thegoldencalf

I’m pretty sure all the albums will get rereleased. But only some will get expanded and boxsets and such

I’m not sure in other places but on MTV Europe erotica deeper and deeper and rain got tons of airplay. Especially Rain was on non stop during the summer of ‘93.
 

I’m pretty sure all the albums will get rereleased. But only some will get expanded and boxsets and such

This wouldn’t really make sense because up until JML this is too similar to Immaculate Collection. 
After all it’s a remix collection and all those 80s mixes sound very similar to the album versions or the inaccurate versions. 
And I like the fact that they included her very first single (even if I’m not a fan of it and it charted 5 years after release) and the very last. Medellin wouldn’t be a good album closer. 
And they included Living For Love over BIM because that’s one of the few exclusives on this project. And even if BIM charted better at the time none of them are huge hits and they’re pretty interchangeable. 
And of course they’d include 4 Minutes over GI2M since that was her last real hit song.
I think both FEL and TIC are far from perfect but compilations like this never are. There’s always tough decisions and painful omissions on them.
 

It says abridged. By definition this means it’s a shortened version of something longer. 
An abridged version of a book may have a different cover and sells on its own but it’s still an edited version of that same book. Not an entirely different book

I’m not sure in other places but on MTV Europe erotica deeper and deeper and rain got tons of airplay. Especially Rain was on non stop during the summer of ‘93.
 

I’m not sure in other places but on MTV Europe erotica deeper and deeper and rain got tons of airplay. Especially Rain was on non stop during the summer of ‘93.
 

Didn’t they make an announcement about Fever appearing in some show this fall?
That could be part of the promotion for the reissue. And now they released a tshirt for it. I feel like all these breadcrumbs are not accidental.
And even if the album didn’t sell that well at the time, today it’s being praised by critics, fans and music collectors.
https://www.rollingstone.com/music/music-news/madonnas-erotica-sex-why-musical-masterpiece-defiant-book-still-matter-200685/amp/
 
Also I don’t see the how the original success of the albums really impacts the reissues. We know that whatever they put out it will sell very well. 
The standard repress of erotica they did in 2019 sold out pretty much immediately.

Didn’t they make an announcement about Fever appearing in some show this fall?
That could be part of the promotion for the reissue. And now they released a tshirt for it. I feel like all these breadcrumbs are not accidental.
And even if the album didn’t sell that well at the time, today it’s being praised by critics, fans and music collectors.
https://www.rollingstone.com/music/music-news/madonnas-erotica-sex-why-musical-masterpiece-defiant-book-still-matter-200685/amp/
 
Also I don’t see the how the original success of the albums really impacts the reissues. We know that whatever they put out it will sell very well. 
The standard repress of erotica they did in 2019 sold out pretty much immediately.

I am hoping all the albums will get some remastering. But only if they go to the original masters and do it properly. We don’t need some digitally enhanced versions of the final versions like we’re getting for FEL.
Hopefully after 40 years her catalogue will finally get the serious treatment it deserves.

Didn’t they make an announcement about Fever appearing in some show this fall?
That could be part of the promotion for the reissue. And now they released a tshirt for it. I feel like all these breadcrumbs are not accidental.
And even if the album didn’t sell that well at the time, today it’s being praised by critics, fans and music collectors.
https://www.rollingstone.com/music/music-news/madonnas-erotica-sex-why-musical-masterpiece-defiant-book-still-matter-200685/amp/
 
Also I don’t see the how the original success of the albums really impacts the reissues. We know that whatever they put out it will sell very well. 
The standard repress of erotica they did in 2019 sold out pretty much immediately.

Didn’t they make an announcement about Fever appearing in some show this fall?
That could be part of the promotion for the reissue. And now they released a tshirt for it. I feel like all these breadcrumbs are not accidental.
And even if the album didn’t sell that well at the time, today it’s being praised by critics, fans and music collectors.
https://www.rollingstone.com/music/music-news/madonnas-erotica-sex-why-musical-masterpiece-defiant-book-still-matter-200685/amp/
 
Also I don’t see the how the original success of the albums really impacts the reissues. We know that whatever they put out it will sell very well. 
The standard repress of erotica they did in 2019 sold out pretty much immediately.

Why are we comparing a remix compilation centered around a very specific US chart with an overall GH collection?
FEL is more of a continuation of You Can Dance or like Greg said GHV2 Remixed

Why are we comparing a remix compilation centered around a very specific US chart with an overall GH collection?
FEL is more of a continuation of You Can Dance or like Greg said GHV2 Remixed

Why are we comparing a remix compilation centered around a very specific US chart with an overall GH collection?
FEL is more of a continuation of You Can Dance or like Greg said GHV2 Remixed

Different how? I still hear all the distortion 

Different how? I still hear all the distortion 

That shitty loop would have never become some sort of staple song of the 2020s. It was just a silly experiment that slowly gained traction on social media for months. 
I don’t know why people here desperately want to see it as a major release or anything. 
She just used it as a tool to increase her streaming profile and it did surprisingly well. 
Further than that I think her fans here obsess over it way more than she ever did. 
It was just a marketing tool for the new streaming age. 

That shitty loop would have never become some sort of staple song of the 2020s. It was just a silly experiment that slowly gained traction on social media for months. 
I don’t know why people here desperately want to see it as a major release or anything. 
She just used it as a tool to increase her streaming profile and it did surprisingly well. 
Further than that I think her fans here obsess over it way more than she ever did. 
It was just a marketing tool for the new streaming age. 

SDP mix edit with both verses:

Hidden Content
Give reaction to this post to see the hidden content.

That shitty loop would have never become some sort of staple song of the 2020s. It was just a silly experiment that slowly gained traction on social media for months. 
I don’t know why people here desperately want to see it as a major release or anything. 
She just used it as a tool to increase her streaming profile and it did surprisingly well. 
Further than that I think her fans here obsess over it way more than she ever did. 
It was just a marketing tool for the new streaming age. 

That shitty loop would have never become some sort of staple song of the 2020s. It was just a silly experiment that slowly gained traction on social media for months. 
I don’t know why people here desperately want to see it as a major release or anything. 
She just used it as a tool to increase her streaming profile and it did surprisingly well. 
Further than that I think her fans here obsess over it way more than she ever did. 
It was just a marketing tool for the new streaming age. 

Sure! Here you go

Hidden Content
Give reaction to this post to see the hidden content.

There’s a huge difference between an estate handling reissues and an artist curating it. Artists are generally more selective and partial to what’s being release because of their personal connection to the projects. The estate just puts it all out there indiscriminately to make as much money as possible.
And you're singling out Prince. But what about Michael Jackson. His releases have been severely botched to the point where they’re comical. 

I’d rather they take the time they need (a year, two, four…) and get some definite expanded reissues, impeccably mastered and produced, with well curated bonus content, rather than throw the kitchen sink at us and get an average quality product Rhino often puts out. 

There’s a huge difference between an estate handling reissues and an artist curating it. Artists are generally more selective and partial to what’s being release because of their personal connection to the projects. The estate just puts it all out there indiscriminately to make as much money as possible.
And you're singling out Prince. But what about Michael Jackson. His releases have been severely botched to the point where they’re comical. 

I’d rather they take the time they need (a year, two, four…) and get some definite expanded reissues, impeccably mastered and produced, with well curated bonus content, rather than throw the kitchen sink at us and get an average quality product Rhino often puts out.