artlover

I prefer the album version over the remixes, which I've never been into anyway...

I honestly think she has to postpone or cancel the rest of this tour. Come back later this year with a compilation album to earn attention and she can promote Madame X while on this tour. And please LEAVE her current label.

My guess is that she might do the same Beyoncé dis with her latest release. A Netflix film combined with a live album on streaming and download. It was quite unexpected once she does considerably well in sales...

I really wish she would leave Interscope or Universal nonetheless. i think this label doesn't do her any justice and it's not fair. She could go back to Warner. She wouldn't need to go back to Sire. Maybe actually under Maverick. The prodigal child'd be back home!

LOL that's so her! I mean, it's "saudade", but she sings it in some kind of ancient portuguese... Quite a beautiful song.

Not necessarily a physical resemblance, but Brazilian huge huge huge singer, TV hostess and model Xuxa has been a kind of a trailblazer her own way for over 30 years of stardom. She's always spoken of Madonna as an inspiration and even interviewed her in the late '90s. Now she's in her late 50s and is suffering from a lot of ageism much like M herself. I'm a fan. *She's had a TV show in the US in the past, being mentioned in The Simpsons and Gilmore Girls, but she's widely more famous either in countries like mine (Brazil) or Spanish-speaking ones like Argentina or Spain.

I find her remixes quite basic, but it's indeed symbolic of her to win this. I hope we can get this over with.

Jay-Z sold a stake of TIDAL back in 2017 (as you can see here: https://www.nytimes.com/2017/01/23/business/media/tidal-streaming-music-jayz-sprint.html) which puts me in a position where I don't know if Madonna and some of other artists still own theirs. I don't recall her mentioning it recently or at all. Does somebody know of that?

I heard Beyoncé went with Jay-Z and they were backstage. I can't confirm though

Do we have the whole concert yet? I didn't get it from comments

Too bad this didn't happen.

Madonna Has Always Been a Fighter The icon's close friend and collaborator, Donatella Versace, pays tribute to her many talents. 11.28.2019 by Donatella Versace “They are so naive; they think we are not aware of their crimes. We know, but we are just not ready to act. The storm isn’t in the air, it’s inside of us. I want to tell you about love and loneliness, But it’s getting late now. Can’t you hear outside of your Supreme hoodie, the wind that’s beginning to howl?” Thus ends the song "Dark Ballet," the second track on Madonna’s latest album, Madame X. It's a strong, powerful message, which only Madonna is brave enough to unleash on the world. Her social justice activism is matched only by the absolute discipline she applies to her work in the studio and on the stage. And that is how it’s always been. When I was asked to write this introduction, I became reflective. I have known Madonna for many, many years. She has been the star of three Versace advertising campaigns. But more than the celebrity, I have had the rare fortune of getting to know the woman. Of talking to her not only about work, but about life. Because Madonna is extremely informed and culturally aware she can hold her own on any subject from music to art; on politics and our environmental crisis. In her latest album, I have found that same spirit of protest we first saw in her early work. Her only mission then seemed to be to shock the world – whereas her real goal was and has always been to expose things which, as a society, we didn’t have the courage to discuss. That is why she has always been criticized, misunderstood, minimized, and at times, vilified. Her reaction was to crucify herself voluntarily. During the Confessions on a Dance Floor tour, there was a really powerful moment when she enters the scene on an enormous cross, wearing a crown of thorns, to sing "Live To Tell." Her beauty is—and excuse the word-play—divine. Everyone saw Madonna on the cross as another one of her “provocations”—because the intelligentsia have never taken her seriously. A woman who dares to lift her head up and say what she thinks? To expose the rot we are all trying to hide? No one noticed that, in reality, the message she sought to convey was a much different one. When the count on the screens stops, the information, which leaves you breathless—like a punch in the stomach—begins to appear. It’s the number of children who would soon die from AIDS if society didn’t do something to help them, not just with medicine, but through prevention, research, education, and discussion. In reality, we were all crucified, yet many of us hadn’t realized it yet. Madame X really struck a chord with me. I listen to lots of music, especially music that experiments with sound. In this album, I not only found experimentation, but also powerful, relevant lyrics. I found a Madonna uninterested in currying favor. I found the Madonna of Like a Prayer and of American Life—perhaps one of her least understood albums. Not long ago, Like a Prayer turned thirty years old. I can still remember the scent when I opened the CD sleeve. Despite the cultural stigma of AIDS, the record was accompanied by lyrics that focused on the epidemic that was claiming so many victims and on the importance of global education about a monumental health crisis that would touch all of society, and which above all required compassion and empathy for those infected. The day after the launch of the video, religious groups all over the world protested against the use of Catholic imagery, and even the Pope went out of his way to ask “fans” to boycott the disk. Both tracks went straight to number one on the charts and sold over 15 million copies. The album became a manifesto for the battle against those who want to keep us ignorant and oppressed, against stereotypes, against all those who want a society trapped by bigoted and ignorant preconceptions. That is what Madonna has always been to me: A lioness. A fighter. Besides the records sold, besides her ability to interpret society like no other artist, to create fashions that have inspired us all; besides the countless records made and awards won, Madonna to me, more than a fantastic performer and the female artist who has sold the most records in the history of music (well, yes...), is a woman. A mother, a great businesswoman, one who began marketing before the word or even the discipline had been invented, and who has always challenged us to be a more cohesive society, to fight together against injustice and to respect our neighbor. I admire Madonna’s fearlessness. She has never been afraid to go out on a limb. In concert, always, she asks the crowd: How many people talk the talk and how many walk the walk? She even did it physically in her controversial book Sex—another ground-breaking, record-breaking project which can only be found today second- or third-hand. She accomplished this radical artistic and cultural statement by laying her ideas bare. The day before the American elections in 2016, on a cold late-fall evening in New York, she made a surprise performance in Washington Square Park before hundreds of people who quickly gathered around her. She appeared with just a guitar and her desire to keep on believing. After the terrorist attacks in Paris the year before, she had done the very same thing. With a lexicon of words that fail to adequately describe her, I return to one: brave. While a song cannot give us back what we have lost; it can definitely help and support those in need. And there she was again, with her face and her body to say: I am here in person, and not just with words. She even did it physically in her controversial book Sex—another ground-breaking, record-breaking project which can only be found today second- or third-hand. She accomplished this radical artistic and cultural statement by laying her ideas bare. The day before the American elections in 2016, on a cold late-fall evening in New York, she made a surprise performance in Washington Square Park before hundreds of people who quickly gathered around her. She appeared with just a guitar and her desire to keep on believing. After the terrorist attacks in Paris the year before, she had done the very same thing. With a lexicon of words that fail to adequately describe her, I return to one: brave. While a song cannot give us back what we have lost; it can definitely help and support those in need. And there she was again, with her face and her body to say: I am here in person, and not just with words. Source: https://www.lofficielusa.com/music/madonna-donatella-versace-tribute

They even improved her singing voice back in time...

I have to point a few things after reading this report. The food looks so... not yummy. Looks lazy. Am I too poor to appreciate fancy food? This part is no news to a die-hard or long-time Madonna fan, but it is always nice to know what's behind artistic creation. She's indeed a hard worker and that is absolutely admiring. Not so sure about that though. It's a lot of backing track and no live band according to attendants' comments.

In Lisbon she'll do concerts very close to a Brazilian OUTSTANDING singer called Maria Bethânia. She's the younger sister to Caetano Veloso. She does all romantic, soulful, cultural music, but also fado. I'd DIE to see them together. Lol

Sooner Or Later might fit so well the second segment imo

She's losing a marvelous chance of polaroiding herself with a fan every night for free. I guess Material Girl is alive and in full glory!

I take pics and film a little too. What's the point of having that much of technology if not to use it? We can't let it REPLACE the cool things of life.

Did we have any differences in the 2nd night, comparing to the 1st? Overall it was the same concert?

The human race doesn't get tired of making me surprised. Usually in a negative way.

Not to mention how pointless it looks like. Why bother buying an expensive ticket if you're not gonna enjoy it?

Just a few. Brief ones.

I remember that time when Broadway legend Patti Lupone (a.k.a. the original american Evita) took the phone off of an attendant's hand and just gave it back once the curtains went down. That's edgy, but I really think it's disrespectful not to look at the artist. It's distracting. And why's that need of filming an ENTIRE concert? You watch it through the screen, so there wouldn't be no need to buy any ticket!

I did not know she had a new boyfriend... is it really so?