Pootz333

As far as music goes, yes 4 Minutes was a worldwide hit. And I heard it on the radio a lot. It's held up well even though I wish it was a duet with anyone else besides Justin. Hung Up was the last time a new Madonna song release was an EVENT. The way every club I went to would scream and carry on as soon as "Time goes by..." and the ticking started. And these were mixed clubs with lots of straight people. Now yes, there were some people who thought it was cheap damage control that relied too heavily on the Abba sample. But they were the minority. I have not seen that kind of reaction to new Madonna music since by the gp. And please remember I'm talking about new releases. Of course a million people will show up to the free Rio show. That's not what I'm talking about here.

This is silly. But so are the "She can show up at 2am, take a dump while miming Autotune Baby! Take my money, Queen!" crowd.

Her fans are like any other fanbase. Some cool people and a whole lotta macadamias.

LAP has been that girl since Never Been Kissed. ...and I just realized that it's been 25 years since then....

In an alternate universe, Hard Candy came out in '03 instead of American Life. And "Back That Up To The Beat" was one of her most successful singles on the US Hot 100. She does just one Justin collab. The rest are Britney, Gwen, Janet (GAG!) The American radio blackballing never happens. AL is released as a double album with Madame X in 2019 inspired by her divorce from Ingrid. It makes more sense tbh.

I love that classic songs and remixes other than the usual suspects are finally getting some shine after 84 years.

NRM and BS. They both prove she can put on a great show with dance music and not need 100 dancers or crazy choreo. They were at the top of my wish list. Still can't believe she did them.

I see nothing wrong with what she said. Anytime anyone compares TS to M though, I just have to clock out. No shade to TS, different strokes for different folks, but it's two different planets.

The Hard Candy cover is what the music videos should have looked like. So bad it's good imo. Bedtime Stories cover will always be the upside down pic for me. The right side up looks weird. I'll never forget seeing the ROL cover bills wheat pasted all over NYC when it was being rolled out. She looked like a magical goddess. What a time.

I never cared for Justin but 4 Minutes is a bop and has aged bopfully. The video is terrible though. Same with Give It To Me. She looked amazing but that's it. Medellin is a cute. Unpopular opinion: There are several songs on MDNA that blow it out of the water.

I get the pre/ post Confessions thing. For me it was the transition between Vogue and Music at the Superbowl. From creamy smooth pop icon goddess to drunk cruise ship tribute act in 2 seconds. (If you all loved the rest of it, I'm very happy for you). RH has its moments. The world ended in 2012. She was just ahead of the curve as always tbh.

Her roots look fantastic. I really love them.

"It sounds like the 80's!" Which part of the 80's? I remember when Hard Candy was allegedly "a return to her self titled debut"....

This. Illuminati was right there if she really wanted to gag the tweens and rattle the net.

I still can't believe how much stuff has leaked over the last couple of years. And I wonder how much more there actually is.

New single, please. Go out with a bang in Rio. On to the next thing. We don't have the luxury of time, Tina.

I'm still traumatized from Boom Pride and the Times Square silent film.

" I hate it! I'm too beautiful! Looks like a L’Oréal commercial!" "I have a genius idea. Let's make Love Profusion an Estee Lauder ad!"

Madonna complaining about someone's ego...

The music video has aged very well. A snapshot of pre 9/11 America. The Bix and Jonsi remix has eclipsed the original for me, though. One of her best remixes.

I've said it many times watching Celebration, that it's the tour I wanted in '09.

You Must Love Me

Cut to page 354 with the meltdowns from half the people flying in from around the world, not getting in, and rioting.

Free? FREE?! I'm very happy for all the Brazlian fans. And incredibly bitter that this wasn't done in NYC like I've been asking for the last 84 years.

How about Evita fully Miami mixed on Broadway? The final lament might be tricky but I have faith. And I'm fine with her lip syncing the whole thing tbh.