
(Fantasy/ Ethereal -- Madonna in white, like the Brit Awards but more elaborate, maybe a "Garden of Eden" theme to the stage)
 
1. Sanctuary
2. Secret Garden
3. Bedtime Story
4. Cherish
5. Angel
 
Act 2: Spanish
(Bullfighting/ Flamenco style -- inspired by the "Take A Bow" video)
 
6. Spanish Eyes (begins as an instrumental interlude, then Madonna appears and sings it)
7. Love Tried To Welcome Me
8. Vogue (Spanish style)
9. La Isla Bonita (of course)
10. Take A Bow
 
Act 3: Harlem Nightclub
(inspired by the "Secret" video, but with some Breathless Mahoney added in)
 
11. Justify My Love
12. Human Nature
13. Thief Of Hearts
14. He's A Man
15. Something To Remember
16. Secret (album version)
 
Interlude: Secret (club remix), as the scene transitions to an outdoor block party
 
Act 4: Urban Block Party
(outdoor NYC street scene)
 
17. Medley: Spotlight/ Don't Stop/ Physical Attraction
18. Express Yourself
20. Into The Groove
21. Like A Virgin
22. I'll Remember
Encore:
23. Holiday (with another Sly & The Family Stone cover: "Thank U For Lettin' Me Be Myself Again")

Sports Palace (Palacio de los Deportes) Mexico City
1 Av. Viaducto Rio de la Piedad
Mexico City, DIF 
Mexico
 
Special Guest: Lunice
 
WED 06 Jan 2016 20:00 SOLD OUT http://www.ticketmaster.com.mx/madonna-mexico-distrito-federal-06-01-2016/event/14004F25BE16D06D?artistid=768011&majorcatid=10001&minorcatid=826&tm_link=search_msg-1_14004F25BE16D06D     [*]  MX $ 6554.00 [*] MX $ 4588.50 [*] MX $ 2312.50 [*] MX $ 1082.50

  http://www.viagogo.co.uk/Concert-Tickets/Rock-and-Pop/Madonna-Tickets/E-1210195?affiliateID=624&PCID=AFFIAFFUKEvent14FF953148

"Coming off 2012’s MDNA, an immaculate collection of dark, bubbly EDM, Rebel Heart felt like a rush job—well, at least to me"
 
 
bye felicia

Madonna’s New Tour Reveals a Sickening Double Standard in Pop Music
http://observer.com/2015/09/madonnas-new-tour-reveals-a-sickening-double-standard-in-pop-music/
Hours after Madonna opened her “Rebel Heart†tour in Montreal, a press release trumpeting the performance arrived in music writers’ inboxes the world over.
 
Amid the granular details about her luxurious attire—“Madonna wears an exotic gypsy outfit comprising a lurex-lace-and-jacquard bodysuit with an embroidered belt, lace short sleeves, and multi-colored trimmings, plus a black crêpe de Chine skirt with embroidered patches and black georgette ruffles,†goes one such breathless passage—was a section that stood out, but not for the reasons Madonna and her publicity team intended.
 
Near the bottom of the release was a “by the numbers†section, detailing the exhaustive amount of manpower, time and money being poured into the intercontinental tour, which is scheduled to continue through 2016. (The tour sets up shop atMadison Square Garden for a two-night stand Wednesday, with a Barclays Center date set for Saturday.)
 
Instead of seeing the reams of information as illuminating—500 pairs of custom-made shoes; 20 dancers; more than 25,000 miles traveled—the litany of facts seemed oddly defensive.
 
“This tour is a lot of hard work,†it seemed to say, “and you should be grateful Madonna even wants to put herself through it.â€
Out of curiosity, I searched through my email for opening night releases for the Rolling Stones and the Who, two acts on identical superstar footing, just to see if they’d offered up any kind of similar footnotes. The Stones simply proffered a set list, name checked the celebs in attendance and provided some video. The Who reeled off the band’s past glories—100 million albums sold; iconic appearances at Woodstock and Monterey Pop—as it also just offered glowing assessments of its 50th anniversary tour, along with a set list.
Madonna: caged by your misogyny.
 
There, in canned, press release form, was pop music’s ongoing problem in a nutshell: women are held to a different standard.
Men can tour until they can no longer remember their own songs—I still feel a mixture of anger and sadness remembering Chuck Berry fumbling through his catalog during a Fort Worth concert three years ago—but female artists like Cher or Tina Turner undertake farewell tours and hang it up, spending their twilight years reflecting.
 
For all the talk about female pop artists being dominant—the Beyoncés, the Rihannas, the Lady Gagas, the Taylor Swifts—the brutal truth is that once female musicians hit a certain age, there is an ugly, unspoken expectation that they will step aside for the next generation (it’s when you start seeing things like VH1’s execrable “tribute†series Divas).
 
It’s an interesting moment, particularly as Janet Jackson prepares to mount a comeback of her own with a new album, Unbreakable, and a tour, and Mariah Carey settles into a Vegas residency.
 
Will pop music finally reckon with this baffling contradiction, or continue pretending it isn’t happening? Madonna isn’t about to retire and cede her place in the cultural conversation, but is she happy about being held to such a glaringly different standard? Female artists over the age of 40 having to justify a continuing career is nothing new, but it’s still infuriating. Pop music, it would seem, would prefer women to skip over a 20-year period, and re-emerge in their 60s, as influential grande dames, sweeping onto the Grammy stage or teaming up in the studio with some young up-and-comer.
 
The 57-year-old Madonna, in particular, is confronting such hypocrisy head-on by simply engaging the youth.
Her latest album, Rebel Heart, is her best in a decade, not least because she enlisted Nicki Minaj, Kanye West, Avicii and Diplo, among other relative whippersnappers, to give her record a tingling immediacy.
 
Nevertheless, it must be infuriating to have to collaborate with the same acts that more or less openly update your own work from 25 years ago. (The cruelty of this fact in Google form: the results for “Madonna old†number 70 million, while“Madonna influential†returns just 667,000 hits.)
 
Yet, she perseveres—and perhaps it is this injustice helping to spur Madonna onward. Certainly, she’s accomplished more than many of her acolytes, and even if this Rebel Heart jaunt were her farewell, she would be exiting near the top of her game.
Bound up in all this is the unavoidable truth that, no matter how talented or what gender a performer may be, there comes a point where the spirit is willing, but the flesh is simply too weak.
 
Using that metric—can you still perform?—might be a better way for pop music to stop sidelining its female artists. Don’t justify your tour with reams of data about the clothes and trucks and light rigging. No one wonders what Mick Jagger wore, or the size of the Who’s stage.
 
Imagine a pop landscape where talent trumps any other considerations. Now that would be rebellious.

Hi guys my english is terrible but I will try to my best. So don't laugh at my poor english grammar.
Here is my review about Rebel Heart tour so far.
 
 
I saw rebel heart tour opening nights youtube video  it's  Holy water / Vouge and it gave me this impression
"what the hell.. it looks like this tour has very small production... and what the hell problem with that slow vogue dancing!!"
it seems like most people watch this same youtube video because So many people start whining.
But I knew that I have to wait another youtube clips. So I wait and search whole rebel heart tour clips and watch it all.
(9th 10th 12th)
 
And then realize that my first impression was totally wrong.
I got the wrong impression because that first youtube video has shitty angle and too much close up!
so you actually can't see bigger picture and you can't see what's going on background and main stage.
 
when I watch more video clips then I more realized that this is actually Huge Mega production tour!!
 
https://www.youtube.com/watch?v=kRdJLe8pqaU
 
 
Watch this incredible Youtube video. You also can realized it this is unbelievable Tour.
Look at that These fantastic light and sound!!! You feel like you're in fantasy world!
 
And some trolls are keep complaining
"Oh Madonna doesn't dancing! she is too old and tired.blah blah I'm so Sad blah blah. this gonna be her last tour blah blah"
 
You know what? That's really funny because 9 years ago When she did Confession tour some trolls said same thing!
But most people choose Confession tour is one of her best tour now but I clearly remember those people.
 
For example When she did sing Jump. those People said that "oh... song title is jump but she just walk around on the stage...she's too old to dance... she looks tired.. this tour gonna be her last tour.. blah blah" 
 
Then this same people says that "Oh confession tour was her best tour!!! everything was just perfect!! but this rebel heart tour is lazy ass tour. " now... huh....
 
Anyway This Rebel heart tour is already became my Top 3 Madonna's Tour officially.
 
I didn't love true blue and who's that girl song itself until now but oh my gosh..
this new tour version of true blue and who's that girl is everything! It change my mind!!!
So touching and so beautiful!
And What about La Vie en Rose, Heart break city and Love don't live here anymore!!!
Her beautiful voice is better than ever!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
 
And how about Like a virgin!! I love it so much! You can feel and connected with her Powerful energy!
For me this performance is much better than Let it will be performance from Confession tour.
 
I just can't wait to see her in real!
 
Please watch this youtube video with full screen.
If you still think that this is small production tour then this video will change your mind.

Just back from second night and the show was better than last night…it fact as a whole it's a pretty amazing show and the flow of it all is much more apparent second time. In FACT….I want to see it again….which is very different than MDNA when half way through I said "never again".  The dancing on Deeper and Deeper is extremely subtle but actually mesmerizing to watch and the opening half 20 minutes is amazing - the fucked up screen really got that whole section off on the wrong foot last night. 

don't worry for me, all is ok :wink:  lol

The good thing is that she's done so many different types of shows that we can always go back and watch the older ones if we want to instead.  This is the first time since RIT that she's really embraced her own legend and I'm thinking with her nostalgia that was already evident in the RH album, it was the perfect time to blend the two.  I loved MDNA, but you really had to be a fan to appreciate it.
 
When I watched S&S for the first time, my first thought was wow, it looks more like hard work (gym) than fun (party) like Confessions.  Then MDNA came along and I thought wow, she's really bitter now.  I'm glad she's in a happier place in her life, as I certainly wouldn't want her to be miserable forever just for the sake of art.  Yes, there's obviously some room for improvement and I'm sure she'll continue to refine things as the tour progresses.  But she's earned the right to celebrate her own past and the fact that so many fans (and casuals) can celebrate and sing along with her this time is going to make for an incredible live atmosphere.

If that's borderline childish, what is childish? 
 
I'm sorry to hear you've gone through a bad time, Fighter.  The fact is, we're all mostly here to be part of a FAN community, and yes, everyone is entitled to their opinion, but there is a difference between disagreeing and blanket insulting everyone who disagrees with you as "past your prime", "no taste", etc. etc. as well as wishing that bad things happen just because the whole world didn't revolve around you (wanting the tour to be cancelled, no DVD, never mind that plenty of people are raving about this tour).
 
At the end of the day, I hope we can all find something positive to take from the show or if you don't enjoy it, after you've had your say maybe it's best to go spend time on something that does make you happy.  Life is too short to be bitter.
 
For me, what makes me happiest about the show, besides the set list is the fact that it's one of 3 tours that M actually looks really happy again.  As a fan, I'm happy she's in a better place in her life.  She's given a lot of fans a lot of happiness over the years, so if she wants to sing Candy Shop and enjoys it, it won't kill me to suffer through it.
 
The fact is, even her most boring tour blows any other artist's tour out of the water.  We won't have her forever.  We shouldn't take her for granted.  This is the first time since RIT that I really see her being appreciative of her fans and I see it more as her embracing her legacy as a pop legend with nothing else to prove, having a good time, and finally opening her heart more to us instead of putting on the mask all of the time.  I'm going to appreciate and enjoy every moment live with her as if it's my last with her because who knows where life may take us and whether time or financial circumstances will allow our paths to cross again.

Madonna Keeps It Together (And Familiar) On Opening Night Of ‘Rebel Heart Tour’ in Montreal: ReviewRead More: Madonna Keeps It Together (And Familiar) 'Rebel Heart Tour' in Montreal | http://popcrush.com/madonna-rebel-heart-tour-montreal-opening-night-review/?trackback=tsmclip
Bad luck has struck Madonna with each and every step of her Rebel Heart campaign, from the album leaking in demo form before even being announced to the backward yank-and-thud down the stairs heard ’round the world at the 2015 BRIT Awards.
 
As the lights dropped and a massive screen lit up center stage at the Bell Centre in Montreal on Wednesday night, several panels in the middle of the projection stayed off, providing an unintentional black hole in the middle of Madge’s face for the duration of the show’s otherwise epic — err, “Iconic†— opening sequence. Fitting, really.
 
But as the Queen of Pop would later sing that night: She’s gonna carry on.
 
 
The Rebel Heart Tour is Madonna’s first outing since 2012′s MDNA Tour and, as with every Madonna production, the concert is a massive all-out explosion of song, dance and depravity with vague social commentary, proving for the umpteenth time that Madonna is, was and truly always will be the Queen.
 
Admittedly, Rebel Heart Tour is also not her most innovative show. At least, not if you’re already deeply invested in her legacy.
 
Whereas previous tours have loosely held to an artsy concept of some kind — Confessions with its disco futuristic sheen, Re-Invention‘s militant, avant-garde boldness and the dark-to-light redemption story of MDNA â€” the Rebel Heart Tour feels more like a greatest hits run than anything, offering a joyous, colorful and, of course, deeply #unapologetic celebration of Madonna’s best musical moments and concert feats. (Rebel Heart itself is a deeply self-referential record, so the staging makes perfect sense.)
 
For the diehard Madonna fan, one who may have hypothetically trekked from America to Canada to see her on opening night, there are few new stage thrills in the production, which borrows extensively from past concepts: A guitar-led version of “Burning Upâ€? If you loved it on the Re-Invention, you’ll love it again here. A “Holiday†encore? Yes, indeed! A #SocialJustice video montage with world leaders and global events? It’s in that “Illuminati†interlude. A gypsy section with some chanting and strumming and such? Plenty of that, too — with maracas. Olé!
 
 
Of course, it wouldn’t be a Madonna concert if there wasn’t a healthy heaping of religious irreverence. Have cross? Will blaspheme.
 
Appropriately, the Rebel Heart Tour has some of her most holy indiscretions — as if the nun habits with “BITCH†scrawled across the front hanging at the merch stand weren’t enough of a clue.
 
The sacrilege shined brightest during the show’s jaw-dropping centerpiece, Rebel Heart‘s “Holy Water,†as Madonna gleefully dragged and dry-humped her sexy, stripping servants of the Lord around the stage before displaying her impossibly super-human strength by twirling on a metal cross — on top of another dancer, no less â€” in a free-for-all of sex and sin. And while she was busy twirling, her dancers gathered together on stage for a spot-on recreation of the Last Supper, where she writhed her way back across the catwalk on her knees to meet them.
 
Following some dinner table shenanigans, Madge moaned a final “Yeezus loves my pussy best†as a dancer opened her legs and went down on his knees in between her â€” and not to pray. Eating out while dining in: What could be better?
  Her latest album’s major singles â€” barring “Ghosttown,†which was conspicuously absent live but present in at least a few of the video backdrops — were thrown into the show early, with “Bitch I’m Madonna†getting an Asian-themed treatment (fan choreography galore) and “Living For Love†playing out exactly like her relentless string of promotional performances alongside Japanese dancers, Aya Sato and Bambi — vogue breakdown and all.
 
To witness that performance in person is incredible, regardless of how many times she’s done it on TV.
 
In true Madonna form, she marched to the stage with what was arguably an even longer cape, making her way up a set of stairs before thrusting it off in one major, Madge-like middle finger to her live fumble. Redemption is sweet.
Rebel Heart‘s folky oddity “Body Shop†was given generous attention, as M twirled on a car hood as a faux-mechanic before getting into some cheeky gasoline nozzle fun with her dancers — a fun shout out to The Motor City from which she hails, no doubt. After a quick ride on a stack of tires to the center of the stage, she sat down to perform none other than…â€True Blue,†the first time she’s performed the song in concert since 1987′s Who’s That Girl? Tour.
 
As though to further fire up the already flailing fans, she immediately transitioned into Erotica‘s euphoric “Deeper & Deeper,†as she and her dancers exploded with the same joyous energy of the club delight of the song’s video — plus a bit of a modern dance breakdown thrown in for good measure. A bass-heavy “Like A Virgin†came immediately afterward, as M loosened up her buttons and aggressively thrust her way (and sucked her thumb!) across the catwalk, smiling and slapping hands with fans along the way.
 
The Rebel Heart Tour set list, as opposed to some of the more recent tours, is solid, and what the show might have lacked in revolutionary concepts or fresh visuals (“Erotica†and “Ghosttown†were repurposed as backdrops, the first decision genius, the latter less so), it made up for in multiple fan favorites from the catalog, including an incredible, super dramatic revisiting of her deeply underappreciated “Love Don’t Live Here Anymore,†which she performed on a massive spiral staircase at the end of the catwalk.
 
 
The hits came fast and furious once Madonna broke out her best Señora Ciccone look two-thirds of the way through, cycling through several of her classics — including “Dress You Up,†“Lucky Star†and “Everybody†— with a flamenco flare (a meh way to cover them all in one go, admittedly), followed by another fan fave “Who’s That Girl?†and the evening’s namesake “Rebel Heart,†performed at her trusty guitar. During the performance, she instructed the crowd to look at the images behind her of fan art submissions of her face â€” thrilling for the artists involved no doubt, but for the concertgoers who paid a pretty penny to watch Madge twerk with nuns, no one really wanted to be forced to watch the Powerpoint slideshow of #RebelArt.
 
Later on, she’d do her best Cabaret/Blond Ambition impression in a shimmering flapper outfit and black bowler hat, crooning a sultry slowed-down version of “Music†before launching into the album edit, followed by Hard Candy‘s “Candy Shop,†which has been needlessly strung along for three tours in a row now. Later, “Material Girl†was effectively turned into a human Whack-A-Mole game, as Madge flung her dancer-turned-suitors, one by one, down a platform before walking down the catwalk in a wedding veil.
 
She’d later share her doubts about the “whole marriage thing†with a heavy air of sarcasm. “I’ve had my he
art broken a few times,†she reminded the crowd, as if half of them couldn’t name the exact date of her wedding(s).
 
Ever the endless romantic, she returned to her guitar once again — albeit a tinier one — for a lovely acoustic ode to love in the form of a cover of “La Vie En Rose.†(Whether that particularly song was a Montreal special or the tour staple remains to be seen.)
 
But the girl can’t stay all swoon-y and sensitive for long: As the reggaeton vibes of “Unapologetic Bitch†filled the arena, M and her male dancers began provocatively, flamboyantly thrusting their way through the fierce self-empowerment anthem. And, for possibly the first time, Madge invited a fan on stage to dance with her throughout the song — only, the fan just happened to be a super famous producer.
 
Special guest Diplo, who opened the night with a DJ set, proved to be a good sport about the whole thing, doing the whip and the nae nae onstage while getting dragged around to each corner of the stage by a gleefully mischievous Madonna. Once the performance ended, the icon gifted him with a banana, instructing him to have his way with it after the show. “We’ll have an ambulance waiting for you once you’re done with it,†she deadpanned. She’s got jokes, that one!
 
 
For a moment, the two of them looked like two friends who just happened to wander onto a massive stage in the middle of an arena. And, apart from a few fiery moments of drama, that’s how the entire tour felt: Light-hearted and deeply familiar.
 
Almost every moment of this tour feels like a nod to something she’s already done â€” which is not a criticism. (Well, not entirely.) If anything, it’s a testament to the sheer amount of ground she’s covered in her iconic 30+ year career. Catholic stripper poles and twerking for Satan be damned: At 57 years old, her continued resilience as a brilliant, spectacular force in pop music alone is rebellious and revolutionary enough as it is.
 
As Madonna and crew joyously twirled with a Canadian flag in front of a colorful backdrop celebrating each country to the sound of “Holiday,†it became clear that the Rebel Heart Tour isn’t about art (well, except for that fan art) or the #SecretProjectRevolution social activism thing (Kim Davis and her supporters surely won’t be pleased with the dude-on-dude gyrations during that “S.E.X.†interlude, though). This is a celebration of the legacy of Madonna, the entertainer. 
 
And she’s still giving us something to remember.

New tour dates for January announced via press release today:
 
Jan. 6 — Mexico City, Mexico, Sports PalaceJan. 10 — San Antonio, TX, AT&T CenterJan. 12 — Houston, TX, Toyota CenterJan. 14 — Tulsa, OK, BOK CenterJan. 18 — Nashville, TN, Bridgestone Arena

don't buy the ticket
stay at home, open windows media player
and create your own setlist
and remember to save the playlist on your pc
good luck and enoy

or this
 

one of the other covers leaked: