deathproof
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deathproof got a reaction from Shoful in Warner/Interscope/GuyO/Gomest blaming
Rescue Me and Frozen (both Lola and M). I believe there’s others (I think I Rise?), maybe our Madame X Xpert might know @Shoful
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deathproof reacted to Aiwa08 in Finally Enough Love: 50 Number Ones
@Dj Garrido The real compilation would be 56 tracks (without counting twice "Into The Groove" and "Holiday").
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deathproof got a reaction from Levon in Warner/Interscope/GuyO/Gomest blaming
We didn’t know how good we had it at Warners till MDNA happened. None of the Interscope singles went top 10 in the UK, yet Celebration was a top 10 hit! Her relationship with radios across the globe was totally different post Warner. Even her releases were handled differently, or better yet, unprofessionally. Remember the Living For Love fiasco in the UK?
Also, a lot of the complaints about Warner came from US fans, as Europe and Japan had a much larger promotional tour for Confessions compared to the US. They also didn’t promote her enough on adult contemporary radio which would have been a more successful radio format for her last 3 WB albums instead of top 40 radio. They waited till “Jump” to push her on A/C radio 🙃
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deathproof got a reaction from madgefan in Warner/Interscope/GuyO/Gomest blaming
Damien Jalet is a professional choreographer and did amazing work on the Madame X Tour.
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deathproof got a reaction from Starchild in Warner/Interscope/GuyO/Gomest blaming
We didn’t know how good we had it at Warners till MDNA happened. None of the Interscope singles went top 10 in the UK, yet Celebration was a top 10 hit! Her relationship with radios across the globe was totally different post Warner. Even her releases were handled differently, or better yet, unprofessionally. Remember the Living For Love fiasco in the UK?
Also, a lot of the complaints about Warner came from US fans, as Europe and Japan had a much larger promotional tour for Confessions compared to the US. They also didn’t promote her enough on adult contemporary radio which would have been a more successful radio format for her last 3 WB albums instead of top 40 radio. They waited till “Jump” to push her on A/C radio 🙃
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deathproof got a reaction from Enrico in Warner/Interscope/GuyO/Gomest blaming
We didn’t know how good we had it at Warners till MDNA happened. None of the Interscope singles went top 10 in the UK, yet Celebration was a top 10 hit! Her relationship with radios across the globe was totally different post Warner. Even her releases were handled differently, or better yet, unprofessionally. Remember the Living For Love fiasco in the UK?
Also, a lot of the complaints about Warner came from US fans, as Europe and Japan had a much larger promotional tour for Confessions compared to the US. They also didn’t promote her enough on adult contemporary radio which would have been a more successful radio format for her last 3 WB albums instead of top 40 radio. They waited till “Jump” to push her on A/C radio 🙃
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deathproof reacted to Aiwa08 in Finally Enough Love: 50 Number Ones
@RUADJAI At this point, this is a sterile debate. I am talking about getting a continuous analog signal and transforming it into a discrete digital signal with the best result. And the best result means to obtain a digital signal almost identical to the analog signal.
And this debate is eternal because some defend that 44100 is enough, and others defend the idea of “the more sample rate, the better”. And this is the reason why SACD, Blu-ray audio, and hi-res files exist today.
P.S: I'm sorry. English is not my first language and it's really difficult for me to have a technical debate.
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deathproof got a reaction from liquidlove88 in Finally Enough Love: 50 Number Ones
Her team has been doing this since 2009. It’s all about $$$. If they put out multiple versions, they knew fans will purchase each one. It’s like the single disc vs 2 disc version of Celebration. And those confusing Standard and Deluxe versions of Rebel Heart and Madame X. At the end of the day it’s all for collectors, but the definitive versions always become the “deluxe.”
Because of Pride. She did a Pride show that happened to be titled “Finally Enough Love,” plus the streaming release was a way to include some Madonna remixes on peoples Pride playlists for parties.
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