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Unapologetic Bitches
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Vogue (29/87)



  1. Sadly I’m gonna miss the MXT of Papa Don’t Preach but it’ll be okay. There were so many different moments. I can’t wait for Vogue and IDSIF, Batuka, Future, God Control, Crazy, Medellin etc.
  2. Also, what does she need to rush the release for? All the other names probably had to because it’s their job. M is beyond needing to treat her work like work. It’s her art, and at time more a hobby. Hence her not pushing the film editing during the lockdown. If she had already released it, we’d done tore it apart and be bored this October🤷🏻‍♂️
  3. If anyone needs a fun chuckle and insight into some Twitter reactions, these are some good ones of our “messy legend”: https://www.harpersbazaar.com/celebrity/latest/a37566779/twitter-madonna-butt-2021-vmas/
  4. Looks rather delicious. But I could tell she didn’t feel comfortable. And that could be from the environment, the clothes, or her body. But she’s Madonna and what would we prefer? She accept defeat and keep the trench coat on? That would not be Madonna. The trailer is fine. Crazy has grown on me so much. You can hear she felt that song. And the editing in the intro was not the most tasteful. But it was edit in such a way in general that I felt like it was meant to be bright and cartoonish.
  5. I don’t consider it a studio album in the since of her other studio albums. It is mostly original tracks but it’s also so heavily tied to a movie, but with one listen, one can tell Madonna was super invested in the concept of Breathless and Dick (no pun intended). But if I was categorizing, I wouldn’t include it with the other 14 studio albums. I’d slide it between Who’s That Girl and Evita in the movie/soundtrack albums. But it’s such a gray area and totally understand many placing it with the other studio albums straight up.
  6. Kinda wasted my morning commute on it. Haus Labs is amazing as expected from all leaks and attempted recreations. Alice wasn’t bad at all. Stupid is where started going down hill. It’s wasn’t bad per se but too short. And then idk what was going on in Rain on Me but it was the first official slip on the list and that continued until Enigma which had some okay effort but I still skipped by the end. Sine from Above was the quirky effort I was looking for but the dub step at the made my thumb slip and I skipped… and then I magically landed back on Haus Labs because there wasn’t another remix of Babylon there… well there was… but I’m going to pretend it wasn’t. Overall there are better remixes for the singles and if I hunt, I’ll find better of the other tracks. Maybe with another listen I’ll soften my criticism but… really your album that helped so many through COVID and quarantine and you can’t push a stronger remix album? And the features… were just not worth it. Can we get the Apocalypse of Chromatica remix album next?
  7. Medellin wasn’t bad. I smiled the whole day when it came out. It’s dreamy. Madame X is perfect depiction of Madonna: serious, comical, dark, light, experimental, modern, sleek, raw, robotic.... ironic. Faz Gostoso could’ve been nice as a single but it’s clear that she preferred her work with Maluma and Batukadeiras for videos. But the 5 Million on the Billboard holograms could’ve gone towards videos for other songs to help explore Madame X and her journey to bring light while running from the dark. Also, Confessions and Ray of Light aren’t as strong bodies of work compared to Music or American Life.
  8. Rescue Me as spoken word was brilliant. It presented the song differently. Not about dance. But as poetry.
  9. But there was damage control from the album itself going on. Where Drowned World saw her distancing herself from the old hits, Reinvention saw returning to the past, which people found more attractive than American Life. She’s last that now. If anything, we got splashes of her back catalogue throughout MX era. Like A Prayer at Euro and Tour. Vogue, American Life at Pride and Tour. Frozen and Rescue Me and others on tour. And Hung Up returned for Pride this year alongside IDSIF. I’m interested I. Her current works because that’s where she is in the world. I was born 97 so I can’t fall back on the experiences of her during the 80s, 90s, and early 00s. I have what she’s giving now and will give.
  10. Definitely excited. From the balcony, you see everything in a big picture way but not all the little details buried in the work. She was in pain or sick and I know that was killing her as a perfectionist. I’ll miss Papa Dont Preach but everything else will be just as beautiful.
  11. Ugh, I gotta pick up another streaming platform. Oh well.
  12. Popular: True Blue Fan Favorite: Confessions Experimental: Madame X Cult Classic: American Life Best Album: Ray of Light Meh: MDNA
  13. I’ve been flowing between Omar Apollo, The Neighborhood, and Lorde (prepping for the new album). I mean, that’s my non-Madonna picks for right now. I’m all over the place with M as usual.
  14. I voted yes, but I would more strongly agree with a MXT situation. Less cities but more dates. But don’t know about just Vegas. Less travel expenses though. And less strain on her physically, mentally, or emotionally which all in question in the tours since MDNA. Her tours are adjusting to her in awkward ways that may or may not healthy for her. I find it odd that a check up didn’t reveal the issue with her joints ahead of time. My mom can walk into an appointment and be fine and be warned about her arthritis that’s starting and she may not have felt quite yet. but... this residency would need a new album, and a good compilation that is justified (obviously). We don’t need GHV2 or Celebration style. Immaculate gave us remixes that were nice of some singles. Either do a full dance comp or something snazzy. I’d personally call it Superpop, build a residency show that can tell a good story through old and new songs. I’d request she include Atlanta or Charlotte for the residency locations. Lol, South Carolina is far off from the cities that she choice last round. I did Philly but I’d rather not again. Beautiful city though, if anyone from here lives there.
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