VogueMusic

People keep saying this but I don’t see why they can’t bring in an additional structure to suspend everything from. These kinds of things are done all the time, it’s just a question of budget. And im pretty certain, with the amount being paid and the fact it’s being broadcast she will feel it necessary. I mean, The Rolling Stones had an entire bridge built for them and additional lighting set up to light up the entire audience. I don’t imagine it’s that difficult to have some extra bells and whistles for Madonna.

So I did this Remaster in MP3 because of length and file storage and maybe (not sure) a FLAC version might come any time soon 

Hidden Content
Give reaction to this post to see the hidden content. Enjoy!

So did sell out stadium tours but that didn’t stop the snake being falsely declared the biggest tour of all time just because of inflation and inflated ticket prices 

Of course. The Snake has already got her manager on the phone 🐍 🐍 🐍 

Exactly, this is what I meant a tv broadcast isn’t the same as a post produced Madonna concert 

Hmmm... I don't see what a tour book has to do with the official tour film? They are two completely different things.
Madonna is one of the very few artists to have a track record of some sort of official video documentation of all her tours - full show or documentary. I doubt she'd leave out this seminal concert tour, considering it's success and what it represents. I highly doubt there would not be a film/broadcast of some kind.

Hmmm... I don't see what a tour book has to do with the official tour film? They are two completely different things.
Madonna is one of the very few artists to have a track record of some sort of official video documentation of all her tours - full show or documentary. I doubt she'd leave out this seminal concert tour, considering it's success and what it represents. I highly doubt there would not be a film/broadcast of some kind.

Good point. I personally don’t think it will be missing those elements. I can’t imagine she’d want to broadcast this show without Live to Tell.
So far, the only reason we have to believe that is based on fan speculation. But I believe the frame thing she moves around on is connected to her own set up and can probably be set up outdoors. The lights above the centre stage are also going to need to be there. Plus all the side screens. I think it’s fair to assume the show will look exactly the same because if they take those things away it’s going to be pretty different. And they have already stated it will be the same stage etc.
What will be different is that the audience will not be tiered. So with no roof as well it will be interesting to see how it all looks.

I believe every show is filmed by the in-house video team, every night. We've seen a bit of that footage from Sasha on his insta - https://www.instagram.com/reel/C2aKpQ_sm_j/   Most concert films from all artists are now compiled from that in-house feed, with the addition of some extra crane shots brought in on certain dates (if needed). It's not like the old days where you had to bring in a specific team, cameras, extra lighting, etc. That's just what I've picked up from reading articles about how they do concert films now. Don't take it as gospel though.
As for Rio, who knows, but it wouldn't surprise me (as said above) that she wouldn't agree to this unless the direction/editing can be done by her team, with the director selected by her. Perhaps it will be Jonas, as he was observing cameras and talking with the team in LA. Though directing live, in real-time, is a different skill set that one really has to be well versed in to pull off correctly. So who knows...

I believe every show is filmed by the in-house video team, every night. We've seen a bit of that footage from Sasha on his insta - https://www.instagram.com/reel/C2aKpQ_sm_j/   Most concert films from all artists are now compiled from that in-house feed, with the addition of some extra crane shots brought in on certain dates (if needed). It's not like the old days where you had to bring in a specific team, cameras, extra lighting, etc. That's just what I've picked up from reading articles about how they do concert films now. Don't take it as gospel though.
As for Rio, who knows, but it wouldn't surprise me (as said above) that she wouldn't agree to this unless the direction/editing can be done by her team, with the director selected by her. Perhaps it will be Jonas, as he was observing cameras and talking with the team in LA. Though directing live, in real-time, is a different skill set that one really has to be well versed in to pull off correctly. So who knows...

It would be great if she resurrects that allegedly lost act and rehearses between USA and premieres in Mexico, keeps rehearsing between Mex and Rio.
Not gonna happen though we know it’s a 2 hours show 

I believe every show is filmed by the in-house video team, every night. We've seen a bit of that footage from Sasha on his insta - https://www.instagram.com/reel/C2aKpQ_sm_j/   Most concert films from all artists are now compiled from that in-house feed, with the addition of some extra crane shots brought in on certain dates (if needed). It's not like the old days where you had to bring in a specific team, cameras, extra lighting, etc. That's just what I've picked up from reading articles about how they do concert films now. Don't take it as gospel though.
As for Rio, who knows, but it wouldn't surprise me (as said above) that she wouldn't agree to this unless the direction/editing can be done by her team, with the director selected by her. Perhaps it will be Jonas, as he was observing cameras and talking with the team in LA. Though directing live, in real-time, is a different skill set that one really has to be well versed in to pull off correctly. So who knows...

As exciting as it is, I'm a bit worried if this becomes the final "official tour film" for this tour.
The arena production is a creative, technical and theatrical marvel that deserves to be captured in its full, original glory.

As exciting as it is, I'm a bit worried if this becomes the final "official tour film" for this tour.
The arena production is a creative, technical and theatrical marvel that deserves to be captured in its full, original glory.

As exciting as it is, I'm a bit worried if this becomes the final "official tour film" for this tour.
The arena production is a creative, technical and theatrical marvel that deserves to be captured in its full, original glory.

But won’t we be missing close ups and the interaction of what’s happening in the screen with live action? That brings me back to would we have two edits or this will also cover this??? 🤷‍♂️

So I did this remaster today with all B-Sides! 

Hidden Content
Give reaction to this post to see the hidden content.   Enjoy!

So here it is I did it today! 

Hidden Content
Give reaction to this post to see the hidden content.   Enjoy 
Please do not unhide link when quoting thanks!

Little present for all of you:
Download links here:

https://youtu.be/JVWLp5IsY7E

It's on the MLVC podcast youtube channel

After having seen the show live, the ending was perfect. Not that I wouldn't have loved a medley of a few more big songs there, but while I thought it would be a bit anti-climatic, it actually flowed perfectly in the context of the whole show...and got a massive response out the audience. (And it was loud as FUCK. I LOVED it.)

After having seen the show live, the ending was perfect. Not that I wouldn't have loved a medley of a few more big songs there, but while I thought it would be a bit anti-climatic, it actually flowed perfectly in the context of the whole show...and got a massive response out the audience. (And it was loud as FUCK. I LOVED it.)

After having seen the show live, the ending was perfect. Not that I wouldn't have loved a medley of a few more big songs there, but while I thought it would be a bit anti-climatic, it actually flowed perfectly in the context of the whole show...and got a massive response out the audience. (And it was loud as FUCK. I LOVED it.)

After having seen the show live, the ending was perfect. Not that I wouldn't have loved a medley of a few more big songs there, but while I thought it would be a bit anti-climatic, it actually flowed perfectly in the context of the whole show...and got a massive response out the audience. (And it was loud as FUCK. I LOVED it.)